IMDb RATING
7.4/10
2.5K
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Follows the remarkable history of six decades of James Bond music, going behind the lens into one of the greatest movie franchise and the iconic 007 theme song.Follows the remarkable history of six decades of James Bond music, going behind the lens into one of the greatest movie franchise and the iconic 007 theme song.Follows the remarkable history of six decades of James Bond music, going behind the lens into one of the greatest movie franchise and the iconic 007 theme song.
- Nominated for 1 Primetime Emmy
- 1 win & 1 nomination total
Featured reviews
Whilst I found the Sound of 007 to be fascinating, insightful and compelling as a James Bond fan, and as a fan of all the music scores and theme songs from the past 60 years, it didn't completely satisfy my thirst for wanting to know about the musical origins of all the Bond films.
The works of John Barry and David Arnold are quite rightly covered in detail and celebrated as being most influential on the franchise but it didn't cover the lesser contributions of Bill Conti, Michael Kamen and Eric Serra. These were ominously overlooked and I really wanted to know more about these scores, or maybe that is just the completist coming out in me, but either way I felt it was a missed opportunity to make this a definitive documentary about the Bond music film by film. They could easily have stretched out the running time to 2 hours instead of 88 minutes by giving more even coverage to every film.
The Timothy Dalton era is almost completed omitted. Why were there no contributions from A-Ha or Gladys Knight? Even John Barry doesn't mention his score for The Living Daylights. Apart from that shortfall it is still worth a watch as there were many stories and facts I hadn't heard before from the many talented writers, performers and producers who created them.
The works of John Barry and David Arnold are quite rightly covered in detail and celebrated as being most influential on the franchise but it didn't cover the lesser contributions of Bill Conti, Michael Kamen and Eric Serra. These were ominously overlooked and I really wanted to know more about these scores, or maybe that is just the completist coming out in me, but either way I felt it was a missed opportunity to make this a definitive documentary about the Bond music film by film. They could easily have stretched out the running time to 2 hours instead of 88 minutes by giving more even coverage to every film.
The Timothy Dalton era is almost completed omitted. Why were there no contributions from A-Ha or Gladys Knight? Even John Barry doesn't mention his score for The Living Daylights. Apart from that shortfall it is still worth a watch as there were many stories and facts I hadn't heard before from the many talented writers, performers and producers who created them.
This is an interesting watch as it tells you much of the inside story of the music of James Bond, but I am disappointed that the two songs of the franchise that have stayed with me the most are hardly mentioned.
1: "Tomorrow never dies" by Sheryl Crow. Being the wife/girlfriend of a government assassin would not be a comfortable place to be, and nothing captures the pathos of this situation more than this song. So it would relate to the plight of the Teri Hatcher character, and does so eloquently.
2: "You know my name" by Chris Cornell. Unmistakably Bond, but, also unmistakably new, like the film itself. Sets up the first appearance of Daniel Craig very nicely.
1: "Tomorrow never dies" by Sheryl Crow. Being the wife/girlfriend of a government assassin would not be a comfortable place to be, and nothing captures the pathos of this situation more than this song. So it would relate to the plight of the Teri Hatcher character, and does so eloquently.
2: "You know my name" by Chris Cornell. Unmistakably Bond, but, also unmistakably new, like the film itself. Sets up the first appearance of Daniel Craig very nicely.
It's a nice summary of the history of the music in the James Bond films. Surprisingly, they left out the John Barry instrumental theme to On Her Majesty's Secret Service. I always found that to be a compelling piece of music.
To me, that intro was much better than the James Bond theme used through the films of the franchise. It was used throughout the action segments of the film and aligned so well with the character. You'll know it when you hear it.
Otherwise, this is a nice walk through the films of the franchise and touch upon almost all of the instantly recognizable musical pieces and motifs of the series.
To me, that intro was much better than the James Bond theme used through the films of the franchise. It was used throughout the action segments of the film and aligned so well with the character. You'll know it when you hear it.
Otherwise, this is a nice walk through the films of the franchise and touch upon almost all of the instantly recognizable musical pieces and motifs of the series.
John Barry wrote the most iconic music score in film history. Film and music have had an important integration that predates "talkies" when the only sound that came out were the musical scores played to fill the silence. Music sets the tone of films and amplifies the emotion of the scene, and has done so forever in movies. Try watching a film where the music score is eliminated and the difference is often startling.
No score is more identifiable than that composed and orchestrated by John Barry, who penned the immediately identifiable James Bond 007 theme. All one has to hear are the first handful of bass string electric guitar notes played to recognize it's the James Bond 007 movie theme. No other song is more connected to film.
'The Sound of 007" is the story behind how it all happened, and the amazing journey of artists and other composers, songs and performances involved over 60 YEARS!
Truly a worthwhile film to see, this is by a wide margin the best documentary on the subject, and a must-see for everyone interested in film and music arts.
👍👍
No score is more identifiable than that composed and orchestrated by John Barry, who penned the immediately identifiable James Bond 007 theme. All one has to hear are the first handful of bass string electric guitar notes played to recognize it's the James Bond 007 movie theme. No other song is more connected to film.
'The Sound of 007" is the story behind how it all happened, and the amazing journey of artists and other composers, songs and performances involved over 60 YEARS!
Truly a worthwhile film to see, this is by a wide margin the best documentary on the subject, and a must-see for everyone interested in film and music arts.
👍👍
This and it's accompanying 007 Live at what I think was the Albert Hall have just appeared this weekend on Amazon Prime. The documentary is good however there's a bit too much Billie Eilish for my liking. Why she has so much screen time is beyond me, unless it's to try and appeal to the young. The focus tends to be on the themes of the Bond movies, less so on the scores which I would argue is more important. There is probably more time spent on the newer Bond movies as well which I wasn't keen on. It was interesting that LTJ Bukem appeared as he was one of the dance music artists involved with a remix project, which was never even mentioned. There are a few surprises straight out if the mouths of some of the biggest names associated with the franchise in terms of artist choice for theme songs etc. There are even sizable contributions from artist I either didn't know did a Bond song or had completely forgotten about. Jack White anybody? I certainly didn't know Lulu was ever involved. It's certainly worth watching and isn't too trainspotter-ish in terms of the musical discussions.
There is an accompanying live concert which was shot I believe on the 4th of October with a mix of new and older artists. Also on Prime. The newcomers struggled with the songs, Celeste who appears in the documentary seems to sing out of key while Paloma Faith sounds like she's doing a bad Tina Turner impression for karaoke. Also no Adele in this show. After watching the documentary you will likely find yourself clicking on the link for the live show, not a bad way to round off the evening but you won't miss much if you give the concert a miss.
There is an accompanying live concert which was shot I believe on the 4th of October with a mix of new and older artists. Also on Prime. The newcomers struggled with the songs, Celeste who appears in the documentary seems to sing out of key while Paloma Faith sounds like she's doing a bad Tina Turner impression for karaoke. Also no Adele in this show. After watching the documentary you will likely find yourself clicking on the link for the live show, not a bad way to round off the evening but you won't miss much if you give the concert a miss.
Did you know
- TriviaFor whatever reasons, the contributions of Bill Conti (Rien que pour vos yeux (1981)), Michael Kamen (Permis de tuer (1989)), Éric Serra (GoldenEye (1995)) and Sheryl Crow (Demain ne meurt jamais (1997)) are ignored.
- GoofsAt the beginning of the film, the audio description track states, "Black-and-white footage shows Billie Eilish in a recording studio." However, the footage is in color.
- ConnectionsReferenced in The Sound of 007: Live from the Royal Albert Hall (2022)
- SoundtracksNo Time to Die
Music by Finneas O'Connell
Lyrics by Billie Eilish
Performed by Billie Eilish
Courtesy of Interscope Records
Under license from Universal Music Operations Ltd.
- How long is The Sound of 007?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Sound of OO7 (2022)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 28m(88 min)
- Color
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