A sharp-witted comedy that follows a group of apparent strangers in interlocking stories taking place in ten different bars during the course of one evening throughout Los Angeles.A sharp-witted comedy that follows a group of apparent strangers in interlocking stories taking place in ten different bars during the course of one evening throughout Los Angeles.A sharp-witted comedy that follows a group of apparent strangers in interlocking stories taking place in ten different bars during the course of one evening throughout Los Angeles.
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Despite all the anonymity the film tried to cover itself with, it will get the attention it rightfully deserves, because it's not, as most movies of the same caliber, funny for the sake of fun. This is real comedy, and while it may not make you laugh uncontrollably, you will find a certain kind of humour that has not been attempted in a long time. Sometimes the writing is so funny, there is no actual need for dialogue.
This is not, strictly speaking, a comedy. There are a few dramatic aspects to it, as well. I give this a 9/10, although I think it deserves something closer to 8.5. Certainly one of the best films of 2011, simply for being... simple!
Carla Gugino is the main star of the film and the only constant character throughout the film. She plays a private eye named Francine Driver who is working undercover as a purported hit lady who is hired by a dentist named Nick played by Zachary Quinto to kill his wife. Unfortunately for Francine after successfully capturing on tape a clear confession by Nick the dentist to kill his wife, Francine runs in to the handsome young grifter named Henry played by Aaron Tveit who picks her purse. Henry steals Francine's wallet and the video recording of the dentist's confession that he wants his wife murdered and is willing to pay $20K for the (phony) hit lady to complete the job.
So the story line does sound interesting doesn't it? Unfortunately as Francine is seen travelling from bar to bar in search of the grifter Henry who stole her tape recording we are subjected to far too much irrelevant rhetoric from a cast of characters that just went on about nothing. This is where I felt the movie had lost me, and although adding bona fide actors like Rosario Dawson and Gil Bellows should have made the film more intriguing, I felt the film went flat.
I was hoping for more of an entertaining story as the entire film takes place in a series of bars with characters that somehow intertwine. When you have stars such as Danny DeVito, Josh Hartnett, Xander Berkeley, Zachary Quinto, Carla Gugino, Gil Bellows, and Rosario Dawson, a viewer just expects more from the movie. As an example, I cannot say enough about the fine film Dinner Rush which starred Danny Aiello, and also took place entirely in a restaurant bar. Now Dinner Rush was just an awesome film which I am sure to watch again. As for A Girl Walks In To A Bar, the title is a misnomer, since the girl in question Francine Driver, walks in to a number of bars and I walked out of the film being very much short changed. I gave it a 4 out of 10 rating and that is based on two strong performances by Robert Forster and Carla Gugino, otherwise my rating would have been lower.
There are only two story lines, born from each other, with arguably two or three main characters. And the beginning totally gets us invested in them. Nick (Zachary Quinto) is sitting nervously at a bar and doesn't want anyone to join him because he's waiting for someone. Francine (Carla Gugino) is that someone; he just doesn't know that. Minutes later we suddenly have no one left to sympathize with when it is revealed that Nick is about to commit an unforgivable crime and Francine gives no concern to the lies she just said.
Henry (Aaron Tveit) walks into a bar and steals our attention back. He flirts with Francine and just for the fun of it, and steals her wallet. Our two story lines involve Nick on his mission of crime and the law enforcement on his tail while Francine is on the tail of Henry. Their night of adventure involves checking into a number of bars each with another person to meet. The cast list is quite the collection of talented, mostly recognizable names, but they have nothing to do. Sometimes they say things that are supposed to be clever but are not.
That's where the film is worse. The dialogue is not witty nor funny, and it should not be classified as a comedy. There were quite a few scenes which had actors saying crap that none of their characters should have said and which added no meaning or value to the film.
Then the movie ended with some kind of choreographed musical and dance number which didn't conclude anything. Almost unbeknownst to me, Nick's storyline was wrapped up in a previous scene (Josh Hartnett's only scene) but with one short, stupid phone call. Quinto can act, as can Hartnett, and a well written scene with confrontation was desperately needed. After the first two scenes, there was very little confrontation, and indeed revealed that you weren't watching much at all. "Girl Walks Into a Bar" seems visually interesting, with compelling lead characters, good acting and clever story lines but then doesn't really go anywhere.
Now to the writing, it's quite alright. There's a certain noire style to it. The characters are quirky. Some situations and dialogues feel a little forced and some jokes fall flat (especially in the Robert Forster track) but otherwise the dialogue is quite funny and delivered well.
The acting isn't bad either. Carla Gugino is excellent and Emmanuelle Chriqui is brilliant, especially in her opening sequence. Amber Valetta and Aaron Tveit are quite good too. Alexis Bledel and Danny Devito are great in their single scene. Zachary Quinto, Rosario Dawson and Josh Hartnett are adequate.
Overall, 'Girl Walks Into A Bar' is a funny atmospheric semi-noire film. Not a classic but enjoyable nonetheless.
The storyline is fun and easy to watch, the intertwining story lines follow in from each other seamlessly and the dialogue is quite witty at times, (is it true that Mexican men love cunnilingus?). The only thing that let's this movie down is the lack of any type of soundtrack, music adds so much to a film and it would have been great to hear some cool indie tunes throughout this movie, but I suppose the budget has to be considered in cases like this.
I think that the writer director could do something really great if given the right budget and, I'm sure in the future we will see some cool things from this guy. Lets just hope he is able to attract as excellent a cast as what he has in this movie. So yeah if you're looking for an easy watch with a few laughs, great characters and excellent dialogue then check this out.
Kind of like 200 Cigarettes minus the 80's setting. Fun times. :)
Did you know
- TriviaShot in eleven days with a Canon 7D camera.
- Quotes
[last lines]
Henry: You have this... intangible quality.
Francine Driver: Try harder.
Henry: I'm cursed by the blossoming knowledge of my feminine ideal & she looks suspiciously like you.
Francine Driver: That's not bad.
Henry: It's pretty good, you mean. Not a total waste.
Francine Driver: How about the truth.
Henry: The truth is you're not my usual type.
Francine Driver: What's your usual type?
Henry: Gaunt, fashionable and dumb, with a big square Appalachian ass and an obsession with country music.
Francine Driver: Jesus.
Henry: Will you at least consider it?
Francine Driver: [sighs, rips up photo. Sighs. Smiles. Grins]
- Crazy creditsThe closing credits roll while Teresa, Henry and Francine all line-dance to country music while a custodian sweeps up in the background.
- ConnectionsReferences Bande à part (1964)
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- Also known as
- Gái Quầy Bar
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- Budget
- $1,000,000 (estimated)
- Runtime1 hour 20 minutes
- Color