The Oregonian

If you like story, logic, and acting in your films this is not for you. Containing a slew of undeveloped, characters who add nothing to the film who drink gas, and yell not at anything just yell Cinematography that causes motion sickness. and that's it no plot. This has a feel of a film done by a 19 year old film student who wants to share his vision with the world who finds out once his acid trip ends that vision doesn't make much sense

WARNING if you get stuck watching this you may feel the need to finish it, thinking it has to come together at some point DON'T it never does and the attempt to make it do so only makes annoyance at an otherwise horrible film transcend into a feeling of rage at the time lost

The last spoken line is "you shouldn't have come here" I agree

The Oregonian is an 81 minute long exercise in trying to find meaning in genuine nothingness. You could compare this film to watching paint dry, but at least watching paint dry has a conclusion, it dries.

You really have to wonder about the type of sadist that rushes to IMDb to write a bad review for a film like Oregonian. Eh, some peoples kids.

If your film get's compared to another film that some say was ghost directed by David Lynch ( 1994's Nadja), then you've probably done your job as a filmmaker and storyteller. I like it when films have an element that is left open to audiences interpretation. Some fun concepts are used in the direction, lighting and editing, and I have no complaints about the acting.

This is a midnight movie if ever there was one. You'll laugh, you'll cringe, you'll laugh watching others in the theater cringe. The Oregonian would like to do things to you and with you. I say you let it.

The Oregonian is a vastly under-appreciated bit of Indie mastery. This terrifying, relentless Lynchian journey into Hell never lets up.

The imagery is stark, shocking, strange and compelling, and the acting is spot on.

Reeder is obviously creating something of an homage to David Lynch, using some of his scariest techniques in a frantic death-ride to oblivion.

It's bleak, horrific and brilliant.

Lindsay Pulsipher in particular is spot-on, and completely believable, as are the cast of mad characters capering in and out of her reality.

Destined to be a cult classic, and deservedly so.

Complete garbage. Zero redeeming value. We following a clueless automobile accident victim through a series odd little events as she makes an effort to understand what has happened to her. The viewer has no interest in anyone or anything that takes place in this story. Is she dead? Is she alive? Is it a dream? We don't care.

How movies like this reach the public is the real mystery here. Terrible writing and storyline. The acting is stiff and forced Looks like it was shot with an iPhone and the soundtrack was recorded on a 1970 Tascam porta studio

I love the "Winner of the .... award" in the description on the Kanopy Site. Maybe winner of the Charmin Award.

I watched it with my wife and she gave me that "you made me sit through another POS movie". On a more positive note, it was a free movie.