Tanu Weds Manu

I had no prior intentions of watching this movie on first day first show. Some of my friends were going to watch this, so I joined them. Having just watched a trailer, I set out to watch this film without any expectations. But, to my surprise this movie made me laugh a lot and by the interval most people were out of their seats clapping and laughing. Movie also had a spicy Indian flavor which mixed with great humor made for really some treat. But, soon after interval, it turned out that this was too good to be true. After interval, movie started taking sharp turns some of those were beyond Human understanding. This could have been a wonderful 100 minutes movie. Don't know why directors instead opted for stretching this movie so much so as to make it completely boring and quite predictable too in the end. But, you won't regret your bucks if you see it with your friends for first time. This movie had some awesome beats as well. Punjabi beats were just irresistible not to dance upon them. Do check out OST after watching this movie. Madhawan was awesome as ever. Kangana is a good actress as far as acting is concerned and she didn't disappoint. But, it was difficult to gage the kind of character she played, which turned out to be a bit frustrating. Award for special acting, if any, will go to "Deepak Dobriyal" who in the cast of Pappu delivers an excellent performance. He is the one guy who keeps movie one even in a supporting role. Jimmy Shergil in his guest role is awesome too. His performance was very realistic. Eijaz Khan in the role of Jassi is also quite good. Having said that, this movie could have been a real gem which it wasn't. This is kind of movie you would want to see and then forget. Those not familiar with Indian culture might get disappointed because, Indian flavor is what makes this movie enjoyable. I will rate this movie as an average one. 7 out of 10.

Last Sunday, just casually I went to watch Tanu Weds Manu with a low expectation. And to my immense surprise, I felt extremely satisfied after watching it. In fact, as the movie progressed, I found myself being lost in the narrative, flowing with the storyline and the characters (mainly with the hero). This low profile movie is based on an unrealistic story of a well-educated (and well-mannered) NRI doctor, falling for a drunkard, smoker, foul-mouthed and philandering girl of a middle class family of Kanpur (it's been told that she had had her education in Delhi). However, it's the utterly realistic portrayal of this unrealistic story on the screen which makes it a winner.

As expected, the boy falling for the charms of the girl (whom he sees for the first time in a highly intoxicated state and he thought she was slept), finally wins her over first emotionally and then practically. So the end of the movie is as predictable as any other bollywood movie of the same genre. However, the twists and turns in the story alongwith the highly realistic milieu and the supporting characters involved, turn the experience of watching this movie into a highly satisfying one.

At the very outset, it reminds the viewer of Hum Aapke Hain Kaun and later it is reminiscent of Jab We Met and Dilwale Dulhaniya Le Jayenge at places. However the commendable thing is that despite similarities in bits and pieces, this movie maintains an identity of its own. It's definitely not a copy of any other movie.

The locales of Kanpur, Kapurthala, Lucknow etc. have been captured by the cinematographer with a high degree of excellence for which he deserves an award for sure. The lives of the middle class people (whether they are from the prospective bride's side or the prospective groom's side) have been shown with so much naturalness that the characters and their homes look quite real and nowhere filmi. The middle-class India shown in the movie is, in fact, the real one with real flesh and blood characters that may be found at next door to us.

The first half is thoroughly gripping and entertaining whereas despite its shorter length, the second half is a bit dragging and edgy. However, overall the movie render an air of feel-good. We know that the hero will get his love in the end (after all, he is an Indian hero), still the script-writer has done a marvellous job by maintaining the curiosity throughout.

After a very long time, I listened to such soul-soothing music in a bollywood movie. So full marks to the music director as well as the lyricist.

The supporting characters of the movie are above its story; utterly real, familiar and like a gust of fresh air. Whether it's the chaddi-buddy of the hero or his present best pal, whether it's the closest friend of the heroine or the fathers of the hero-heroine duo, all are able to leave their imprints on the viewers' hearts. In fact, it's the supporting cast which is the heart and the soul of this movie.

Jimmi Shergill stands out in the predictable climax and once again proves that he's an actor par excellence. I have been an admirer of R. Madhwan since his Rehna Hai Tere Dil Mein days and to me, he played the character of the mature and considerate hero, doing justice to his love at first sight, with perfection. His underplay deserves a standing ovation indeed. Many readers may not agree with me, however I found Kangna Ranaut as miscast in the role of the spoilt girl. Barring the final 15-20 minutes, I found her expressions and gestures as plastic, not emerging from her heart.

When Dilwale Dulhaniya Le Jayenge had been released, I was a heartbroken boy and not being mature enough, used to think of getting the love of my life in the style of Raj (Shah Rukh Khan). Later on, upon growing up with age only I realized that I could never be so resourceful as the larger than life character of Raj in DDLJ. However I am able to identify with Manu of TWM; the considerate, understanding, well-educated, yet old-fashioned and traditional and above all, sacrificing, true lover.

Despite the film's incredible success, I personally found it to be a simple film with nothing but overused clichés of Hindi cinema. A mess made for theatres, suitable as television serial, though has splendid actors in it, falls short because of it's boring screenplay.

Just because you take a bakwaas bollywood film, remove all of it's cringe parts, and make a Desi film out of it with Desi music filling incessantly, doesn't make your film award deserving. It was rather disappointing.

Today i watched Tannu weds Mannu without much expectations from it, but it turned out to be a good time pass movie.

First half is really like a roller coaster ride. Lots of humor with some 'beeped slangs'. It was really funny to hear Indian slags from Kangna who is playing a role of a bindass girl.. ;). As the movie move on you create an interest in the story. Unlike most of bollywood movies where you can predict every scene before, this movie is some what different.

Second half is comparatively slow and the story calms down with some emotional touch in the movie. Story becomes somehow predictable, but it needs to be that way. They couldn't do much in that.

Kangna has shown in couple of her last movie that she can also act a bit. Madhavan is good as always.

Overall it is a good time pass movie. Go and watch it if you are bored with you daily routine and want some fun.

Tanu Weds Manu is an enjoyable film but sadly it never manages to be outstanding. And it could have been, had it been handled better. The film starts on a very nice note, and the first half is very good. Later on it becomes a little messy. The messiness however never takes away from the film's feel-good nature, its colour and wonderful music. The narrative style in this sense is really very good, it's very musical and makes the entire thing flow really well even if the writing is not at its potential best. The romance is particularly well-done, there's a right amount of balance in how the tension is between the two main characters, who are polar opposites, is built.

Madhavan and Kangana Ranaut might be an unlikely couple at first, but it works well. Most of the credit goes to Madhavan's wonderfully subtle and profound performance. His Manu is kind and vulnerable and very easy to empathise with. As the wild Tanu, Ranaut looks prettier than ever and has a nice energy. She does get a little screechy and over-expressive at times, but her presence makes up for much of it. The supporting cast includes a host of familiar faces, and it is Swara Bhaskar who leaves a mark in a performance that is never less than convincing. The conclusion of the story is rather predictable but it's a nice one, as is this film, a watchable and culturally rich romance.