Colombiana

Nothing fantastic, but a decent action movie. Giving it 1 star is absolutely ridiculous. Very few movies deserve 1 (same goes for 10), yet here on IMDB it's wildly overused. If you can't see the difference in quality between an Ed Wood movie and Colombiana (production, story, acting etc.), you really shouldn't rate movies. Most likely you just enjoy shitting on things, which seems quite popular these days. A mediocre movie deserves 4-6 stars, not bloody 1, and if you watch enough movies you should at least learn to see the difference between shitty and mediocre. Colombiana is not great, but kept my interest up and it's clearly better than a shitload of other action movies. I rate it somewhere between 6 and 7, but round up because of all the idiotic 1's.

I can understand why Colombiana is getting some tough reviews. It doesn't feature Colombian actors, it wasn't really filmed in Columbia, and this type of movie has been done so many times before. Kill Bill(2003-2004), Enough(2002), The Brave One(2007), I Spit on Your Grave(1978), Coffy(1973. The list goes on and on. Women seeking revenge for something.

However, I will say Colombiana was FAR better than I thought. I was expecting a predictable, loud, cat and mouse action movie with a lot of explosions and guns. It does have a lot of explosions and guns, but it was not as predictable as I thought and the acting wasn't outstanding but definitely good enough. Zoe Saldana carries the movie with ease and adds a lot to a script with average character development and plot.

Colombiana is a good action flick with a great leading actress and decent supporting characters. It's not something I would have on my top 10 list at the end of the year but think about it, I took 6-7 minutes to do a review on it which I only do if the movie was memorable and it was.

Colombiana: acting:B, plot:B-, dialogue:C+

I went to a midnight screening last night at Times Square because I've been wanting to see this picture for quite some time. With Colombiana movie posters on every street corner and wall I figured it was going to be a tremendous blockbuster to end the summer with. Didn't exactly end up that way.

With some of the names behind this film, I was surprised at the abundance of cheesy bad guys, predictable scenes, and flat supporting characters. The only thing that moves this story along is Zoe Saldana herself with her tremendous presence on screen and beauty, which is breathtaking. She's very believable as a stone-cold assassin, especially the way she sneaks and crawls around with ninja like precision.

It's too bad they couldn't place Zoe and her character into a better storyline and provide her with stronger support. Without giving away the ending, there's also a final fist fight scene in the end which looked like it was filmed and edited by two high-school kids. Isn't this 2011? The technology there was very lacking or done in poor choice.

I still would recommend seeing the movie as its not bad-bad and there are some cool kill scenes, but I wouldn't qualify it as a must-see. The movie is somewhat groundbreaking only for the fact we have a Latina female as the lead role in an action film, hopefully this finally opens to the door for other darker skinned actresses in similar roles, which has been long overdue.

If you watch Movies like this you want a lot of Cool Action, stylish presentation, and an energy driven scenario that is a Comic Book like other place. This one has all that. Not very intelligent or plausible or much to think about, just a visceral ride for a mind-numbing couple of hours.

This is a slick and entertaining Girl With Guns romp, a favorite Character from Writer Luc Besson. His Films have a wide appeal and have varying degrees of success both as Art and as Entertainment. His best work is miles above his contemporaries and his worst is better than average.

This one falls in between. It is Artistic and will please Fans of the Genre, but does not rate as near his best. It is above average in its frantic display of rampaging revenge and glossy fights that are appealing as flights of fancy. Not much here is believable in any real sense, but that is the attraction of Comic Books. Luc Besson owes much to that format and Artform. He is a Writer/Director who pays his debts.

If there is one French director the non-French general public knows about, it's Luc Besson. Even if the name means nothing to you, chances are you've heard of the films he's had a hand in. Among his most famous films are Léon: The Professional (which introduced American audiences to Jean Reno and Natalie Portman), Nikita (which has been remade into an American film and two American TV shows so far) and The Fifth Element (which nearly 15 years later remains one of the most famous science-fiction films as well as one of the 10 most expensive French films).

At the dawn of the new millennium, Besson started his own production company, EuropaCorp, which in the last ten years or so has funded its fair share of diverse movies, both in the French and English language. Nevertheless Europa (as it's known in short) is best known to mass audiences for its numerous, high-octane, medium-budget action films, most of which are written or co-written by Besson himself (often with Karate Kid screenwriter Robert Mark Kamen). Among these are the Taxi, Transporter and District B13 series of films, Wasabi, Taken, From Paris With Love, Danny The Dog (also known as Unleashed), Bandidas, Kiss Of The Dragon, Yamakasi, Crimson Rivers 2, Hit-man,... Through these films, Besson is also responsible for introducing the world to Parkour, which seems to have taken over action cinema in the past 5 years (and even making its way to films such as Step Up 3D).

Colombiana is another product from Besson's action film factory. The story starts in 1992 in Bogota, where some mob guy, Don Luis, orders a hit against a former associate of his who he considers has betrayed him, and naturally his whole family. Only young Cataleya Restrepo escapes the bloody shootout during an intense Parkour chase (what else?), and manages to reach her uncle in Chicago, to whom she swears that she'll become a hit-man and avenge her family. Fast-forward and enter Zoe Saldana as adult Cataleya as the rest of the film takes place, strangely enough, in 2007. With her uncle's help, Cataleya has indeed grown up to be an awesomely skilled contract killer, having performed 22 jobs in 4 years. However, she signs each of her kills with a message destined for her real prey, making her one of the FBI's most wanted. When the FBI decides to divulge her "serial killer" status, Don Luis and his men know what's up, and all hell breaks loose.

Much has been said of the film's similarity with Besson's Léon and Nikita, with many people musing that the film could just have well have been a sequel to Léon with Natalie Portman's character all grown-up and kicking butt (something fans have been dreaming about for years). Now I haven't seen Nikita, but while there are similarities between Léon's Mathilda and Colombiana's Cataleya, the two films are definitely not on the same level. Colombiana is really your typical, run-of-the-mill Besson action production, which is really not a bad thing. It is not in the top-tier of these films (where I place films such as Taken and Danny The Dog), but still a perfectly entertaining romp.

Viewers concerned with director Olivier Megaton due to the perceived lack of action in Transporter 3, his previous film, need not be concerned. The action here is almost non-stop, pretty much to the detriment of plot. While the story has potential and could make for a film with a lot more depth, whatever plot is here is minimal to the max, recycled, cliché and basically a hodge-podge of all previous hit-man/revenge/on-the-run-from-the-law films you've ever seen. There is absolutely zero character development whatsoever and if you didn't know that Cataleya's parents were murdered by Don Luis, you would have no idea why any of the characters are doing what they're doing. I'm not exaggerating, the Transformers films, heavily criticized for this reason, have more character development.

But lack of plot depth isn't really a negative here. More depth would have certainly made it a better film, but Colombiana is still entertaining as a simple, straightforward, "dumb" B action flick. Like all EuropaCorp films, production values are top-notch. The expected Parkour chase is kept fresh by having it unfold with a child. Zoe Saldana gives a great physical performance and spends a great deal of time flitting in and out of vents and the various hits shown in the film are all quite cool. The other actors also do fine, though Michael Vartan's character has very little purpose and is actually barely in the movie. Also this might be the only movie you'll ever see in which toothbrushes are used as weapons.

In short, know what to expect from Colombiana (which literally means Colombian woman by the way), and you'll enjoy it fine. It's a straight-up action movie, no more, no less, very low on plot, high on action, that falls straight into the heap with the scores of other similar Besson-produced films, though it doesn't possess the touches of humor that most of his other productions have. In comparison to the other hit-man movies of the year, it's superior to The Mechanic, but way inferior to Hanna (though it contains a lot more action than Hanna, which shouldn't be seen as an action film). This is no Léon: The Professional 2, fans can keep hoping that Besson and Portman work that one out at some point (interestingly, Megaton is first in line to direct if that movie does happen).