Swiss Professor Raimund Gregorius abandons his lectures and buttoned-down life to embark on a thrilling adventure that will take him on a journey to the very heart of himself.Swiss Professor Raimund Gregorius abandons his lectures and buttoned-down life to embark on a thrilling adventure that will take him on a journey to the very heart of himself.Swiss Professor Raimund Gregorius abandons his lectures and buttoned-down life to embark on a thrilling adventure that will take him on a journey to the very heart of himself.
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- 3 wins & 3 nominations total
- Catarina Mendez
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Featured reviews
"Night Train to Lisbon" is a movie with a tedious beginning, when the lead character leaves his students in their classroom and travels to Lisbon in a senseless situation. Then there is serendipity, when he has an accident and breaks his glasses, and the doctor introduces him to her uncle that was a friend of Amadeu. But the development of the plot like a puzzle and the open conclusion are excellent and makes worthwhile watching this movie. The excellent European cast is another great attraction. My vote is seven.
Title (Brazil): "Trem Noturno para Lisboa" ("Night Train to Lisbon")
I could not help thinking of there being a connection between Amadeu de Prado and the world famous Portuguese poet Fernando Pessoa. The shots of Lisbon are wonderful, the beautiful harbour and hilly narrow streets. I could imagine Vasco da Gama's fleet leaving the port during Portugal's period of world exploration. The acting was superb, Jeremy Irons was the perfect Prof. On the surface absent minded and intellectual, but in practice, seizing the moment with an iron courage to probe the truth no matter where it led, but with a sense of humour knowing that nothing in life is all black or white. Martina Gedeck was so believable and you like her more and more with each shot. Tom Courtney's performance as João Eça was amazing but scary when you realize what happens to ordinary people during extraordinary times.
Many themes are encountered such as friendship, betrayal, and life as a chaotic process without any divine guidance. My hope is at the end of the film our professor needed a second adjustment for his new glasses.
A remarkable movie, with shades of magic and threads of a true national angst still resolving in contemporary Portugal. I just returned from a visit there and can sense some vestige of another era in the buildings, but not in the people. The era of dictatorship is no longer visible to the tourist.
But that is the meat of the movie, set after Salazar's long reign, and with the aftermath of memories and lost ones still mourned. But it's all told (based on a novel by a Swiss writer) as if in a dream, or in an individual's search through imprecise information and people who don't always talk about it the way you might expect. It's a series of small surprises, elegantly wrought.
So in all these ways it's a powerful movie. It's small and intimate, however, not an epic about this great turning point in Portuguese history. In a way it's appropriate, because I found the people there less exuberant and more contemplative than the Spaniards next door. There are always a million reasons for such things—climate, outside cultural influences, etc.—but it's so true that the movie is actually terribly honest. It reveals the truth, in little facets, and never complete.
The star certainly is Jeremy Irons, who plays the leading role with tenderness and quiet certitude. He's terrific, and perfect for this part. Also appearing is Charlotte Rampling who has a knack for small, odd, but critical roles in offbeat movies. The cast is wide, and in the many flashbacks the characters gradually intersect in different ways, revealing their personal connections to the political strife of the times.
Good stuff? Excellent stuff! I liked it more than I expected to. It's slow at times, and maybe (if you are not paying attention) a hair confusing, but give it a go if you are inclined at all. A serious, brooding but not depressing drama about, in the end, relationship. As all the best movies are.
The movie looked exact copy of a novel, like I read some novel. The story telling which transforms the screen constantly between now and 70s were clearly maintained with its destination until the last 10- 20 minutes. Once you know the final conclusion, you may say is that it's because some of you might expect something bigger. But the middle aged or older guys who had experienced life very well will know the meaning of it. Yeah I believe the movie might more suitable for those kinda audience than youngsters.
It was a nice performance by such a great British actor Jeremy Irons. Like I said the story had two diversions, one which set in present time and another in 70s. The present time tale was totally ruled by Jeremy Irons, I liked it more than the 70s tale. The problem with flashback story was its ending, it was very simple especially I expected bit detailed explanation behind character Amadeu's death. And also his failed relationship with Estafania could have been more reasonable. However I am not disappointed with the movie, it was a quite nice drama, in fact awesome. I am not a book fanatic but I love movies based on the novels especially movie like 'Night Train to Lisbon' I won't miss. I say you must go for it if you like the movies which gives more priority to innovative characters than usual theme.
8/10
It is a correct adaptation based on the international best selling novel written by Pascal Mercier from the award winning director Billie August . This moving film contains suspense , plot twists , a love story , thrills , emotional intrigue and political events . This is a thought-provoking film proceeded in real sense and high sensibility . Though rather existential and thinky, it is ultimately charming . Director Billie August brings out the story through a series of flashbacks . Each flashback is a piece of the puzzle, framing the story and slowly filling in the center until the final piece unsatisfyingly drops into place to resolve the whole . The flashback technique has been used and re-used from ¨Citizen Kane¨ (1941), known by some as the best movie of all time, it gave the world the first plot device by means of flashbacks , following to ¨The Godfather¨ and recently ¨The hours¨ until today we are faced with ¨Night Train to Lisbon¨ (2013), a film destined for repeated use as schedule filling on inventory-building, loved by some attracted by the name of Jeremy Irons and ignored by everyone else . Very good acting from Jeremy Irons as an aging Swiss professor of classical languages , Jack Huston a young Amadeu , gorgeous Melanie Laurent as a mysterious revolutionary girl , Martina Gedeck as Mariana and August Diehl as Young Jorge O'Kelly . Furthermore , the veterans Tom Courtenay , Lena Olin and Bruno Ganz . And special mention to Charlotte Rampling , though Vanessa Redgrave was originally cast for the role of Adriana De Prado, however Rampling replaced her.
The motion picture was well directed by Billie August who repeats similar formula to ¨House of the spirits¨ as German production , Lisboa filming , international cast and Jeremy Irons as main starring . Twice winner of the Palme d'Or at the Cannes Film Festival for Pelle the conqueror (1987) and The best intentions (1992) , Billie August is an expert on literary adaptations such as ¨Les Miserables¨, ¨Smilla's Sense of Snow¨ , ¨House of the spirits¨, ¨Marie Kroyer¨, ¨Jerusalem¨ and this ¨Night Train to Lisbon¨ . Rating : Better than average , worthwhile watching . The picture will appeal to Jeremy Irons fans .
Did you know
- TriviaThe title of the book written by the character Amadeu "Um Ourives das Palavras" is Portuguese for "A Goldsmith of Words."
- GoofsWhen Raimund is on the Bern Train Station, he is thinking whether he goes on board or not. The train starts to move and the doors are still open, which nowadays it would be impossible in trains of that dimension for security reasons. Although the error was needed to give more tension to the scene, it is still a thing that would never occur nowadays.
- Quotes
Amadeu: We leave something of ourselves behind when we leave a place. We stay there, even though we go away. And there are things in us that we can find again only by going back there. We travel to ourselves when we go to a place. Now we have covered the stretch of our lives, no matter how brief it may have been.
- ConnectionsReferenced in Le client (2016)
- SoundtracksLisboa
Composer: Annette Focks
Portugese Guitar: Damiel Pircher
Sound Mixer: Tom Tautorat
Recording & Mix Studio: Emil Berlin Studios
- How long is Night Train to Lisbon?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Tren nocturno a Lisboa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €7,700,000 (estimated)
- Gross worldwide
- $12,020,387
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1