The Song of Lunch
- TV Movie
- 2010
- 50m
IMDb RATING
7.3/10
2.7K
YOUR RATING
A London publisher recounts a lunchtime reunion with a former lover, in poetic monologue.A London publisher recounts a lunchtime reunion with a former lover, in poetic monologue.A London publisher recounts a lunchtime reunion with a former lover, in poetic monologue.
- Director
- Writers
- Stars
- Nominated for 1 Primetime Emmy
- 4 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is the worst thing I've seen since My Dinner with Andre over thirty years ago. It's worse than Hook, worse than Australia, worse than the worst action movie I used to take my teenage son to see to humor him.
Is he supposed to be unlikable, or merely a bore?
What could she have possibly ever seen in him?
Who cares about his "poetry"?
The lines are unbearable, not to mention childishly vulgar, when not being unintentionally laughable.
Is this what "art" has become, ridiculously pretentious, lacking in content, causing one to itch with utter boredom?
Is he supposed to be unlikable, or merely a bore?
What could she have possibly ever seen in him?
Who cares about his "poetry"?
The lines are unbearable, not to mention childishly vulgar, when not being unintentionally laughable.
Is this what "art" has become, ridiculously pretentious, lacking in content, causing one to itch with utter boredom?
Alan Rickman plays a jaded publisher meeting a past flame (Emma Thompson) at an old haunt, now impersonally renovated. The publisher has a one-track mind and views her every move as erotic.
This is a dramatised narrative poem. I'm sceptical about modern poetry but this one's quite good. It may be familiar ground but a lot of the phrases are actually quite good: consciously poetic but a concise description. Fans of Alan Rickman might find it hard to control himself as his character is aroused by everything: a squeezed hand, a glass of wine meeting his lips, a comely waitress, even a pepper shaker. The story is told through his perspective, much of it as voice-over. The switch between voice-over and dialogue really works, creating tension and drama in what is a fairly undramatic scene. It's like a short play.
Both Rickman and Thompson speak the blank verse (with the occasional rhyme) very naturally. Their characters are intellectual people and the talk comes naturally to them, particularly Rickman's emotionally/creatively/sexually frustrated character.
It's only 50 minutes so it's worth a watch. It would have been nice if it were part of a series of poems.
This is a dramatised narrative poem. I'm sceptical about modern poetry but this one's quite good. It may be familiar ground but a lot of the phrases are actually quite good: consciously poetic but a concise description. Fans of Alan Rickman might find it hard to control himself as his character is aroused by everything: a squeezed hand, a glass of wine meeting his lips, a comely waitress, even a pepper shaker. The story is told through his perspective, much of it as voice-over. The switch between voice-over and dialogue really works, creating tension and drama in what is a fairly undramatic scene. It's like a short play.
Both Rickman and Thompson speak the blank verse (with the occasional rhyme) very naturally. Their characters are intellectual people and the talk comes naturally to them, particularly Rickman's emotionally/creatively/sexually frustrated character.
It's only 50 minutes so it's worth a watch. It would have been nice if it were part of a series of poems.
Combining the art of filmmaking and the art of poetry is extremely difficult, very complex undertaking for any director. It is much easier and with more opportunities to just film from a screenplay, where dialogue can flow with no absolute firm structure, do an actor can or director can change a word or two or more. No one can improvise working with a poem. Song of Lunch works like a fine waltz. Christopher Reid's poem is brilliant, as are Alan Rickman and Emma Thompson who dance his stanzas, as we hear them narrated by Rickman. The pacing of this film is so well done that we are are pulled in immediately and stay in pace up until the ending.
This film is not going to be for everyone. I knew that just five minutes in. But I loved it. The poem, the dialogue, the acting. Any lesser actors than these two could not have pulled it off. It is heartbreaking, because fairly early in, it becomes clear that someone has a problem and it is this issue, along with other feelings of inadequacy that is the true root of their relationship's demise. What is especially interesting is the fact that the viewer doesn't despise Rickman's character--rather, feels his humiliation and loss.
I gave the film eight stars rather than 10, because unresolved for me is the "WHY" of it. Why does he ask her to meet him for lunch to begin with? Is it to punish her? To rekindle something? Is the scene outside the apartment in Paris meant to illustrate obsession? Why does she agree to meet? Is she just being kind? If so--then why is she so cruel in her assessment of his book? The motivation/impetus for this lunch feels unclear to me.
I gave the film eight stars rather than 10, because unresolved for me is the "WHY" of it. Why does he ask her to meet him for lunch to begin with? Is it to punish her? To rekindle something? Is the scene outside the apartment in Paris meant to illustrate obsession? Why does she agree to meet? Is she just being kind? If so--then why is she so cruel in her assessment of his book? The motivation/impetus for this lunch feels unclear to me.
To all the Harry Potter nerds, Alan Rickman narrating for a whole 50 mins. In a film, what else do you need?
The song of Lunch is my recent find while browsing through the filmography of Emma Thompson. With run-time less than an hour, this TV movie is a poetic monologue of a struggling writer who's having a lunch date with his ex-lover. The whole movie shot from the POV of Rickman who's still obsessed with Thomson after all these years of their separation. Shot in an Italian restaurant on the streets of London where the two used to hang out while they were young, this drama clearly emphasizes on how the guy has remained stuck up to his long gone romantic venture while lady has moved on with her life and is there only for a formal reunion. The way he looks at her while drinking the wine and remembering the time they had together is a treat to watch.
If you like watching two people having random conversation, you will definitely like this.
The song of Lunch is my recent find while browsing through the filmography of Emma Thompson. With run-time less than an hour, this TV movie is a poetic monologue of a struggling writer who's having a lunch date with his ex-lover. The whole movie shot from the POV of Rickman who's still obsessed with Thomson after all these years of their separation. Shot in an Italian restaurant on the streets of London where the two used to hang out while they were young, this drama clearly emphasizes on how the guy has remained stuck up to his long gone romantic venture while lady has moved on with her life and is there only for a formal reunion. The way he looks at her while drinking the wine and remembering the time they had together is a treat to watch.
If you like watching two people having random conversation, you will definitely like this.
Did you know
- TriviaThe photo on the dust jacket of the lead female character's husband's book is one of Greg Wise, Dame Emma Thompson's real-life husband.
- ConnectionsFeatured in The Wright Stuff: Episode #14.45 (2010)
Details
Contribute to this page
Suggest an edit or add missing content