L'odyssée

Jean - Jacques Cousteau was one of heroes of my my childhood. His lovely documentaries, his explanations, his work and passion are source of precious memories. This film changes nothing. Only gives new nuances to the familiary story. The realism is the basic tool for that, as result of a coherent, correct, precise story and admirable performances. The choice and the way of a man and his family. I admire the impecable job of Lambert Wilson. I love the great work of Audrey Tautou. And the inspired cinematography. Short, a necessary film. Impecable crafted.

If like me you were just periphically aware of Jaques Cousteau, this movie will you an insight. To the man, to the dreams and to his accomplishments, against all odds and all that. I mean some of the dialog (which may or may not be exaggerated) with film producers is just (comedy) gold. But you can see why they only had profit in their mind and he was out there for a different purpose. Now he was able to move his goals/dreams or make them bigger, by thinking outisde the box (no pun intended).

The movie is in french but there are quite a few scenes that are also in english. The main thing is, we get an insight into how he became who many got to know or read upon later on. Also an "influencer" as some might call him nowadays. An inspiring movie, that tells us to reach for the stars or the bottom of the sea - whichever is closer to your heart!

Lambert Wilson is the innovative underwater explorer Jacques-Yves Cousteau in this rather unremarkable depiction of his life and career. He is married to Simone (Audrey Tautou) but has a bit of a wandering eye so they become maritally estranged, even though they continue to live and workout on their converted WWII minesweeper "Calypso". Needless to say, this puts some strain on the rest of the family, not least upon his relationship with his publicity magnet, heart-throb, eldest Philippe (Pierre Niney). The latter man's character is used as a barometer a little here to measure the actions of his father. The exploration activities must face stark realities. Money is needed to buy the 1½ tons of fuel the ship needs each trip, and that's before wages and other costs associated with their more scientific endeavours have to be paid. This leads to Cousteau becoming more of a businessman with almost corporate responsibilities. It's those activities that see a split between father and son that lasts until a trip to the Antarctic that sees a well documented tragedy hit the family. For the most part this is a soap opera of a film with nowhere near enough focus on what made the man famous in the first place. There is some underwater photography to liven things up, and a sequence with an expanding group of sharks that's quite menacingly filmed, but there's not really enough of that to compensate for the listless melodrama that's played out. The camera does love Niney and Tautou, and Wilson is competent enough in what is essentially a light-weight and slightly adulatory tale of a man who was clearly much more interesting, flawed and charismatic than we see here.

This film is magical. The cinematography is mesmerizing and the shots under water and in Antarctica are especially powerful. The actors are excellent and the story is made more human by showing Jacques as a man with flaws, not just the celebrated hero the world made him out to be. It is a beautiful art film with an important message about conservation, so don't bother going if you're looking for Fast and the Furious. Worth watching if you aren't!

It's a very well done film. It certainly wasn't easy to squeeze half a man's life into 2 hours but I think they've kept a good balance between the beautiful under-the-sea shots and the family ups and downs and the financial challenges he faced. Obviously, they did not have much time for any in-depth analysis, mostly walked us through the main milestones of his life. But the film is shot and edited perfectly. The scenes just flow from one to another, speeding up and slowing down as needed, as kids grow, as decisions need to be made, as people leave and return. The film is not all rosy and it did not shy away from some of the less pleasant sides of the great man. But I think it was handled with good tact, they did not dwell on it but kind of just mentioned it, hey, we are all human after all. And of course, there are enough shots for you to go wow that's a fricking beautiful world down there.