IMDb RATING
6.7/10
8.4K
YOUR RATING
At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.At an elegant Parisian bordello at the dawn of the 20th century exists a cloistered world of pleasure, pain, hope, rivalries--and, most of all, slavery.
- Awards
- 6 wins & 15 nominations total
Noémie Lvovsky
- Marie-France
- (as Noemie Lvovsky)
Céline Sallette
- Clotilde
- (as Celine Sallette)
Adèle Haenel
- Léa
- (as Adele Haenel)
Judith Lou Lévy
- Une prostituée
- (as Judith Lou Levy)
Maia Sandoz
- Une prostituée
- (as Maïa Sandoz)
Pierre Léon
- Un client
- (as Pierre Leon)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I loved this film, I am surprised to see more than one review damning the film for a lack of plot. There is most definitely a plot it's subtle and thoughtful but the characters all have an arc and, for some, very definite resolutions.
The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.
Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.
This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.
Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.
This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
A lot of viewers criticize the film as dark, dull, disturbing, etc.
In my opinion after watching this, though, I have not yet to watch or read any interviews about this film, I feel like it is the director's intent. It intended you to feel disturbed in the first place. It has the potential to make us feel that something's not right or what was happening to their lives were wrong.
This movie has obviously a deeper meaning behind the hardship of the women, manipulation of the madam, luxury of the men, all in the of the "House of Tolerance". And you, as an audience, needed to watch it for you to know those meanings and see from your own perspective.
This movie has obviously a deeper meaning behind the hardship of the women, manipulation of the madam, luxury of the men, all in the of the "House of Tolerance". And you, as an audience, needed to watch it for you to know those meanings and see from your own perspective.
A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, ... within felted lounges. Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory. One of them will be disfigured by a consumer as perverse as sadistic.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
If you don't speak French it's somewhat difficult to follow the subtitles, but once you get the hang of it, of course it becomes easier as It usually does with foreign films.
I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.
Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.
Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.
Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.
Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
This is a serious and complex film. It takes the audience out of their comfort zone. Not everyone will understand the film. The film is about women that may have no other choice but to sell their bodies, about freaks that buy their bodies, about these women's inability to pay off their so called "debt", about cruelty, about general stigma that surrounds these women. All of the women in the story's brothel are regular girls that have no one to turn to for help, but possibly each other. The reference to the pseudo "study" that one idiot sites in the film, the choice of music, the way the film ends - all help to make the audience think about the film and its story not as something from the past, but as issues that continue on and the reasons (society maybe) behind these issues.
Did you know
- TriviaThere's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
- GoofsA character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
- Crazy creditsDedication before end credits: "For Charlotte"
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.23 (2011)
- SoundtracksPlaisir d'Amour
Music by Jean-Paul-Égide Martini
Lyrics by Jean-Pierre Claris de Florian
Performed by Eloïse Decazes
- How long is House of Tolerance?Powered by Alexa
Details
Box office
- Budget
- €4,000,000 (estimated)
- Gross US & Canada
- $19,327
- Opening weekend US & Canada
- $4,766
- Nov 27, 2011
- Gross worldwide
- $1,389,920
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was L'Apollonide (Souvenirs de la maison close) (2011) officially released in Canada in French?
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