Adaline

If you can have Harrison Ford in your movie and you just introduce him almost an hour into the movie and it still works: You know you have a winner. Generally speaking the actors involved are phenomenal. It's a joy to watch them. Even if some situations seem a bit sugar coated (not too much though) and there is the occasional cliché in it, the science fiction element of it, still makes this very interesting.

You have a lot of things that are being "told" by looks. Which again is a big part of the acting talent at hand. You may be able to see where this is going (a few indicators early on, but even without them), but it's still a fun ride to have

The acting in this I cannot fault, though Adeline has a very low range of emotions given the material, her demure persona is a sign of the times in which she was raised. Perhaps it was the stiff upper lip if the early 20th century? I have never seen the male lead and he suited his part well.

I watched this with my mother and daughters ( sobbing continued on both sides with both generations for different reasons, but both centred around loss). I felt torn, suitably watching this with both generations, as to what part of the film affected me most. Those with children and aging parents will understand when viewing this.

The soundtrack was beautiful and the song played during the most emotive scenes is both beautiful and haunting enough for me to seek it out.

A beautiful movie, which is a little in the fantasy realm in its explanation behind the mortality/immortality aspect which makes it almost fairy tale like, but beautifully executed, and gorgeously told. See it with your mother or daughter, or like I did, both! Take your tissues!

This movie touched me personally at a number of levels, because I lived in San Francisco, "the one that got away" looked a lot like B.L. and my (very happy) marriage is like the one H.F. portrays. I found B.L. hauntingly beautiful, and this story a tapestry of feelings unfolding; especially her surrender versus flight. Her encounter with H.F. from out of her past is powerful for both characters. And I thought the resolution of her immortality was quite a pleasant surprise that made me smile after being teary-eyed most of the movie. The last few minutes of the movie are especially beautiful if you are a romantic like me. This is a sweet movie that you will really enjoy.

Already drawn to the premise of this film, I had high expectations of it, and was particularly interested in seeing Blake Lively in the lead role as a 107 year old eternally young woman. From only seeing her work in Gossip Girl, which was adequate but not particularly memorable, I was keen to see what her acting range was like. Not only did Lively impress me, but the film did also, surpassing my expectations.

The Age of Adaline is not only visually beautiful, (props to cinematographer David Lanzenberg) but the story is also. Yes, this is a romance film, but the evocative story raises questions from the viewer about life, death, and love. Michiel Huisman is great in his role as a sensitive romantic who yearns to be close to and understand Adaline - well done to the writers for creating a male romantic lead who isn't unrealistically perfect and cliché. Harrison Ford impressed me greatly, especially in his scenes with Lively, so much so that I was brought to tears through a mere look. Ellen Burstyn as Flemming provided a charming voice of reason for the protagonist. The score was also wonderfully done, making the emotional scenes all the more powerful, and the costume designer did very well in allowing the audience to fill in the time blanks without knowing the era through the narrated dates.

Overall, a beautifully crafted film with a wonderful story and powerful performances that will completely captivate the viewers.

Excellent performances, a truly poignant story. See it, you won't be disappointed.

Director Lee Toland Krieger wisely speeds through the scientific mumbo-jumbo, treating it as the least-interesting aspect of this tale. Instead, he focuses on the relationship fallout of Adaline's predicament. It's a disarmingly affecting film, and very sad at points. A rumination on loneliness. Cinematically, Krieger serves up numerous arching, overhead shots and slow-motion sequences. This coupled with the various time periods tackled gives the picture a buoyant sense of scope.

Particularly memorable in this is Harrison Ford. After stiff and stagey efforts in movies such as "42," Ford delivers a beautifully conflicted performance as a man trying to reconcile his past.

Highly recommended.