L'oiseau bariolé

A young Jewish boy and the extreme abuse (quite hideous, alarming at times) and suffering inflicted upon him during WWII by some exceptionally evil and wicked people; slightly loses traction with a few too many frying pan fire cycles to emphasise the point, a shocking experience nonetheless, albeit a very long one. Whether the world still needs this kind of stylisation of the effects of war remains debatable, as does its impact on the memories and emotions already formed over so many years and by so many.

I am totally blown away by the sensitivities of audiences that go see Marvel movies where everything is blown up and destroyed and that's exciting but when a real art film comes out and it shows rapes other things that are difficult to watch but important to the plot and it's freak out time Because of this so-called PC correctness acting is forgotten everything is real and it's not it's not real it's made to look real so that you understand what the director and perhaps the screen writer and author is trying to say this is not a holocaust film per se the author did not even intend it to be 100% that it's a film depicting how life can unfurl in certain times of bleak history and how that can actually rebirth into a tale of man's every day existence The "violence" is necessary to relate the story.

Heavy. It's a series of chapters displayed by a photography both stunning and merciless. Human beings here are foundamentally cruel (with a couple of exceptions) and cruelty flows from the oppressor to the oppressed. The movie reminds us about that. The ending has being discussed, but I think that, just maybe, the protagonist can still hope for a better future.

I had already read the 1965 novel THE PAINTED BIRD, and it most certainly stuck with me, so when I heard a film adaptation was coming out, I HAD to see it. I'm not sure if any of you have seen Asia Argento's film adaptation of JT Leroy's THE HEART IS DECEITFUL ABOVE ALL THINGS (starring the Sprouse twins) - this is basically the same movie, only it takes place with a Jewish boy during World War II rather than during contemporary times in America. It's like that movie at it's core but then mixed the aesthetics and vibes of, like, Schindler's List, and sometimes it even feels a bit like The Witch. In summary, it's about an orphaned boy wandering aimlessly trying to find a proper caretaker for himself but every single adult who takes him in is an evil person who abuses the child one way or another. Clearly, the relentlessness of the subject matter and the commitment to world-building entirely around it causes a lot of people (most people really) to despise both of these movies. However, it is clear to me that these were created as cathartic pieces of art - though it's doubtful that this ever happened this relentlessly to any child, by so many different people, it is POSSIBLE, but that's irrelevant because the film functions as a surrealist interpretation of the aloneness, the helplessness, and the inescapable claustrophobia that some children do feel as they struggle to find the footing in their developmental existence. The 3-hour runtime does cause the film to feel a bit redundant at points, but that's really the movie's only flaw, and in the end it's a rewarding viewing - all of the performances are dynamic, brave, and many of them are frightening or at the very least jarring. There are are small roles from Harvey Keitel, Barry Pepper, and a very important actor to me, Julian Sands - in probably his creepiest appearance ever. The environments and cinematography are both impressive - gorgeous but effectively bleak to match the tone. What it comes down to is that this is a beautiful film about the ugliest thing. It's not for everyone - just looks at the reviews, you could say "people hate it" - that's what the reviews show, but the truth is there is a lot to marvel at and praise here. People just can't handle certain levels of darkness in art. The most interesting part of all of this is that both books THE HEART IS DECEITFUL ABOVE ALL THINGS and THE PAINTED BIRD were originally marketed as autobiographical memoirs when they found success, then both were shunned when it was revealed that they were actually entirely fictional. THE PAINTED BIRD is the original HEART IS DECEITFUL - I just never realized it until now. Take from that what you will.

"The Painted Bird" (2019 release from the Czech Republic; 169 min.) brings the story of a young (Jewish, we later learn) boy, never mentioned by name and simply known as "the Boy". As the movie opens, the Boy is running in the woods holding a pet, only to be brutally attacked by other boys, who also burn his pet alive. The Boy returns to home, home being a remote place with his aunt somewhere in Eastern Europe in the late stages of WWII. When his aunt dies (and he accidentally sets the place on fire), he is forced to find his way, but to where? This is the start of a long journey. At this point we are less than 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the big screen adaptation of the book of the same name. I haven't read the book, so I cannot comment how closely the film sticks to the book. To say that the book, and now the film, have been controversial would be the understatement of the year. The film is brought in chapters, each called for the person(s) in care of the young boy, maybe 9 or 10 years old: "Marta" (his aunt) start things off. The first hour of the movie is surreal and shocking on many levels, as the boy endures cruelty upon cruelty, Along the way we also watch animal cruelty, spousal abuse, and worse. Cheerier times are far away. Yet as we endure this, we also become strongly attached to the survival journey and fate of the boy: what will become of him? The movie is shot entirely in B&W, reflecting the gloomy atmosphere of remote Eastern Europe. There are some spectacular acting performances, none more so than the boy who plays the Boy, but also keep your eye out for Harvey Keitel, yes THE Harvey Keitel, playing a priest who takes the Boy under his wings for a while. BEWARE: there are a number of disturbing scenes in the film, and to say that this isn't for the faint of heart would be the understatement of the year. Yet if you can handle it, you are in for a WILD and moving but bleak tale of a young boy's WWII survival drama, the likes of which you surely haven't seen before.

"The Painted Bird" premiered to controversy and critical acclaim at the same time at last Fall's Venice Film Festival. It opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The theater is adhering strictly to CDC guidelines in this COVID-19 pandemic. Not that it mattered as the Friday early evening screening where I saw this at turned out to be a private screening, as in: I was literally the only person in the theater. If you are in the mood for a grim and bleak but extraordinary tale of what trying to survive WWII might've looked like for a young Jewish boy, I'd readily suggest you check this out, be it in the theater (if you can), on VOD, or on DVD/Blu-ray, and draw your own conclusion.