Skin Trade

"How do you sleep at night. How can you do this?" Nick Cassidy's (Lundgren) family has just been killed by an international criminal syndicate. His quest for revenge leads him to Thailand where he teams up with Tony (Jaa) a Thai detective who is investigating a human trafficking network. When they realize they are looking for the same group they join forces and try to put an end to the all of it. I have said before these are hard movies to review. Movies with Segal, Van Damme or Lundgren are essentially all the same. Same plot, same idea, same acting. This one is no different, either you like these movies or you don't. That holds true for this one. The biggest problem with this one is that is seemed like the middle part of a 3 part series. The movie opens to what feels like halfway through the actual story. There is really no intro to what is going on and you are trying to play catch up throughout. The way the movie ends felt like, we are out of money, if we can't get more funding we will end it here. There is still more that could have happened to tie it all up but it left you hanging. All that said, most people don't watch these movies for the story or acting and the action is decent enough to keep them interested. As for me, this is just another Lundgren movie. Overall, fans of Dolph will like this, otherwise I would avoid it. I give it a C.

What's extra entertaining about SKIN TRADE is knowing that 57-year old Dolph Lundgren gets to fight Hellboy a.k.a actor Ron Perlman and Spawn a.k.a actor Michael Jai White, and that Ong Bak dude, Tony Jaa, in this one movie. All joking aside, with all of the superpowered superhero movies out there that keep bombarding our theaters every weekend, it's a nice change for us action fans to receive something like SKIN TRADE, a throwback to those 80s R-rated brutal B action flicks that you and I grew up watching.

In this Ekachai Uekrongtham-directed film, co-scripted and co-produced by Lundgren, a tough NY Cop named Nick (Lundgren) is on a task to hunt down Russian mob and human trafficking kingpin Viktor (Ron Perlman) but in the process, Nick kills Viktor's son and of course, that comes with a retaliation, such that forces Nick to go all the way to Bangkok, the hub of Viktor's activities. Meanwhile, a Thai detective (Tony Jaa) is made to believe that Nick is the bad guy until he learns otherwise. Then they team up to terminate Viktor's human trafficking business OK, I admit, the plot is very thin and if you've seen Liam Neeson's "Taken" a thousand times (the first movie, not the sequels that blew) then the concept of SKIN TRADE is nothing new, in both cases you have this very hard pressing and present modern slavery problem as the background, but most of the time, the action takes a front seat. It's a treat to see Lundgren duke it out with Tony because they have different styles, and the fight choreography itself is more intense than Lundgren Vs. Jet Li in "The Expendables" movie. I think the way the production utilizes the streets of Bangkok is very intricate. The sequences are fast-paced and brutal. You can't help but be impressed at the fact that after all these years, even when his better days and better movies are way, way behind him, Dolph Lundgren managed to get something like SKIN TRADE made just to satisfy us old school action fans Read more at Ramascreen.Com

'SKIN TRADE': Three and a Half Stars (Out of Five)

Dolph Lundgren co-wrote and co-stars in this martial arts action flick, alongside Thai superstar Tony Jaa; in his American film debut (in a lead role). Lundgren and Jaa play NYC and Thai detectives, taking on human traffickers in S.E. Asia. The movie was directed by Ekachai Uekrongtham and written by Lundgren, Gabriel Dowrick, Steven Elder and John Hyams (doing uncredited rewrites). It costars Michael Jai White, Ron Perlman, Peter Weller and Cary-Hiroyuki Tagawa. For a low budget B action flick it's pretty well-made; but how can you go wrong with this cast (it's an action movie lover's dream)!

When NYC cop Nick Cassidy (Lundgren) kills the son of a Serbian gangster, Viktor Dragovic (Perlman), his wife and daughter are killed, out of revenge, and Nick ends up in the hospital. When he gets out, he goes rogue and tracks Dragovic to S.E. Asia; the mobster runs a human trafficking ring there. Nick is then pursued by a corrupt F.B.I. agent, named Reed (Jai White), and a Thai Detective, named Tony Vitayakul (Jaa); Tony thinks that Cassidy killed his partner. Nick will stop at nothing to avenge his family and put a stop to the human trafficking network.

The movie reminds me, a lot, of old 80s and 90s buddy B action films; most notably 'SHOWDOWN IN LITTLE TOKYO' (starring Lundgren and Brandon Lee). It's better made though. With a budget of $9 million, the film has decent enough production values and Uekrongtham's directing is more than adequate. Lundgren did a good enough job writing the script and he's not bad as the action lead either (even at 57-years-old). It's great to see Jaa breaking into American action films as well (between this and 'FURIOUS SEVEN'); hopefully it leads to bigger things. With the additions of Jai White, Weller, Perlman and Tagawa, what more can you really ask for?! It's not a great action film, but it is fun.

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"There is no such thing as a bad Tony Jaa movie." Well this could be the exception.

On paper this was a "dream team" movie and I was anxious to see it.

Lundgrin both produced and wrote. That sounded very promising.

Not only is Tony Jaa in the film but he speaks English and his character is named "Tony." Also very promising.

Also starring Michael Jai White. In my review of Falcon Rising I called him "the most under-used action hero" in the business. Very very promising.

But here the total is less than the sum of its parts:

1. Lundgren wrote himself into a part meant for a 40 year old and he himself is pushing 60. Not cool.

2. Jai White is completely wasted (again!) and wears a suit all the time...?

3. The script is weak and the direction is terrible. Even the action scenes seem "off" by a few seconds here and a few seconds there.

Could have been so much more. The opening is the best part and is downhill from there. Perlman is great. but he never gives less than a great performance anyway.

Every inch of 'Skin Trade' feels like a B-movie, but the good thing is that it doesn't try to pretend to be more. A passion project of Dolph Lundgren who started work on its script close to eight years ago, it knows exactly what buttons to push to get its core audience satisfied even as it tries to shed light onto a matter close to his heart, i.e. that of human trafficking. So if you're expecting a very angry Lundgren on a revenge rampage, or a mano-a-mano between Lundgren and Tony Jaa, or a similar one-on-one between Tony Jaa and Michael Jai White, we can reassure you that you won't be disappointed.

A brief prologue establishes the mechanics of Viktor Dragovic's (Ron Perlman) despicable business – under the guise of offering them employment, the former Serbian national's fourth son Janko (Leo Rano) and his accomplices lure gullible village girls from Thailand, Cambodia and Laos to leave their homes and journey to the city, where they are subsequently drugged and shipped to America and Europe to be sold as sex slaves. Lundgren's Newark police detective Nick Cassidy is tracking Viktor's latest shipment in order to apprehend him and his sons, while Jaa plays a Thai police officer Tony who is onto the same case from further down the food chain.

Their paths cross after Viktor is let loose upon diplomatic pressure and skips town, seeking refuge in a corrupt general's mansion near the Cambodian border. Unfortunately for Nick, Viktor's sons manage to get to his family before fleeing town, so after regaining consciousness from an RPG strike on his house, Nick decides to take his quest for revenge to Viktor. Thanks to Michael Jai White's rogue government agent Reed, Nick is framed for the murder of Tony's partner soon after setting foot on Royal Thai soil. Of course, who's good and who's bad will become clear quite quickly, but Lundgren and his co-writers have specifically engineered enough twists and turns precisely to fulfil their audience's expectations to see each one of the marquee action stars have a go at the other.

Much of the heavy lifting here is done by Jaa, whose speed and agility has not dimmed one bit since his 'Tom Yum Goong' and 'Ong Bak' days. While his Hollywood debut in 'Fast and Furious 7' may have been overlooked because of the crowded ensemble, Jaa's lead turn here will definitely not go unnoticed. His one-on-one with Lundgren in an abandoned warehouse is the film's halfway high-water mark, pitting a lean mean warrior against a much hulkier opponent – though there is no question in our minds just who is the one that is the better fighter.

It is no wonder then that Jaa is the one chosen to take on Jai White, the latter a much worthier opponent than Lundgren skilled in the art of kickboxing not unlike Jean Claude Van-Damme in his heydays. The fight between them is brutal and ferocious, choreographed specifically to illustrate the strengths of either actor, and next to the noisy and overblown finale at a remote airstrip that it precedes, is easily the climax that the film deserves to be remembered for. Indeed, while a sizeable amount of the limited budget on which the film is made for has been reserved for explosions and other fireballs, it is the raw thrill of seeing these natural born fighters go at each other knuckle-to-knuckle that is where its charm lies.

And in that regard, Lundgren deserves more credit than what may be apparent. It is no doubt thanks to Lundgren that we get to see Jaa in such a significant capacity – not only in a movie that respects the actor's Oriental roots but also one that gives him a role with both the breadth and depth for Jaa to showcase his abilities as an actor and as an action star. It is probably also thanks to Lundgren that the likes of Jai White, Ron Perlman, Peter Weller and Cary- Hiroyuki Tagawa have come together in the same film, a combination that is any self-professed B-action movie fan's wet dream. And it is Lundgren who manages to pull a movie with so many potential clichés together in a respectable fashion – as the latter scenes demonstrate, its director Ekachai Uekrongtham has a long way to go in learning how to stage a proper action sequence.

Like we said at the beginning, 'Skin Trade' doesn't pretend to be more than what it is – and much as there is a social message in here, it never tries to drive it too hard. Indeed, it is precisely by embracing its B-movie roots that it truly delivers, not just in the fact that it makes no compromises in keeping its action hard- hitting but also by ensuring that its actors are right up there without any doubles performing each and every one of the stunts. More than sex, that is the skin trade which truly matters, and which we suspect its audience will be more than happy to partake in.