Gae-in-eui chwi-hyang

10 stars to Lee Min Ho for the lead male who I admit I usually give 10 stars to. Again, he fits perfectly in the romantic handsome edgy male role lead. To be true to my reviews I have to deduct a star for the FML and script that always write in a dowdy FML to star with him - and I think they go too far with the wardrobe trying to make her look unfashionable with sweats and slippers and ugly clothes. I thought the gay situation humor was hilarious however I didn't think the FML dressed as a boy was portrayed very good by the FML. Also didn't care for episode 16 very much, which included the ending. But Lee Min Ho brought the romance again and did a great job in the role of architect who got caught in a lie.

#LeeMinHo #GameOver #PersonalTaste.

Core part of the plot was the male lead pretending to be gay as described in the synopsis, however, I'm not sure if this was intentional or not but naming the female lead 'Gae In' was seriously tripping as it was pronounced very similarly to how the characters saying the word gay. Anyway, the drama followed the typical romcom formula of the early 2010s while having a play around the cohabitation of opposite sex and pretending to be gay. This setup spawned all kinds of predictable shenanigans yet they were somewhat entertaining, solely thanks to the leads. While sometimes irritating but they had a good dynamic going on between them. The character Jin Ho was written as a reserved guy who doesn't open up or show his feelings but Lee Min Ho in this drama was way too subdued and static beyond what the characterization mandates for his character, combined with sometimes questionable production, it had created some awkward scenes and deliveries. The drama featured a love square to anchor the drama but this love square was plain stupid. It served its purpose to kick start the story but any involvement after that was a poor decision. I found the ending to be a little bit weak and boring, they played it safe and predictable. Both parents of the leads were brushed off quickly to wrap it up despite being a reasonable point of tension prior to that. Overall, it's a decent watch with nice moments here and there but lacked a lot to be recommendable or rewatchable.

Lee Min Ho and Son Ye Jin are so good at acting in love that the chemistry is one of the best in all of the rom com K dramas. There is a top 10 kiss scene in episode 10. Son Ye Jin is great at acting goofy in this show. The comedy is quite funny with all the gay jokes and innuendo. But the obstacles dramatic part before the end is slightly draggy but at least there is a nice conclusion.

The soundtrack is nice. Like a Fool is outstanding.

One of the better rom com dramas.

Omg this drama was soooooooo good !! The story was amazing !! The way lee min ho was dressed.. omg I was in love !! Absolutely loved this drama !! I laughed aloooot !! Love love love it !!!

16. That's the number. Well, sometimes, it's 20. But that's the standard number of episodes in Korean TV series. It's a challenge to fill and this drama, like many, doesn't quite do it. There was enough material here to make a decent 2-hour romcom movie but 16 hours was far more than could be filled up without recourse to a relentless cycle of rinse and repeat.

What makes this drama bearable, indeed more than bearable, are two tremendous performances from the stars, Lee Min-ho and especially Son Ye-jin. The rest of the cast and the stock characters they play could easily have been recruited out of the chimpanzee enclosure at Seoul Zoo, but Lee and Son are just otherworldly in their performances and chemistry, enough to blow up the labs at MIT. Son has such terrific comedic range just within this show, able to display vulnerability and strength, naivete and common sense, kindness and, when necessary, backbone, and you never fail to believe her. What is asked of Lee is more limited but he delivers without holding back.

The plot line, the single woman who mistakenly believes the guy she ends up living with is gay and therefore "safe", is a little forced and acceptable (just barely) only because the show is 10 years old and predates more widely accepted norms about the place of homosexuality and other non-"straight" orientations in society. But even there, most of the characters are quite tolerant of divergence from the norm of the time and Son at one point offers up a heartfelt declamation that love, straight or gay, is love. There is one interesting secondary character, played with some finesse by Ryu Seung-ryong , whose struggles with being gay and finding a way to express his love to Lee (whom he not unreasonably believes is gay - after all, Lee actually says he is, er, straight out) are depicted with some delicacy.

The problem is that the magic number means that Lee must be made to miss chance after chance to set the record, er, straight about his orientation in ways that are increasingly forced and sometimes lame beyond belief. Similarly, just as the writer finds idiotic excuse after excuse for Lee not to explain things properly, he (or she - not sure which) is forced in scene after scene to portray Son as clueless long past belief. The deception is enabled with the usual tropes of untimely interruptions by phone calls, people barging in, non-emergency emergencies, and an endless series of manufactured lies told by everyone and his mother, all so the moment of discovery can be delayed long past the moment the audience's patience has been exhausted, all so that the magic number of 16 can be reached.

Similarly, the second leads, played by Kim Ji-seok and Wang Ji-hye, must replay their same basic scenes over and over. Kim, in particular, is a creepy character whom both Wang and Son rightly reject and yet he cleaves first to one then the other with essentially the same nauseating sophistries and, unfortunately, the absolutely loathsome arm grabbing that pervades Kdramas.

Tertiary characters are equally repetitious and even less interesting. Lee's right hand guy, played by the forgettable Jung Sung-hwa, is merely insufferable and Son's best friend, played by Jo Eun-ji, manages to detract from every scene she's in.

These dramas need to be shorter or more inventive. Not all of them have the maximum luminescence of stars like Lee Min-ho and Son Ye-jin. I could watch Son forever and I can see why female (and perhaps male) fans could do the same for Lee. But it would be great if the material were a little deeper, a little richer or, to put it more precisely, a lot deeper and a lot richer.