Forces spéciales

Forces Speciales tells the story of the French Special Forces and their mission, in this instance, to save journalists who have been kidnapped by the Taliban in Afghanistan and taken to the tribal areas of Pakistan. The covert operation develops complications and the sole lure of the movie is to discover whether the mission will succeed or fail; will they live or die.

As one reviewer notes, the movie is nearly a commercial for the French Special Forces, and the plot of the movie, what there is of it, involves a kill-crazed Al Qaeda leader and his nameless and near-faceless band of zombie-like henchmen who relentlessly pursue their victims. Whoever gets in the way of this insane band of thugs, Afghan, Pakistan, foreign soldier or whatever, they seem to crave killing them quickly. And, the supply of these killers seems limitless, offering the viewer ample opportunities to watch them machine-gunned down in large numbers by the heroes, including a few scenes that include an accompanying heavy-metal music soundtrack.

Yes we see the heroism, self-sacrifice and compassion of the gallant French warriors, along with the typical scenes of male-bonding. But much of this movie is standard fair for the genre, and a very one-dimensional look at the problems of this troubled area of the world. If you think that suits your taste, go for it! One last comment, when will we stop seeing overweight, gray-haired men portraying elite commandos? This is a young man's occupation. I'm surprised we didn't see Jean Reno as the commando leader, but that would have been even more difficult to believe.

While 'Forces Spéciales' has some shortcomings, I have to say I enjoyed watching it. Sure the team doesn't always look up to the task, a few actors may not be too convincing either (although most are) and one may wonder about the tactics used in the film.

What I liked about this movie was that the crew and cast went to Tajikistan to shoot the Afghanistan and Pakistan scenes which makes the whole story more realistic – American productions would usually settle for Morocco or Jordania but the scenery is not quite the same. Another quality in 'Forces Spéciales' is the storyline which is kept simple, there is not subplot or complicated background: A French reporter is kidnapped by the Talibans, a team of team of soldiers is sent to rescue her. Also, languages have not been unified into English, something Hollywood still has problems with regularly.

'Forces Spéciales' might not be the best action movie ever (I am not sure this is what it's supposed to be anyways) but it has nothing to be ashamed of in comparison to 'Act of Valor' which was a big disappointment for me.

I couldn't be bothered to look if this is based on a true story. Nor will I compare this to heroism as seen in American movies of similar genre fair. But I can tell you that with all it's faults and flaws (and there are quite a few), this still manages to grip you, if you have a good surround sound system and a neat television set. Of course that shouldn't be the argument to rate a movie (Bruckheimer would be happy though), but the action is well choreographed, you always know where you are and the actors are not too bad either.

Having said that, I do understand if you feel like you've been cheated when you watch the movie. But don't start asking yourself, why this, why that, it'll spoil your movie experience. And after all, this is just a movie, so don't start comparing it to the real thing! If you do, it'll fail on a major scale!

Co-written and directed by Stephane Rybojad, this debut feature is impressive and remarkable considering the sheer logistics involved in having it filmed in Tajikistan passing off as Afghanistan and its tribal borders where the film was primarily set. Rybojad cut his teeth with countless of documentaries, some of which involved the French special forces, so to say that he brings a degree of realism to the film is an understatement, having first hand knowledge about the weapons and tactics, despite having to weave a fictional tale around it that will appeal to a broad audience.

With a host of rifle weaponry, high-tech equipment and decked to the nines by smaller arms to larger ones like the Super Puma choppers (amongst others) and boasting even an aircraft carrier, some may be quick to claim that the film is nothing but propaganda for the French armed forces. But that can be so far from the truth, because what Rybojad had done is to provide a tale about humanity both good and evil, and the dilemma that anyone entrusted with a life and death situation to deal with almost on a constant basis. With just gun battles alone one may be better off with a computer game, but the story here, no matter how standard and cliché at times it may seem, worked without attempting to do more than it's capable of, knowing its limits and sticking very much to its strengths, despite having its final act a little bit clunky and a pivotal scene that turned out to be quite unbelievable in terms of geography, but with narrative films there's always the element of chance and coincidence otherwise nothing would actually happen.

While it's not everyday that we get to see a French action film, and one based on a uniformed group at that (the last being the GIGN in the film The Assault, which is based on a factual, historical incident), and this one in some ways reminded me of the Hollywood film Tears of the Sun by Antoine Fuqua. Both films feature a group of special forces troopers being tasked with an extraction mission, only to come face to face with a numerically superior opposition, having to battle the enemy while protecting their mark, and having the latter female and strong willed and at times at loggerheads with the mission objective, influencing how the troopers will function as a unit and having to constantly review whether they should just follow orders, or go about on a wider humanitarian mission that doesn't betray the conscience.

There's no Bruce Willis here, but Djimon Hounsou takes the charge as the leader of a group of six men in total tasked with a reconnaissance mission at first to uncover the whereabouts of the kidnapped journalist Elsa (Diane Kruger), before having their mission immediately turned to one of extraction. It may seem like an open and shut, routine mission with highly skilled, trained and equipped men balancing the odds of being numerically disadvantage, if not for Michael Cooper and Stephane Rybojad's story throwing a spanner in the works by taking out all their communications equipment very early on, rendering a change in their LZ impossible, and being left to their own devices to escape from Elsa's Taliban captors who are fast closing in on them. The structure here may seem similar to Tears, but it doesn't come with any requisite twists and turns. In fact the enemy may well be the harsh terrain and sub zero temperatures the group has to battle against, and for those pampered by things blowing up in the first half of the film, this portion on may seem like an anti-climax, especially when the story seemed to lose its tight grip on the plot, and made concessions to allow for closure.

The introduction was what set the stage with a glimpse of how tight the Special Forces work, flying in with their choppers on a mission to capture a war criminal, and a number of set action pieces to whet the appetites of the action junkie from the actual rescue of Elsa and the protection of tribal villagers who had shown them hospitality. But ultimately the story never allows you to forget about each of the characters, giving each some very strong identifiers that you'll feel for them especially since Cooper and Rybojad shows no mercy if any were to slip up and be complacent, never in their intention to build supermen or a super team, even if early skirmishes may seem to suggest something like that. It is this avoidance of caricatures that makes you feel for the safety of everyone each time a shot rings out, and as weapons and ammunition become light, fuses a real sense of danger and fear. The villains however are plainly one-dimensional, even for the chief terrorist Zaief (Raz Degan), who has no lack of scenes to show why he's pure evil and is one to be gotten rid of.

Still, Special Forces ranks up there with the many films from around the world about specially trained men and women in uniform being called upon to put their lives at the forefront in the protection and well being of others, and you can either view this as a purely action flick, or a tribute to the spirit of the such groups, with a stark comment as explained by a character, that it's better to go in a blaze of glory, than to live a life of anonymity.

You get what you pay for and - when compared to Black Hawk Down - the budget for this movie would get you an Oyster card for Zone 1-2 for a month. This isn't Hollywood dollars and it shows.

Some of the scenes are a tribute (or plagiarism) to the Ridley Scott masterpiece. There is a decent opening sequence and the acting is reasonable, but you just feel that you're being dragged into B-movie territory despite wanting it to work.

Weirdly, what really lets down the move is the music. Its all low-end production music and has nothing to do with the supposed location, making it harder to believe it was shot on location.

Had there been more zeros on the production bill, this could have been an eight but it'll need to be a low six I'm afraid.