Code ennemi

well, guys who gave low scores for this movie better getting off their high horses and at least having some solid feelings where they stood. this movie actually is quite watchable and i wouldn't mind telling you that i'm one of the arrogant, cynical, and hair-splitting picky guys who never had patience to any and all kinda bad movies, yet this one surprisingly surpassed my expectation. john cusack looked quite old in this film, his hairs looked quite stiff and unnatural due to so much hair dye was used that had made his hairs looked so disgusting. his facial features also looked quite messy.....but he did a great job here and malin akeman also performed so well. the screenplay was well crafted and the "panic room" replaced by some military bunker was also not bad at all. this film looked quite low budget but never gave you a B movie feeling and it's quite smart to have limited money well spent and turned a film into a quite watchable suspenseful one. if you by any chance want to watch a film without being foolish and make your money worthwhile, then watch this one, at least it won't let you down too much.

This is the remarkable debut into English-language film directing by the Danish noir director Kasper Barfoed. Recently I reviewed his brilliant Danish thriller THE CANDIDATE (KANDIDATEN, 2008, see my review). Now he steps into our language, so watch out! This is a highly atmospheric and ominous thriller mostly set is a bizarre bunker on a disused military base which has been turned into what the security services call a 'numbers station'. That is where short wave is used (since its broadcast location cannot be traced) to broadcast instructions to spies round the world using number codes. The lead actor is John Cusack, who is perfectly cast because he makes a convincing quiet, brooding type. Here we come up against the problem I have mentioned frequently before, however, which is that the main character, with whom we are meant to sympathize, is a professional killer. In this instance, he is a government assassin. But is that any better than being a standard 'hit-man'? In any case, it is an unmistakable sign that our society is in a state of terminal decadence when the heroes of so many movies are men who kill for money. I suppose one could say that of Monsanto, perhaps, but then one could argue that Monsanto is an even worse sign of our terminal decadence, with the accent in their case on 'terminal'. So there he is, John Cusack, quietly guarding the woman who reads out the numbers at the numbers station, when things go seriously awry. Some of 'his side' have sold key information about the numbers station to 'the other side', whoever they are these days. And then vicious men with guns come in and start shooting and wanting the codes, and in fact they want to do terrible things with those codes, such as send false instructions requiring the agents who receive them to kill their own bosses. We are meant to feel sorry for John Cusack because nasty men are trying to kill him, but then who feels sorry for all the people John Cusack has killed? But that's not part of the script. Putting all the moral questions aside (which is what our society does nowadays), this is a very exciting film. So there you are.

7.6 of 10. Fast moving film that says a lot about intelligence operations and the mental state of the operatives, why they do what they do, and the risks/prices they pay.

In these, it's easy to get hung up in details of is it real or is this done exactly like that, or is the cryptography accurately handled. For the most part, this successfully portrays the details. Are there actually numbers stations? That's not the question to ask. Are there secret communications operations? Yes. Once you get past that, most people already know and accept there are secret killings, so you can simply enjoy the story (except for the product placement, of course).

Another problem with these films is they get too caught up in the message, talking, and forget about action, thrills, and the story. This does a surprisingly good job quickly setting up the plot and keeping the pace fast (best of all, without any car chase scenes or similar gimmicks). The soundtrack/score helps too.

Something like a simplified, but not dumbed down, Bourne Identity film.

I saw that this movie only scored 5.4 on IMDb and I wanted to quickly write that it's a whole lot better than that. The movie kept me interested from start to finish. It doesn't slow down appreciably at any point. There isn't an overwhelming amount of action but there is a tense atmosphere throughout. The location is also great. A moody, grey numbers station right out in the middle of nowhere. But the main reason for watching this movie is Cusack who perfectly plays the loner, haunted, tough guy, with a conscience. He's supremely watchable in every frame. In fact, Cusack plays these types of characters better than anything else. He has that suitably detached, dangerous look, down to a tee. He also does ambiguity very well. All of this is displayed really well in the movie. Ackerman is also well cast as the enthusiastic, smart code girl.

"The Numbers Station" is another one of those quiet movies with an uninteresting title that wallow in obscurity, undeservedly.

"The Numbers Station" refers to a remote un-mapped location where secret encoders broadcast missions in highly secret numeric ciphers. After a flubbed mission and a severe attack of conscience, hit man Emerson (John Cusack) gets reassigned to provide security to Katherine (Malin Ackerman), one such code broadcaster. One day, their base gets compromised and Emerson and Katherine to promptly contain the problem before the false codes achieve their misguided missions.

John Cusack plays the cool-as-nails but conscience-stricken Emerson very well, both in the action scenes and the quiet scenes. His character is the heart of the film and he carried the role with dignity. Malin Ackerson did well as the traditional damsel in distress, but to her credit, her character did not just sit there waiting for things to happen.

I liked the tight and exciting pace of the story told within the limited confines of the numbers station. The emotional story within the heart of a supposedly unemotional killer was also well-told. This suspenseful and thoughtful film is recommended for viewers who like a neat claustrophobic thriller.