La vie des poissons

The Director of this film, Matías Bize, started out early his career. His movies have grown a lot since his first attempts, and if we compare his first big hit (in Chile) "en la cama", we can really observe an abysmal difference with "la vida de los peces". While the first movie has the same elements, meaning a small confined space with two main characters mainly talking to each other during the whole movie, it's only in "la vida de los peces" that we can have a real insight in the characters, they actually feel alive and throughout the movie we start to evolve feelings for them. My opinion is that the script is much better than his other attempts, for this time situations happen in a way we don't expect them. I'm usually not fond of this type of films, but this time I had a great surprise. I think, the Director is finally starting to master his style.

a trip in middle of a world. ordinary pieces of a party. a kind of Ulises. a kind of Itaca. only Penelope is different. because the object of introspection is the possibility of past to be another future. dialogs, silence, gestures, each - level of a smoke ladder. pieces of a broken vase. or only, old seeds on the empty land. a film like a mirror. or only shadow of possibilities as drawing lines. because the return, meetings, courtesy are only cages for dead birds.slices of fiction in heart of expectations. illusions. all is an aquarium. a large aquarium. in a house, for a stranger, like self lie as only way to accept the past. a beautiful film. like a memento mori.

This movie is sort of a "Uncle Vanya" or "August" type of movie, but with people of thirty years old: the poignant story of a guy who wasted his life, and is suffering the remorse of having abandoned his friends and his love. He's stuck in a strange party where his ghosts begins to haunt him, and he's faced with memories, choices, loneliness, nostalgia and remorse. It was emotionally perfect: the acting was great, the dialog and scenes were carefully crafted, and the music score is just perfect. Perhaps the movie has some minor issues in the editing and dialog, but those are only details. It's one of the best movies made in Chile of the last decades.

10/10

Matías Bize's 2010 film LA VIDA DE LOS PECES (The Life of Fish) takes place over a single evening at a Chilean house party. Andrés (Santiago Cabrera) is visiting Chile for the first time in 10 years, but he's due to fly back to his adopted Berlin the next day. The action of the film consists solely of Andrés wandering from room to room, catching up with people dear to him that he hasn't seen in a long time. Conversations with the friends of his youth hint at the tragedy they shared, which ultimately drove Andrés abroad, but it is Beatriz (Blanca Lewin) who ultimately lies at the centre of Andrés' youth, and their reunion after a decade leads them to a difficult choice.

For the most part, this film is intolerable melodrama. The script is unfocused (there's a bizarre scene where some pre-teens ask Andrés a series of graphic questions about what sex acts he's partaken in), and the acting lacks any subtlety. The soundtrack is the emotionally gushing pop music one associates more with late '90s teen television dramas like "Party of Five" than serious films. Now, the ending of his film is satisfying enough that I'm happy I held out and watched the whole thing, but it's bizarre that Chile thought this film worthy of submission for the Best Foreign Film category at the 2011 Academy Awards.

The Life of Fish is a very accomplished little movie from Chile. Andres, a travel guide who is frequently traveling the world has a brief stop in Chile where he attends a friend's birthday party. In addition to seeing old friends, he meets an old flame in the party. They used to be in love once but now she is a divorced mum with two kids. This reunion leads them to re-examine their relationship and why they never married each other. Will she take the plunge and leave her kids with their father and join Andres on his travels? Life of Fish is played in real time and at the end you feel as though you've spent a very worthwhile 83 minutes. It is sensitively directed and beautifully acted. The soundtrack is also terrific. It is, in many ways, reminiscent of Richard Linklater's Before Sunset.