Private Peaceful

Private Peaceful follows 2 brothers from childhood to their participation in World War 1. It features themes of friendship, loyalty, courage and sibling rivalry. It features a good UK based cast featuring the late Richard Griffiths and the always excellent Jack O'Connell.

For a film covering a period of time it has a relatively short running time and therefore has a lot to pack in. Therefore there are a number of characters that aren't fully fleshed out. For a small film I thought the war scenes were extremely well done and managed to convey the full horror of war for the often under prepared soldiers.

It all ends rather abruptly and doesn't tie up loose ends which is a bit risky from the filmmaker. I think in this case however it is justified as it makes a greater impact.

This is a only small film but is very engrossing and well worth seeking out. Very enjoyable and thought provoking.

Another film based on a Morpurgo novel,War Horse being the other,and like that film it's an exercise in emotional button pushing for the generation who are likely to know sod all about the history on which the work is based.It's laying on 21st century attitudes and morality to events which occurred 100 years ago when the world was very different.Yes it was terrible by our standards that deserters were shot and that poor defenceless horses were killed,but it's infinitely more horrifying that a huge portion of a generation who didn't run away, died or were maimed..The film is the cinematic equivalent of the kind of "ooh wasn't this terrible?" documentaries which infest the lesser Free To Air TV channels here in the UK.And by the way I'm by political persuasion a Lefty.

The film making is OK.The story of the brothers growing up in a rural village in Devon is fine and Alexandra Roach has the bonniest smile on British TV.It's when the lads join up that it pumps out the clichés like a Lewis gun.

Watch "For King And Country" for a good depiction of a soldier on trial for desertion and perhaps " Journey's End" for life in the front line(the 1970's version is really good".

About family, love , brotherhood and about death. And hope. And, again, about family. A beautiful - bitter film about choices and about the answers to them. Or just that kind of film about , in simple and honest manner , life. I admitt, the basic reason fom me , to see the film was the presence of Jack O' Connell . But the film could not be reduced at his performance. All is familiar but the message of the movie deserves attention. For a precise waz to define the profound truth. And for a good story in which each level is well crafted.

A beautiful portrayal of love and loyalty, this film gives a convincing insight into the lives at home and at war of young men in the First War. Key relationships are poignantly rendered, firstly between cocksure Charlie Peaceful and his sensitive and introspective brother Tommo. Their relationship with their father is particularly moving as well, as is their mutual love for their friend Molly. One thing that stands out for me is the authenticity of the film's portrayal of their acceptance of each other, of one sibling's 'conquest' of Molly, and of the relative poverty of their situation as fatherless farm-boys - although the outbursts of politicised rebellion in this respect are also convincing, if not when blurted out to the landowner who is bizarrely drinking in the public bar with the lads. This is indeed one of several anachronisms in the film (along with unrealistic woodcutting of the forester and the strangely silent field hospital), but these do not undermine what is otherwise a deeply moving portrayal of an everyday tragedy.

Based on Michael Morpurgo's book, 'Private Peaceful' has garnered inevitable comparisons with Spielberg's 'War Horse' (to me a superior film, which is probably not going to be a popular opinion). On its own merits, it's a decent but not great film that does a lot right but somewhat too vanilla.

Starting with the strengths of 'Private Peaceful', while not lavish it's very nicely shot in its own low-key way and even more expertly done is the contrast of the rustic charm of the early life scenes with the harrowing griminess of the war scenes. Rachel Portman's score is lushly orchestrated and understated without being over-sentimentalised.

'Private Peaceful' may have a lot of familiar elements, but the relationship with their father, the sibling love rivalry and feuding with their sergeant are done competently enough, if very familiar elements done to much stronger effect elsewhere. The story is compelling and moving enough, everything about the film is well-intended and the direction is solid.

The acting is what comes off best, or at least most of it. George MacKay and Jack O'Connell are very good as the brothers with a very natural bond between them, and they are well matched by a charming Alexandra Roach as well as tortured and gruff John Lynch, affecting Maxine Peake and blustering Richard Griffiths.

Not everything comes off well. The dialogue can be stilted and awkward in flow, with too much signposting and melodrama in the early scenes. The child performances also don't come off naturally and are actually pretty amateurish, particularly for young Charlie.

A little too much of the film is cliché ridden and sadly this would not have mattered if it wasn't so vanilla, meaning it's all there but with not much spark. Lastly, the ending is far too abrupt and too much of a head-scratcher.

In summary, well done but bland. 6/10 Bethany Cox