360

360 is the film that "Crash" wanted to be. Unlike the overt manipulations of "Crash", 360 is a slow burn with a deft sleight of hand.

Rather than leading you along with neon coloured sign-posts, lets your mind do a lot of the driving. Shot in a muted, bluish pallet, the gorgeous cinematography captures the attention, while your imagination is allowed to build up steam. It doesn't demand your attention, it flirts with it. I found that refreshing.

The first few plot twists put my brain was on alert, trying to predict where the stories would lead. All the while the tension built, waiting for the axe to fall or the excrement hit the fan.

A few people have complained that 360 was slow and boring and left story lines unfinished. But that is what made it such a good film for me, it took its time and avoided clichés. The characters were neither good nor bad, they simply struggled. Some triumph and some fall, but none are unchanged.

It isn't without faults, nothing with intertwined stories can avoid some contrivance. But it didn't fall prey to the imagined demand of the audience, that everything resolve neatly. Some plots twist and turn until the very end, some evaporate like mist in the light of hearts restored while others end badly.

I can understand how the film's pacing might annoy if you aren't in the mood but if you are prepared to be a bit patient and to do some of the work, 360 is a rare treat.

"A wise man once said if there's a fork in the road take it." This is a movie that deals with many different characters from different parts of the world from different social classes and how they deal with day to day problems from doing anything to earn money to getting stranded while traveling. The cast in this, which includes: Rachel Weisz, Jude Law, Anthony Hopkins and Ben Foster is great and honestly the cast is the best part of the movie. I used to think that a great cast automatically means that it will be a great movie, but after the last 4 or 5 movies I have seen based off the cast I am beginning to rethink my opinion. The acting is great in this and the story lines basically end up being tied together I guess but the movie is just so slow moving that it makes it really hard to stay interested in. The movie is pretty OK but for me this is another example of a great cast in a sub-par movie. Overall, very slow moving drama that is really only worth seeing because of the cast. I give it a C+.

This is an international cast directed by Fernando Meirelles (City of God) of a marginally-connected multiple-plots. They all deal with sex and lust in some way. Sisters Anna (Gabriela Marcinkova) and Mirka (Lucia Siposová) are in Vienna where Mirka is starting as a call girl named Blanca. British businessman Michael Daly (Jude Law) has made an appointment with Blanca but he runs into some vendors looking to doing business. He immediately abandons the appointment, but one of the sleazy vendors finds out his appointment and blackmails him for his business. Michael's wife Rose (Rachel Weisz) has an affair with photographer Rui (Juliano Cazarré). Rui's girlfriend Laura (Maria Flor) dumps him and she travels back home. Laura meets John (Anthony Hopkins) on the flight and she learns that he is looking for his missing daughter. On a stop-over, sex offender Tyler (Ben Foster) has just been released and is tempted by aggressive Laura in her hotel room.

There are a couple other story lines. Some are interesting. Most notably is Ben Foster and his powerful performance. Others are boring as hell. When Jude Law gets blackmailed, I thought that storyline had potential but it completely fizzled. That's how I feel about this movie. I thought it had potential, but other than a couple of sections, there was very little realized.

I ran across 360 by chance and really enjoyed it. Yet, when searching for more information in internet the generic title proved difficult to google. After some clicking things started to unfold: the same author directed City of God and the movie is a loose adaptation of one Arthur Schnitzler's play. Although i can't say much about the latter, the former impressed me even more since i've enjoyed that movie, as well.

The cast is brilliant with famous actors popping in and out of view and blending discreetly with otherwise great performance of less known colleagues. We effortlessly move with them across cities, countries and continents as it otherwise is the case in globally interconnected world at the start of the 21st century.

The more i think about 360 the more interesting details i discover in retrospect. Probably the strongest message is that there is a good seed even in the worst of us. The other is that we all eventually get what we want but some of us also get what they deserve.

What i particularly enjoyed is that a lot of things are either foreshadowed or left unsaid. This gives room for viewer's imagination to kick in, which, in turn, is rather uncommon in the era of realism and boredom in movies with artistic tendencies.

To sum it up, the only reason my vote is two stars shy of the best note is that i understand how this kind of movie might not be everyone's cup of tea.

The idea of narrating different linked stories of characters is certainly not new and the material in this picture is quite abundant: a lot of complex characters, a lot of deep and tense backgrounds. The limit was that the director probably wanted to explore too many characters and too many situations, and the result is that no single story or character is sufficiently developed and seem to be more kept separate than interconnected. The idea that people's lives are connected comes out as banal and evident, as part of any person not living secluded at home, and the fact that in the picture the links go from Europe to the US to Brasil is simply because it deals with dynamic people who move across the world. Some story lines, such as Hopkins' search for his lost daughter could have been explored more deeply, on the contrary it remains faded like the other stories.

Nothing to say against shooting, the use of split scenes is effective and tries to underline the idea of interconnections, and the subtle use of camera tries to make the characters' personalities come out, but in the end do not make up for a general underdevelopment. Nothing to say against the talented, but a little wasted cast, who give depth to the characters, although in the end we cannot but miss some more insight and deepening of both characters and stories.