Chronicle
- 2012
- Tous publics
- 1h 29m
Three high school friends gain superpowers after making an incredible discovery underground. Soon they find their lives spinning out of control and their bond tested as they embrace their da... Read allThree high school friends gain superpowers after making an incredible discovery underground. Soon they find their lives spinning out of control and their bond tested as they embrace their darker sides.Three high school friends gain superpowers after making an incredible discovery underground. Soon they find their lives spinning out of control and their bond tested as they embrace their darker sides.
- Awards
- 2 wins & 7 nominations total
Crystal-Donna Roberts
- Samantha
- (as Crystal Donna Roberts)
Patrick John Walton
- Park Ranger
- (as Patrick Walton)
Featured reviews
I was pleasantly surprised how much I enjoyed this film. Excellent directing, screenplay, cinematography and editing. Casting and performances were perfect, especially Dane DeHaan, who's screen presence is incredible in this film. The simplistic teen-target audience I understand, but I would've liked this to be a bit more mature. Still, a nice little gem and a well deserved 8/10 from me.
Throughout the years, audiences have been treated to origin stories such as those based on superheroes. With the recent success of the Batman, X-Men, Spider-Man films; and also worth mentioning "Thor" "X-Men:First Class", and "Captain America", it's not hard to see why they click with audiences. With "Chronicle", the superhero origin story is given a fresh new spin.
Directed by Joe Trank, "Chronicle" tells the story of three friends who gain superpowers from a mysterious tunnel discovered in a remote part of a suburban town. Strangely, these teens don't seem frightened or confused about their new found power. Think about how frightened and confused Bruce Banner was when he first transformed into the Hulk. But whereas Hulk was bombarded with gamma rays, "Chronicle" takes a swipe at a fairly plausible Dues Ex Machina plot device that has yet to be explained in possible future installments.
It's true that some may find fault with it's vignette-style story telling in the vein of "Cloverfield". But unlike "Cloverfield" which was a good film in it's own right but had a little too much "shaky-cam" effect, the technique is surprisingly easy to follow. That along with the well-written script and performances, made "Chronicle" all the more enjoyable and engrossing. Maybe in the future, film-makers should take notice from this film in order to make a superb product. Not only that, they even managed to achieve believable special effects on a low budget along with the script. That's really impressive that they achieved to reach fans of superhero comics and films as well as the general audience; very unique.
But I really wished it was longer. With such an intriguing premise even more better than Hayden Christensen's stinker of a superhero origin story "Jumper". "Jumper" was such a disappointment. It wasn't even fully developed on it's potential and sadly was utterly wasted. Thankfully, "Chronicle" delivers on everything that film didn't and more. The climax(which I will not spoil) is one of sheer awesomeness. Emotionally charged with a nice dash of good vs evil, done in an unconventional way. The length of the film bummed me out, but from the looks of things, I can see this film grow into something really special.
Directed by Joe Trank, "Chronicle" tells the story of three friends who gain superpowers from a mysterious tunnel discovered in a remote part of a suburban town. Strangely, these teens don't seem frightened or confused about their new found power. Think about how frightened and confused Bruce Banner was when he first transformed into the Hulk. But whereas Hulk was bombarded with gamma rays, "Chronicle" takes a swipe at a fairly plausible Dues Ex Machina plot device that has yet to be explained in possible future installments.
It's true that some may find fault with it's vignette-style story telling in the vein of "Cloverfield". But unlike "Cloverfield" which was a good film in it's own right but had a little too much "shaky-cam" effect, the technique is surprisingly easy to follow. That along with the well-written script and performances, made "Chronicle" all the more enjoyable and engrossing. Maybe in the future, film-makers should take notice from this film in order to make a superb product. Not only that, they even managed to achieve believable special effects on a low budget along with the script. That's really impressive that they achieved to reach fans of superhero comics and films as well as the general audience; very unique.
But I really wished it was longer. With such an intriguing premise even more better than Hayden Christensen's stinker of a superhero origin story "Jumper". "Jumper" was such a disappointment. It wasn't even fully developed on it's potential and sadly was utterly wasted. Thankfully, "Chronicle" delivers on everything that film didn't and more. The climax(which I will not spoil) is one of sheer awesomeness. Emotionally charged with a nice dash of good vs evil, done in an unconventional way. The length of the film bummed me out, but from the looks of things, I can see this film grow into something really special.
One day a loner kid whose mother is dying and his injured former-firefighter dad abuses him decides to film everything. That ostracizes him more from him peers because he runs around everywhere with some giant camera on this shoulder.
After a party his philosophizing cousin and another friend ask him to film what they found- a large perfectly circular hole in the ground. They jump into it and follow along the cave to find some alien looking giant glowing mineral. Something happens and the the filming is interrupted.
When the filming continues after some time we find them in the backyard controlling a baseball with their minds. Since the incident, they've developed telekinesis. At first with small objects, then larger ones, then themselves. They take their powers public bothering innocent people in stores and parking lots. Then they lean how to levitate and eventually fly.
When the poor loner kid's mom is one the verge of dying, the kid puts on a protective suit and tries to rob a gas station to get meds for his mom. On his way out, the attendant shoots at him; an explosion ensues and the kid catches on fire. He ends up in the hospital. Even there, and after the mom's death, the father will blame him and try to abuse him. The kid loses it completely. Having realized he's an apex predator and that the strong destroy the weak, he's now ready to unleash his powers and destroy all who get in his way. It's left to his cousin to try and stop him.
Chronicle overall has a good idea. It's entertaining to watch the kids develop and tame their powers and experimenting with them out there in the world. The filming is part POV, part third person because fortunately, the kid learns to control cameras and has them swarming around him. Thankfully, even when he has his old camera, the quality of the footage is excellent- unlike those poor bastards in horror movies who are forever condemned to film stuff in dismal quality grainy video. So at least that makes the POV stuff tolerable. But Chronicle retains the weaknesses of that kind of movie. It's boring at times, the portrayal of relationships overall is pretty poor- the relationship between the cousin and some girl is just awful, and eventually you end up with people just screaming at each other. Still, the entertaining aspects outweigh the negatives and this movie offers something we don't see often.
After a party his philosophizing cousin and another friend ask him to film what they found- a large perfectly circular hole in the ground. They jump into it and follow along the cave to find some alien looking giant glowing mineral. Something happens and the the filming is interrupted.
When the filming continues after some time we find them in the backyard controlling a baseball with their minds. Since the incident, they've developed telekinesis. At first with small objects, then larger ones, then themselves. They take their powers public bothering innocent people in stores and parking lots. Then they lean how to levitate and eventually fly.
When the poor loner kid's mom is one the verge of dying, the kid puts on a protective suit and tries to rob a gas station to get meds for his mom. On his way out, the attendant shoots at him; an explosion ensues and the kid catches on fire. He ends up in the hospital. Even there, and after the mom's death, the father will blame him and try to abuse him. The kid loses it completely. Having realized he's an apex predator and that the strong destroy the weak, he's now ready to unleash his powers and destroy all who get in his way. It's left to his cousin to try and stop him.
Chronicle overall has a good idea. It's entertaining to watch the kids develop and tame their powers and experimenting with them out there in the world. The filming is part POV, part third person because fortunately, the kid learns to control cameras and has them swarming around him. Thankfully, even when he has his old camera, the quality of the footage is excellent- unlike those poor bastards in horror movies who are forever condemned to film stuff in dismal quality grainy video. So at least that makes the POV stuff tolerable. But Chronicle retains the weaknesses of that kind of movie. It's boring at times, the portrayal of relationships overall is pretty poor- the relationship between the cousin and some girl is just awful, and eventually you end up with people just screaming at each other. Still, the entertaining aspects outweigh the negatives and this movie offers something we don't see often.
The next in a long line of "found footage" flicks that have been flooding our cinemas over the last few years, Chronicle breaks free of the usual constraints within that sub genre to concoct a truly memorable sci-fi thriller. Retracing the steps of three teenage friends who are gifted with telekinesis after a chance encounter with something (intelligently, the movie never stipulates what exactly), the story focuses on the varying paths they take with their new found talent, but not until they have had some juvenile fun with it first. This is an amazingly accomplished debut feature for writer-director Josh Trank (who co-penned the script with Max "son of John" Landis); his technical veracity is utterly mind-blowing – especially when you consider the shoestring funds he had to work with – and his narrative pacing is impeccable. The icing on the already yummy cake is the marvellous CGI that allows our protagonists to fly, crush cars and stop baseballs in mid air – all seamlessly and photo-realistically. Chronicle is a tremendous achievement in low-budget, big-concept filmmaking.
I'm normally not a big fan of the handycam filming technique. In the beginning it was all new and okay but personally I think they should stop that technique. It doesn't do movies any good. Not that Chronicle is a bad movie though. It's definitely something else then the usual superhero movies that we see so much lately. Here three kids get telekinetic super powers after discovering a strange thing underground. What starts as a bit of fun quickly escalates in catastrophes. The story is easy to follow. It's different then the usual action heroes that use their powers to fight evil. The actors are all quite young and are not bad. Thinking about what they do with their powers makes me realize that I would probably try the same things. But it's all fiction. So all in all it's an entertaining movie to watch.
Did you know
- TriviaDirector Josh Trank made Dane DeHaan, Michael B. Jordan, and Alex Russell live in a house together for fifteen days, in order to create a genuine bond between the three actors.
- GoofsThe movie is set in Seattle but after the guys talk about the new camera, an Opel dealership is visible through the car window. Opel cars are not sold in the USA.
- Quotes
Steve Montgomery: Yes, it was the black guy this time.
- Crazy creditsThe title doesn't appear on screen until the end.
- Alternate versionsThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making some cuts and visual reductions. When the finished version of the film was submitted for formal classification, cuts had been made in two scenes. Cuts involved the removal of a violent act and subsequent discussion of this, with some bloody focus, reducing focus on bloody injuries, and reducing sight of a character being impaled. With these changes having been made when the film was formally submitted, it was classified at 12A.
- ConnectionsFeatured in Projector: Chronicle (2012)
- SoundtracksReady to Roll
Written by Joel Beeson, Simon Berckelman & Daniel Williams
Performed by Philadelphia Grand Jury
Courtesy of Boomtown Records
By arrangement with Sugaroo!
Details
- Release date
- Country of origin
- Language
- Also known as
- Poder sin límites
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $64,575,175
- Opening weekend US & Canada
- $22,004,098
- Feb 5, 2012
- Gross worldwide
- $126,636,097
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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