Code ennemi

well, guys who gave low scores for this movie better getting off their high horses and at least having some solid feelings where they stood. this movie actually is quite watchable and i wouldn't mind telling you that i'm one of the arrogant, cynical, and hair-splitting picky guys who never had patience to any and all kinda bad movies, yet this one surprisingly surpassed my expectation. john cusack looked quite old in this film, his hairs looked quite stiff and unnatural due to so much hair dye was used that had made his hairs looked so disgusting. his facial features also looked quite messy.....but he did a great job here and malin akeman also performed so well. the screenplay was well crafted and the "panic room" replaced by some military bunker was also not bad at all. this film looked quite low budget but never gave you a B movie feeling and it's quite smart to have limited money well spent and turned a film into a quite watchable suspenseful one. if you by any chance want to watch a film without being foolish and make your money worthwhile, then watch this one, at least it won't let you down too much.

7.6 of 10. Fast moving film that says a lot about intelligence operations and the mental state of the operatives, why they do what they do, and the risks/prices they pay.

In these, it's easy to get hung up in details of is it real or is this done exactly like that, or is the cryptography accurately handled. For the most part, this successfully portrays the details. Are there actually numbers stations? That's not the question to ask. Are there secret communications operations? Yes. Once you get past that, most people already know and accept there are secret killings, so you can simply enjoy the story (except for the product placement, of course).

Another problem with these films is they get too caught up in the message, talking, and forget about action, thrills, and the story. This does a surprisingly good job quickly setting up the plot and keeping the pace fast (best of all, without any car chase scenes or similar gimmicks). The soundtrack/score helps too.

Something like a simplified, but not dumbed down, Bourne Identity film.

THE NUMBERS STATION really reminds me of Anton Corbijn's 'The American' a lot. Emotionless espionage operatives discovering them. In both instances these males are swayed by females reminding them. Very different results to the stories, however.

THE NUMBERS STATION is definitely the more dark of the 2 films, filmed in the English country side, and in a forbidding fortress like facility in which codes in the form of 4 digit strings are broadcast relaying instructions to field espionage personnel and military units. John Cusack is the protagonist, an operative about to break down from the stress and unable to carry out an assignment, a murder. So he's reassigned to a numbers station, to more or less rest. He has no such luck when the station is attacked by parties who wish to broadcast false assignments. His partner, an attractive young woman played by Malin Akerman, is personable enough to invoke the fellow's emotions. Very poetic, and again, very similar to the Corbijn film.

Again I'm reminded of another film, Nicholas Ray's ON DANGEROUS GROUND , in which a detective who has become brutal and excessive, is reassigned to a rural murder case, becomes infatuated with a woman there and is relieved of some of his stress. Also I have an record by the rock band Porcupine Tree named 'Stupid Dream' in which one of the songs, 'Even Less', has a sample of these number strings being intoned. My guess is that it's a parody. I always wondered what they were.

I must admit I was pleasantly surprised by The Numbers Station. Going on John Cusack's recent venture into silly, inconsequential direct to video thrillers without depth or heft, I expected a mind numbing cash grab with his moniker shamelessly plastered in pre title billing. I only watched it for a couple of actors I really enjoy, and what I got was thoroughly fun, slow burning spy thriller that took its time, built the characters and focused on mood and story instead of just action filler. During and after the Cold War, Numerous 'Numbers Stations' were planted all over Europe, facilities where operatives would reside, broadcasting codes in the form of random sequences of digits, all over the region to various agents, who would read them, and carry out the orders embedded within. Cusack's plays a disgraced agent who is assigned to accompany a coder (Malin Ackerman) to a remote station, and protect her and the premises. They arrive and are immediately at odds with each other. Ackerman is a rookie spook with idealistic values and a sunshiny demeanour that irks Cusack right off the bat. He has acres of tragedy behind him, curdling his personality into a jaded, hangdog presence, essentially just wearily carrying out the motions with listless resignation. The script wisely gives them time to bicker about their differences, learn a bit about each other and form a shaky bond before the inevitable conflict rears its head, in the form of a rogue special ops unit led by a determined psychopath (Richard Brake). Their aim is to hijack the numbers stations broadcasting capabilities and send out codes of their own containing orders to do God knows what. It's up to Cusack to prevent this, giving him new purpose. The underrated Liam Cunningham briefly shows up as Cusack's morally bankrupt partner who ends up having a crisis of conscience, and portrays it really well as only Cunnningham can do. It's not a movie to rave about, but it's a solid, moody thriller for lovers of the genre, perfect for a lazy rainy night.

I saw that this movie only scored 5.4 on IMDb and I wanted to quickly write that it's a whole lot better than that. The movie kept me interested from start to finish. It doesn't slow down appreciably at any point. There isn't an overwhelming amount of action but there is a tense atmosphere throughout. The location is also great. A moody, grey numbers station right out in the middle of nowhere. But the main reason for watching this movie is Cusack who perfectly plays the loner, haunted, tough guy, with a conscience. He's supremely watchable in every frame. In fact, Cusack plays these types of characters better than anything else. He has that suitably detached, dangerous look, down to a tee. He also does ambiguity very well. All of this is displayed really well in the movie. Ackerman is also well cast as the enthusiastic, smart code girl.