En secret

The first word that comes to my mind for this movie is exaggeration.All the praying and character of "Mehran" and government agents don't make much sense. The director tried to make the city she was filming in like Tehran which was a wrong choice. She tried to focus on faces and removes the attention to background when shooting in city which ruins the depth of the scenes and every single Iranian easily realize that it is not Tehran. Except for "Azar" no other actors or actresses have native accent.The story line is weak and not thoroughly worked. In general, it would be a good idea to show the homosexuals' problems in Iran and discuss it, but it dissolves in exaggerated opinions of director/writer about the whole government issues and forced marriage and specially in captured minds of people (like in 1984). In my opinion, trying to mix these stuff was a bad idea.

As an American, I try to read about what the Iranian regime is up to every day. It's a scary, dangerous place, that conjures up images of a police state akin to Nazi Germany. Maryam Keshavarz's new film, Circumstance, attempts to reveal the repressive nature of Iranian society by focusing on the relationship between two teenage school girls from Tehran, Atafeh, who lives with her liberal parents and Shireen, raised by an uncle after her dissident parents presumably were murdered by the Mullahs some time after the Iranian Revolution.

Keshavarz spent some time growing up in Iran but it's my understanding that she's been thoroughly ensconced in the USA for quite some time. In interviews, Keshavarz indicates that she based her script on her some of her own experiences as well as the experiences of some her Iranian relatives. Hence, her narrative appears to be written at a distance, with the resulting storyline full of tasty morsels but never quite arriving at the main course.

We do learn about the rebellious, underground youth culture in Iran and there's an interesting scene where Atafeh and Shireen meet up with some friends including an Iranian-American, who conscripts the girls to participate in the dubbing of the American film, 'Milk', into Farsi. It's perhaps the most humorous scene in the entire movie, as the director chastises one of the participants for sounding "too gay" on the soundtrack.

Also interesting is the role of the 'morality police', as they seek to crush the spirit of the many rebellious youth, dissatisfied with repressive governmental policies. While Atafeh's brother, Mehran, ends up as an informer for the police, I wanted to know much more about how the group operates. Atafeh and Shireen are saved through Mehran's connections but I shudder to think of what happens to innocent citizens who don't have a family member to bail them out.

There were other scenes which I had no way of confirming were true. For example, Atafeh's father's assertion that he looks forward to the day that women can swim in the ocean. Some posters who claimed to be from Iran asserted that women are not prevented from swimming besides men. There was also a scene where an extremely sexually frustrated cabbie masturbates while fondling one of the girl's feet. Again, it's difficult to know whether this type of behavior is the norm in such a conservative society. One scene that did ring true was the arrest of the Iranian-American film director. At one point, we can hear a TV news broadcast in the background which notes the young man's arrest and that he is an American-Israeli agent (it would seem to me that anyone with joint Iranian-American citizenship would be insanely foolish to return to Iran at this juncture in time).

Keshavarz wastes quite a bit of time by focusing on the illicit lesbian relationship between Atafeh and Shireen. I would have much preferred the director to have limited the erotic contact to a minimum as it feels more like what American teenagers might do than the kind of behavior we would expect from Iranian girls, presumably much more shy and conservative, than their American counterparts.

Keshavarz attempts to humanize Mehran, having him break down after his marriage to Shireen and her negative response to him in the sack. That short hint of vulnerability is enough for Shireen to turn a cold shoulder toward Atafeh and suddenly embrace the backward Mehran. Not sure if I bought that sudden character transformation. The same goes for Atafeh and Mehran's father who rejects religion when we first meet him but then joins Mehran, bowing to Mecca on a prayer shawl at film's end.

While the film makes much of scenes of surveillance footage, connoting the Big Brother mentality in Iranian society, what's missing is a more nuanced portrait of the bad guys. What actually was Mehran and his superior doing at the party where Atafeh and her mother were singing together? I hardly think that those type of fanatics could have sat there and listened to women singing unless of course they were there seeking out additional intelligence.

For a first feature, 'Circumstance' is visually quite impressive. In the end, however, it's a film that's more style over substance. What was needed was more of a hard-hitting exposé than the tame domestic drama we end up with here.

just could not believe that this is a film made by a first time filmmaker......it seemed more like someone who knew his craft of making film rather well....a director well into his 3rd film.....keeping aside the fact its a little confusing in its love & sex angles......which is just the icing on this delicious cake that lies within this film.....the icing being of course Sarah Kazamey as Shireen....she is defiantly going to be the next Monica Bellucci mark my words !!!But what stood out in the film for me was the underground Party scene of Iran and the appropriate use of music to describe it......i guess most people in the west cannot fathom people in eastern( i am from India) or middle eastern countries having a cool time.....well they do n they know how to given the CirCumstance !!!!!!!!!!!!!! and i read the reviews of some people above dishing the film....i mean if you want a film about Iran that is a documentary well then please turn on your respective News Channels or better still plz revisit n read the the summary above.....This film is a Lyrical Drama poetically shot....hats of to the Cinematographer/ DP( lots of cool wong kar wai style moments original in their own unique way).....superb acting by everyone i loved the actor who played Atafeh's father splendid father daughter understanding of a relationship depicted in this film in such a mature n modern way seldom seen in countries where women are meant to be locked up....being an aspiring filmmaker i loved this film by a first time director 5 stars for a fabulous debut.....n yeah for the guys ditching the film take a closer look guys.....n see the nominations & awards and this is her first film !!!

Circumstance is a beautiful, luscious, sensual and sexually charged drama, done masterfully and tastefully. It is a visual film, but it is also blessed with witty dialogs and good music. It deals with common and real youth and family issues in Iran, and potentially in other countries...Circumstance is about two liberated, free-spirited 16 year old high school girls, the wild and rebellious Atafeh and Shireen. They are best friends and seem together all the time. They go to underground Tehran parties, flirt with boys, experiment with sex and drugs, and often get in trouble. At times they daydream of a better life away from Iran together. But they are more than just friends...

Please see my full review at http://parstimeout.com/2011/05/film-circumstance/.

I saw this film at Outfest 2011 and was blown away not only by the film's quality of visual and emotional impact, but also the amazing achievement that the artists have made by getting this story told in the first place. The international cast and crew have each taken big risks by telling this gripping story about two young women in love in Iran.

Our audience at the screening was struck by the POSITIVE and FUN images of Iranian youth- excited, energetic, comedic, brave. Very much in contrast with what the media tells us Tehran "looks like." The two female leads are incredibly stunning and give amazing performances. They say more with their eyes than paragraphs or monologues would need to convey. Their chemistry is palpable and the brief but urgent love scenes make any audience member root for their success.

The Director, Maryam Keshavarz, is talented, well-spoken, has a clear and distinct voice and is someone to watch.