Usurpateur

Being an Argentinian, of course I ran to the movies to see Viggo Mortensen in a local movie. I have to admit that I didn't even know what the plot was going to be about, so I was open to anything.

Although I use to hate the way argentinians act (it's like acting, here in Argentina, is not about performing fiction in a believable way but something else...), during the movie I found hilarious that Viggo, despite his slightly weird accent, was acting way more natural and believable than almost everyone else. Don't ask me why, I just feel proud of him. He rocks. Soledad Villamil and Daniel Fanego were OK, but Sofia Gala's performance was quite poor.

Besides the acting, I think the main ideas of the screenplay weren't well developed and got lost in a slow movie. It's a shame, because the storyline could have been something much much better, actually worthy of a decent cast and production.

So... I give it a six just because Viggo Mortensen's performance was amazing, but overall, it's a slow movie that could have been great, but just isn't, and that leaves you disappointed.

(2013) Everybody Has A Plan/ Todos tenemos un plan (In Spanish with English subtitles) CRIME DRAMA

The movie starts with a blatant ransom, kidnapping gone wrong on some impoverished swamp island area, involving the owner of a small convenience store called "El Dorado" where Adrián's mentally challenged godson, Rubén (Javier Godino) is unable to keep the captor's blindfold on, forcing Adrián (Daniel Fanego) to shoot the captive dead instead of letting him go alive since the captive can easily identify them to authorities. Pedro (Viggo Mortensen) was also there, but was only a witness to the whole incident since the guy that doing the kidnapping and the killings are friends of his, who also makes a living selling honey. The movie then jumps to the city, and this time viewers are seeing a "different" kind of Viggo Mortensen character, and this time he appears to be a family physician of some sort, except that his wife, Claudia(Soledad Villamil) expected him to help her adopt a child which he's not too enthusiastic about. And it appears that he is also not the same person viewers saw earlier either for his name is Agustín and he happens to be a twin, as Pedro appears right at his doorstep since he finds out he is dying, filling him to what's been happening to him as of late. Because Agustin's wife had just separated from him, she's also planning to sell the apartment they were living in. And it is then the movie dwells on circumstances that could've worked had this film been shorter, but to viewers it's all been done before and better. I also find it convenient that once the police stopped looking for suspected murderer, Adrien that he would plan another ransom kidnapping ransom, again around the same area. Like there's no "wanted" poster signs anywhere. Like what are the odds of that happening, otherwise both the police as well as the open public in this movie are viewed as incompetent. Normally, wanted suspected felons go from state to state or city to city- they don't hang around on one area just because they can be caught.

A very thorough character study on the subject of choice and responsibility and undoubtedly an acting test for Mortnensen.

A man whose marriage is on the rocks is visited by his terminally ill twin brother who request that he kills him and once the request is granted the surviving brother decides to take his place and his life, especially when the now deceased twin has revealed where he kept his stash of cash.

With his wife in the city convinced he is dead, a new life starts for him but in doing so he is unaware that the deceased twin was in serious trouble, thus finding himself seriously exposed.

One of the more unusual stories, with a ring of originality to it, with the concepts of option and accountability strongly attached on the plot. Mortensen is brilliant and utterly convincing as a man who evades one life of complication to land onto another one.

Although largely below the radar, this is one of the better films of 2013.

I wasn't expecting much out of this film because of the user ratings. But oh boy I was wrong! I still do not understand those that rated the movie so low. Viggo Mortensen does an amazing job- the movie is mesmerizing and grim. The shots are amazing; excellent photography and attention to the detail. The story line is also very original. The setting in the delta region of Argentina adds to the "mystic" aspect of the story and it's the perfect setting for such a film- making you feel almost uncomfortable at times. I really enjoyed watching it. Yes, it's slow paced, but I think it is on purpose, since it adds tension to and suspense at the same time. Very enjoyable if you like good cinema.

Everybody Has A Plan marks the fourth Spanish-language film for Viggo Mortensen, who spent a number of years in his youth living in Argentina. His latest project finds him playing identical twin brothers in the film noir from Argentinian first-time feature director Ana Piterbarg, who also co-wrote the screenplay.

The premise: Agustín (played by Mortensen) would appear to have the ideal life. He's a pediatrician with an attractive wife (Claudia, played by Soledad Villamil) living quite comfortably in Buenos Aires. The couple's plan to adopt a baby derails when Agustín changes his mind at the last minute, leading to a huge rift that brings to the surface the true unfulfillment that Agustín feels with his life. In the midst of a depressive episode where Agustín decides to lock himself in a room, Claudia leaves for some time away and Agustín soon receives a visit from his estranged twin brother, Pedro (also played by Mortensen), a beekeeper who reveals he has terminal lung cancer. Certain circumstances lead to Agustín eventually escaping his obligation-filled existence and assuming his brother's identity, taking up residence in Pedro's rundown shack in Argentina's Tigre Delta island region where the brothers grew up. A romance develops with one of Pedro's much younger bee farm helpers (Rosa, played by Sofía Gala Castaglione), while Agustín becomes caught up in the fallout from Pedro's past criminal affairs with some shady locals.

Mortensen is solid as the brothers, who only share a few scenes simultaneously. Sometimes it could be difficult telling them apart, although the Pedro character tended to be a little more rough around the edges and frankly, I couldn't distinguish the characters' subtle accent differences Mortensen talked about using at the post- screening Q & A. Regardless, his comfort level with the Spanish language is certainly never an issue. Villamil and Castaglione turn in quite fine supporting work, but Daniel Fanego as the proverbial villain is a definite weak link in the film. Other than looking rather creepy, I found the role underwritten and the actor lacking in screen presence.

Piterbarg and cinematographer Lucio Bonelli do a nice job of capturing the dank and swampy atmosphere of the isolated delta area, which not surprisingly is a magnet for criminals and outcasts and makes for a nice backdrop for the malfeasance that drives the narrative. The director also specifically lets a number of questions hang, adding to the film's mystery, but occasionally there's some story choices that are befuddling. Most glaring are the ease with which Agustín sells to others that he's Pedro, as well as the fact that Agustín doesn't bolt after being beaten by locals thinking he's Pedro, just shortly after arriving in the Tigre Delta.

Everybody Has A Plan's flaws, not the least of which also includes some overly languid pacing, results in a decidedly unremarkable viewing experience.