Across the Line

Just as his billion dollar financial empire is about to crumble, a scheming businessman evades the authorities and goes on the run. Hot on his trail are two different crime organizations as well as the FBI.

The scope of the story is enormous considering what looks like a shoestring budget but "Across the Line" is what I'd call a straight-to-video thriller done right and much of the credit should go to R. Ellis Frazier who wrote, directed and produced this movie.

Frazier has penned a classic thriller which would end up below average but thanks to the different story threads he has crafted as well as an attention and love for the characters and the setting, it rises from mediocrity. The direction is gritty, down to earth yet tasteful and aesthetic enough for the genre, with tight editing and a great score.

However, where this movie shines the most is probably in the acting department when again, we consider this is a straight-to-video thriller. This movie's casting stands out in all ways. Aidan Quinn stars as Charlie Wright, the con men on the run who now seems haunted by his past. Quinn is simply amazing and it is almost unfortunate to see him give such a performance in a movie that will give him absolutely no chance of recognition at any kind of award ceremony.

Andy Garcia is also breathtaking as a crime lord. Far from the standard caricature of the merciless, threatening boss, Garcia plays up the fragility of his character due to past failures. There is a lot of depth here thanks to Frazier's writing and Garcia's portrayal. Every other cast member is good or even better. Even Van Peebles, who has mailed performances in so many direct-to-video lemons gives a better than usual performance.

Despite Quinn getting the lion's share of screen time, this is very much a story with an ensemble of characters, a dozen or so. Many of those given more attention than we are used to, even in bigger productions.

There are few action sequences here but one stands out in the middle of the film. An intense shootout that may not be as spectacular as Michael Mann's Heat or Christopher McQuarrie's Way of the Gun but is close enough and memorable as well as unpredictable.

The film is not without flaws and unfortunately, loses steam in the last third or so. Clocking at around 90 minutes, there could have been a few more twists and turns and an added 15 to 30 minutes further exploring some of the characters. Perhaps due to the short running time, the film also relies a bit too much on unlikely coincidences and certain characters crossing path a little too often.

But all in all, this is great writing by Frazier (who seems to favor stories taking place south of the border), a solid directorial effort and some smart choices as a producer to surround himself with actors whose stars may have faded a little but are still able to deliver great performances.

I'll be sure to watch Frazier's next effort.

Perhaps the symbolism was heavy handed, but I thought this was a really good low budget movie. What I walked away with was three men, at the end of their prospective careers, each having a decision to make about their next step. And the casting was superb, all men who have had good careers in their own right, but have, for whatever reason, dropped out of the limelight of blockbusters. Andy Garcia never disappoints, but his acting is incredible in this movie (compare his delivery in this movie as a beaten man vs. Oceans Eleven). But I was really surprised at Aidan Quinn, whom I have acknowledged as a good actor, but he really did a great job in this movie. Cinematography was OK, the acting had some gems, there was no good use of sound or music, but the layered story of three men facing their end was compelling. Like I said, given the budget, I thought they did a good job.

Tbh regardless of the fact whether this was based off of a true story, or not I cared more about the cartel storyline than Charlie Wright. You really don't know much about him besides the fbi being after him, and that he has a daughter in Mexíco. Love Mario Van Pebbles tho.

The Exodus of Charlie Wright works on many different levels. The story, by R. Ellis Frazier is timely considering the recent Bernie Madoff scandal and Frazier gives us a behind the scenes look at a man who scammed 11 Billion dollars from investors and got away with it.

With the FBI on his trail, led by Agent Hobbs (Mario Van Peebles) who is determined to save face with his superior officer, a crass and effective Corbin Bernsen.

Hobbs sets off to find Wright, (Aidan Quinn) but soon finds others on the money trail, including vigilantes hired by one of Wright's victims ( led by Luke Goss) and a Mexican businessman (Andy Garcia) and his brother Danny Pino) who need to find Wright's stashed away money to save themselves from some kind of big debt they have in Mexico City.

With all of the action brewing Tijuana is the perfect backdrop for finding Charlie Wright. Charlie, however is more concerned with finding his long lost daughter and making up for the time he's lost and the lives he's destroyed.

One of the strong points in the film is the consistent depth of acting. All the performances are solid. Van Peebles brings a mature and reflective depth to his role. Garcia adds vulnerability to his strong exterior and Quinn has a depth of soul in his life's reflection that makes watching him so enjoyable.

Strong performances are also turned in by the scene stealing Claudia Ferri as an prostitute who helps Charlie find his daughter and his way. And also Luke Goss as the intense hit-man bent on killing Wright.

The performances can be attributed to strong direction by Frazier and solid editing. Scenes move quickly and the pace is fluid while maintaining the depth of the performances without lagging on any moment too long. The camera moves fluidly and cuts are pinpoint getting to the point and driving home the emotion and action. The action scenes work without any big budget effects, so kudos to the sound, music and editing departments for making it work.

Also solid camera work and lots of hand-held or steadicam shots put you in the action and keep you there. The cinematography really helps set the tone. There are many interesting angles and movements which really help define the character of the film.

Exodus is woven together with a beautiful score. A virtuoso blend of guitar mixed with some orchestral arrangements and strong percussion make listening to the film a pleasure. Some great original songs are also scattered throughout the soundtrack. I especially liked the end title theme.

Another strong point is the sound mix. Really great clarity on blu-ray. My surround speakers picked up the subtle background sounds and a lot of the accented effects punctuated the sound mix to give it a surreal yet realistic feel. The mix was harmonized and balanced.

This is great low budget filmmaking. Judging by the credits list, Frazier did a lot with a very little. This seems to be about a quarter of the staff of a studio film and the results are on par with any major indie, so hats off to all the people who worked on this.

I'm going to watch La Linea this week because I think this is an up and coming writer/director to look out for.

It is the biggest story of the last five years, yet H-wood will not touch Bernie Madoff because he sold them out and he sold out his own people.

Instead we get films like Across The Line, a shaky shot that takes Bernie's story and dumps it on an anglo guy seekng redemption.

Shaky camera equals tension in this one - to the director that is...to the audience it plays like an episode of 24.

Low budget...original dramaesque.

The real story of a billion dollar ponzi is right there: The criminal Madoff, the son who pays the sins of the father. Is Hollywood brave enough to tell it...only if they change the name of the man.