Terri

Terri (Jacob Wysocki) has been dealt a rough hand. A heavy-set teenager with more than a touch of social anxiety, Terri finds school to be a hellhole where he goes unnoticed (when he's lucky). His home life is not much better. He doesn't know where either of his parents are and he lives with his uncle (Creed Batton) who is slipping further and further into dementia. When he gets in trouble for firing back at one of his many mockers, the school's principal, Mr. Fitzgerald (John C. Reilly), sees a kid who desperately needs a friend. He sets up weekly meetings with Terri and attempts to take the boy under his wing. But the many years of loneliness have taken a toll on Terri and despite the influence of Mr. Fitzgerald, transitioning into a fully functioning member of high school society proves more difficult than originally thought.

There is serious promise to be found within Terri. Up-and-coming director Azazel Jacobs has a firm handle on his subject matter and he works hard to show Terri for the good hearted boy that he is. It is a very simple and understated film (more on this in a minute) as Jacobs lets his protagonist move at his own pace. You can see why so many respected critics have identified Jacobs as a name to watch in the future. Wysocki himself gives an honest performance and displays solid chops for a kid who has almost no acting experience. He makes it easy to identify with Terri and that brings about a sense of natural empathy that is essential to the film's success. Likewise, Reilly is a perfect choice for the would-be-cool principal who tries extremely hard to be relevant and accessible to his students but can't quite make it work. The relationship between Terri and Fitzgerald is poignant and heartfelt and without question their shared scenes are the best of the film.

When Terri diverts from its main storyline, however, it tends to bog down. What starts out as sympathy for Terri eventually turns into near depression as his narrative struggles to find an upswing. His interactions with his friends Chad (Bridger Zadina) and Heather (Olivia Crocicchia) are tenuous and never fully realize the potential they have together resulting in a choppy feel that I never could quite shake. Jacobs adds very little in the way of production value, too, and while I can appreciate that sort of simplicity, in this case a pronounced soundtrack and the like would have added to the experience. I found myself growing bored with Terri and had a hard time staying invested when Terri and Fitzgerald weren't on screen together. That's a real shame because I really wanted to care about Terri's relationships with Chad, Heather, and his uncle but Jacobs story didn't quite give me enough reason to get there. With a little more focus, Terri would be a touching and possibly even uplifting coming-of-age vision based around the Terri-Fitzgerald dynamic. Instead, it becomes too dull and convoluted for my tastes and limited my ability to stay connected.

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Greetings again from the darkness. Indie films are at a disadvantage on many fronts, not the least of which is budget. That usually limits the indie scene to personal, poignant stories of relationships and self-discovery. Quirky, yet believable characters are often the difference between ho-hum and worth-seeing. Writer Patrick Dewitt and Director Azazel Jacobs definitely provide some curious characters of interest.

Jacob Wysocki portrays Terri, an overweight outcast who is often humiliated and bullied at high school. Terri seems to have given up on ever fitting in. The proof is in the pajamas that he has begun wearing to class every day. But as usual with "troubled" teens, there is more to the story. We see his home life which consists of constant care for his Uncle James (Creed Bratton from The Office), who is apparently suffering from dementia. We get no backstory on the missing parents, but it's clear that Terri's responsibility at home outweigh his concerns for a missing social life at school.

Enter Assistant Principal, Mr. Fitgerald. Played by John C Riley, Mr. Fitzgerald takes a special interest in the 'monsters and misfits'. The reason is pretty obvious ... he was one himself. His goal, even his life's calling, is to encourage these kids to understand that life gets better and that NO ONE really has it figured out. We are just doing the best we can.

Terri's world collides with a couple other students. Chad (Bridger Sadina) is so angry at the world that he pulls his hair right out from his scalp - and is quick with a cutting line, though he clearly just seeks attention. Heather (Olivia Crociacchia) is saved from expulsion after a very generous move by Terri. Her world of popularity comes crashing down, but Terri is the presence that gets her through. Watching these characters interact with Mr. Fitzgerald emphasizes how much we all need someone to care ... someone to believe in us.

The film moves at a realistic to life pace. That means it is very slow compared to most movies. The characters are allowed to develop, as are most of the scenes. Jacob Wysocki's performance can be compared to Gabourey Sidibe in "Precious". They are large youngsters who don't use their size to comedic effect. Instead, they both display humanity and real emotions in a less than perfect world.

Certainly not a movie for everyone, but if you enjoy intimate stories about people just trying to get through life ... no special effects, explosions or asinine punchlines ... then Terri is worth a look.

Terri is just not your average movie. I can understand why some do not like this: you have to let yourself in on it. At first I was not immediately carried away, but as the story continues I slowly but surely got sucked in.

I would not call it a comedy at all, though some scenes made me smile. It touches on subjects which keep your mind occupied on that age (and later too, though different;-).

The movie shows lessons of life which some learn early in their life, others have to live through and never learn. It shows us we can make mistakes, we will, and we even have to if we want to "learn life".

I understood it got a more restricted rating than the average action movie. I can only think it has to do with the sexual subjects it contains, but I think it is done in such a way that you can only learn good things from it if you're young.

Cinematography does not do anything new, but it's a lot better and fitting than the shaky camera's of the 100 million dollar movies that came out lately.

So, lessons in life here!

I went to go see Terri a couple of days ago. It turns out, that, that was the best decision I've made this year. Terri is an extremely heartfelt movie without ever being sobby or begging for sympathy. Jacob Wysocki as Terri, is just a marvelous choice. He portrays a strong, but lonely teen suffering from, like we all do at some point, loneliness. Who knows, he might even get nominated for an Oscar. I mean, he's still relatively new, but anything can happen.

Another performance that was particularly well played was by John C. Reilly as the equally lonely, and pretty miserable vice president of Terri's school. He and Terri begin a friendship that seems very raw and real. The supporting performances also were very good including Bridger Zadina as Chad, Terri's misfit friend who likes pulling hair out of his head. Also Creed Bratton as Terri's somewhat delusional uncle, and Olivia Crocicchia as Terri's love interest.

While I was watching Terri, I found myself laughing, not chuckling, at many of the jokes. Terri is a truly funny movie, because it's realistic humor that many people can relate to: the ups and downs of high school. But in the end, Terri isn't a movie. It's a bold statement about life. Everything in Terri is amazing; the acting, the setting, the themes. And by the end of the movie, you realize there's hope for every teenage misfit in high school, as long as they have a fraction of the heart Terri has.

As we know, high school can be a difficult and challenging place for even the most socially adaptive student. For those who are different in one way or another, it can be misery, and alienated students do not always find a compassionate counselor or friend to steer them through the tough times. In the movies, however, it is often a different story. We have seen several films recently about teens that have lost their way but somehow find the perfect mentor to support them. The latest example of this is Terri, a new film by Azazel Jacobs, whose 2008 Momma's Man, was a work of rare honesty about a recently married man who falls into a psychological paralysis that keeps him from accepting the reality of his adult life.

Though the genre of teen misfits has been done before, Terri looks at the situation from a different vantage point and the result is a film of unusual freshness. Based on a screenplay Jacobs wrote with novelist Patrick Dewitt, Terri brings together an unlikely friendship between Terri (Jacob Wysocki), a heavily over-sized parentless teenager who lives with his Uncle James (Creed Bratton) who is in the beginning stages of Alzheimer's, Chad (Bridger Zadina), a skinny, androgynous-looking youth with a high-pitched squeaky voice who directs his anger towards himself by pulling his hair out, and Heather ((Olivia Crocicchia), an attractive girl who has developed an unfortunate reputation around school for inappropriate sexual acting out.

Terri is consistently late to school and comes to class dressed in pajamas because he feels they are more comfortable. He is constantly teased and bullied by those who do not understand (and perhaps never will) the meaning of empathy. His behavior, while otherwise normal, can be bizarre. When his uncle asks him to set traps for mice in their attic, Terri takes the traps out into a wooded area near his suburban home and gleefully watches the dead mice being torn to shreds by devouring falcons. His tardiness and odd behavior draws the attention of the school's vice-principal Mr. Fitzgerald (John C. Reilly) who sets up sessions with Terri each week for counseling. Attempting to play the role of buddy rather than authority figure, Fitzgerald calls Terri "dude", uses "hip" language, and exchanges high-fives, but his behavior often feels strained.

Terri learns to appreciate the attention he is given, however, and, though he is tight lipped at the beginning of the meetings, he slowly begins to open up and express his feelings. Fitzgerald also has his problems at home and is not averse to sharing them with Terri. His sharing about his personal life, however inappropriate it may be for a school administrator, does provide a more level playing field and a closer relationship grows between the two people struggling to make sense of the world. An awkward late night party at Terri's house filled with drugs, alcohol, and sexual experimentation could have become a disaster, except for Terri's new found sense of self that allows him to know intuitively when to back off.

There are few dramatic movements in Terri, no sudden insights, and no startling epiphanies backed by the swelling chords of an orchestra. There is, rather, simply a growing ability of the characters to see beyond their differences to discover their common humanity. While the question of what Terri can do to lose some weight is oddly never brought up either by his mentor or his friends, Terri is a sweet, tender, and very observant film about young people coming to terms with the reality of their being different. It is not a cruel film in the slightest but one that conveys a sincere affection for its troubled characters, and the natural performances of Wysocki, Zadina, and Crocicchia make it a film to remember and cherish.