A woman leaves the farm and enters the unknown.A woman leaves the farm and enters the unknown.A woman leaves the farm and enters the unknown.
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This film really wants to be a cult-classic midnight movie kind of deal - the sort of idiosyncratic horror film that could be screened alongside D. Lynch, A. Jodorowsky or K. Anger - but it has nowhere near the intelligence, inspiration or panache to pull that sort of thing off. Whereas the best midnight movies seem to spring from uniquely personal visions, this one feels like some people spent a weekend throwing around half-baked ideas, hoping that something would stick. And, while the best cult films feel original and strange, this film feels more-or-less like a generic bit of horror, just without a discernible script. Not worth it.
The Oregonian is a vastly under-appreciated bit of Indie mastery. This terrifying, relentless Lynchian journey into Hell never lets up.
The imagery is stark, shocking, strange and compelling, and the acting is spot on.
Reeder is obviously creating something of an homage to David Lynch, using some of his scariest techniques in a frantic death-ride to oblivion.
It's bleak, horrific and brilliant.
Lindsay Pulsipher in particular is spot-on, and completely believable, as are the cast of mad characters capering in and out of her reality.
Destined to be a cult classic, and deservedly so.
The imagery is stark, shocking, strange and compelling, and the acting is spot on.
Reeder is obviously creating something of an homage to David Lynch, using some of his scariest techniques in a frantic death-ride to oblivion.
It's bleak, horrific and brilliant.
Lindsay Pulsipher in particular is spot-on, and completely believable, as are the cast of mad characters capering in and out of her reality.
Destined to be a cult classic, and deservedly so.
And you'll want that 80 minutes back, if you waste them on this movie. You're better off making out with a cheese grater if you want cheap, bloody thrills. Which this film has none....give the audience some credit. Yes, we've seen Eraserhead, and this is no Erasehead. Absolutely no pay off, just shaky camera work, no dialogue, not nearly enough gore for horror fans, just lots of close ups of very ugly faces. I get it, you like David Lynch. But not that much because this was a terrible effort. Ed Wood looks like Eastwood compared to this tripe. But there are people out there that will argue the merits of tripe, saying that it is good, the way my grandmother prepares it. But it's not, it's the lining of a cows stomach.........
If you like story, logic, and acting in your films this is not for you. Containing a slew of undeveloped, characters who add nothing to the film who drink gas, and yell not at anything just yell Cinematography that causes motion sickness. and that's it no plot. This has a feel of a film done by a 19 year old film student who wants to share his vision with the world who finds out once his acid trip ends that vision doesn't make much sense
WARNING if you get stuck watching this you may feel the need to finish it, thinking it has to come together at some point DON'T it never does and the attempt to make it do so only makes annoyance at an otherwise horrible film transcend into a feeling of rage at the time lost
The last spoken line is "you shouldn't have come here" I agree
WARNING if you get stuck watching this you may feel the need to finish it, thinking it has to come together at some point DON'T it never does and the attempt to make it do so only makes annoyance at an otherwise horrible film transcend into a feeling of rage at the time lost
The last spoken line is "you shouldn't have come here" I agree
Just finished seeing the last showing here at Sundance, over a quarter of the audience walked out. Audio blares through the whole film in a way that leaves even the most patient film goer in pain. The film itself lacks much of a story. I have seen some disturbing and painful horror, but this is just plain ridiculous. It tries for the lost in woods feel of Blair Witch, but substitutes screams and flashed images for genuine scares.
Story wise, it seems like they were trying to do an Alice In Wonderland finds herself in hell. The lead role does an admirable job acting, but the juxtaposed story never really takes you anywhere. You will scratch your head after seeing this one, wondering what was the point? If the filmmakers were trying to troll sundance, I would say they succeeded.
Story wise, it seems like they were trying to do an Alice In Wonderland finds herself in hell. The lead role does an admirable job acting, but the juxtaposed story never really takes you anywhere. You will scratch your head after seeing this one, wondering what was the point? If the filmmakers were trying to troll sundance, I would say they succeeded.
- How long is The Oregonian?Powered by Alexa
Details
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 1.78 : 1
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