Happy People: A Year in the Taiga

I watched this film during an Australian heatwave - good choice!

Definitely helped cool me down. Witnessing a Siberian winter has that effect on you. I really loved the simple, yet inspiring way of life these people had. No radio, no TV, no internet, no phone - just man and dog vs an endless wilderness. There's something quite appealing about that. It's doubtful I'll ever experience that kind of solitude, but it was great living vicariously through these tough Russian trappers!

I wouldn't recommend the film for vegans or vegetarians though, as it depicts an old traditional way of life - living off the land, hunting animals, and using the landscape to survive, make a living. It was emotional watching the old war veteran break down talking about the war too; nevermind the amazing dog who ran 150km non-stop in the snow to get home - pass me the tissues!

I loved the leisurely pace of the film. It never felt boring and was thoroughly interesting throughout. I can't help but think my own Grandfather, who was a hunter and bushman would've enjoyed seeing his Russian equivalents and their unique methods for overcoming challenges.

These people really put my own first world problems in perspective. Definitely recommend to those needing a slower pace of life, or who are stressed out or anxious. Probably my favourite Herzog film to date.

Saw this one a couple of years ago and was really stunned with the quality of this documentary.

Movie crew lived through a year in Bakhta, small simple village of huntsmen and fishermen in Siberia, and they have done an amazing job of showing how simple life, hard (you bet) labour and everlasting circle of life make people... pure. Happy.

There's not a hint of falseness, no pathos, no complaints. And that's probably what got to me the most: perfect documentary, no opinion imposed, just showing this life 'as is' - and the clarity of it strikes you, urban people, deep to the core.

Must see, really.

I was almost immediately enthralled with this documentary about the life of a trapper in the boreal forest of Siberia in the town of Bakhta (population around 300). I did not expect it to be so interesting, but looking at the credits of director Werner Herzog, 68 in all, I am not so surprised. Apparently I have stumbled upon a great director of documentary films that previously I knew nothing about. Also directing was Dmitry Vasyukov.

What makes this work so well is the clear, concrete detail shown as the trapper (Nikolay Nikiforovitch Siniaev, I believe) goes about what he has to do throughout the entire year in order to survive in the harsh climate. What must be done in spring as he prepares for the melting of the snow (and the mosquitos!) is very different from what must be done in the dead of winter when there is ice on the man's beard. Interesting enough during both winter and summer they fish the river for pike, breaking ice in winter and throwing nets in the summer, which they either smoke or feed to the dogs.

The dogs! In this film we can see clearly the essential symbiotic relationship between humans and dogs. It is not clear that the trapper would be able to do his work without the help of his dogs. The dog's ears and its sense of smell augment the man's knowledge and experience so that together we see them work as a team. When the man makes a mosquito repellent from the bark of a birch tree (I think it was birch) he rubs it on his dogs as well.

The amount of carpentry and other wood working that the trapper has to do, including making craft to navigate the rivers and streams, is surprising. Of course the traps he makes are made mostly of wood. He traps sable for its valuable fur. To do so he has to place traps over a wide area which means he has to maintain various cabins in the woods that he and whoever is working with him can stay overnight since the treks cover many miles of frozen ground. We see him knocking down the snow piled high on the cabins, repairing damage made by bears, etc.

The idea that the people are happy and especially the trapper cannot be argued with even though their lives are hard. The life's lesson here is that when a man is consumed with work that he has to do, that is necessary for his survival, and it is work that he can do, that he has developed the skills to do, that man is happy. He is happy partly because he is close to nature; in fact he is immersed in nature in a way similar to way hunters and gathers were in Paleolithic times. It can be argued that that world, however challenging, is one that is natural for humans. (Of course there are other natural environments, some very different such as an equatorial jungle demanding a different set of skills.) After watching this I intend to watch some of Herzog's other films.

By the way, Klaus Badelt's score is beautiful and haunting.

--Dennis Littrell, author of "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote"

Happy People: A Year in the Taiga (2010)

*** 1/2 (out of 4)

This documentary was co-directed and narrated by Werner Herzog but it didn't gather as much attention as some of the filmmaker's previous films, which is a shame because this here is another winner. The film covers a full year with several trappers as we see what they seasonal lives are all about. This includes various traps that they must make, issues they face in the wilderness and some of the most fascinating stuff dealing with them living in the bitter cold winters where temperatures reach fifty-below zero. HAPPY PEOPLE: A YEAR IN THE TAIGA is a really good film and nothing short of what you've come to expect from Herzog. From what I've read, co-director Dmitry Vasyukov actually spent the time in Bakhtia, Russia and the footage was then turned over to Herzog. Even though the famed Germany director wasn't actually on the ground, this here still comes across as his film and it contains that certain love and joy that some of his best work has. This film is yet another in a long line of films that take a look at people living in horrid condition yet being completely happy in their environment. Herzog has always been able to take "off" characters and make them seem normal. That's what happens here as we track these trappers as they go from one hunt to another while having to deal with nature and come up with creative ways to trap and live. Herzog offers up his typical great narration but the real people are certainly the stars here as we get to really know them and understand why they love doing what they do.

"Happy People: A Year in the Taiga" is the latest in a series of nature documentaries by Werner Herzog (here with co-direction by Dimitry Vasyokov), this one chronicling life in a Siberian village over a twelve-month period. Bakhta is located alongside the Yenisei River in the Taiga Forest, and the inhabitants there have been eking out an existence under some pretty challenging conditions for centuries now (this is Siberia, after all). We watch as they make preparations for trapping, build cabins in the wilderness, fashion out canoes from old tree trunks, fish in the river, fend off bears and mosquitoes, and store up supplies for the brutal winter to come. For this is life as it is lived in one of the most misbegotten outposts of civilization. As Herzog himself says, these people resemble early Man from a distant ice age. And, yet, as the title implies, the inhabitants of Bakhta are far from unhappy with their lot.

This is reflected most in the many wise and canny observations about the value of hard work and the cyclical nature of life emanating from one of the town's most seasoned citizens, a sort of rural philosopher who's been trapping in that area ever since the Communist government dropped him off and left him to fend for himself more than forty years ago. It is his commentary, more than even Herzog's own voice-over narration, that draws the viewer into this strange and unfamiliar world, one that is striking in both its harshness and its stark beauty (the image of a massive river of thawing ice heading swiftly northward during the spring is not one that will be easily forgotten).

This isn't Herzog's most innovative work by a long shot, but if anthropological studies are your preferred fare, this movie will surely fit the bill.

However, a warning may be in order for the hypersensitive viewer: this is NOT a movie that comes with the proviso, "No animals were harmed in the making of this film."