IMDb RATING
7.4/10
11K
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Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other... Read allDanish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal - no actors.Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal - no actors.
- Awards
- 10 wins & 18 nominations total
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This is a documentary. As such it tries to show the reality of camp armadillo in the Afghan Helmand province. Armadillo is the most forward of the allied camps, and as such the one with the most fighting, and the least civilian work. Taleban territory is 800 meter from the camp - and peace is not something that the locals dare hope for.
Some people seam to think this movie is an argument against the war. I beg to differ. This movie simply shows us what war sometimes is: Young men, without a clue about why, leaving their tearladen family to fight in a country far away. AT great personal cost. Sometimes the greatest. Maybe - something good will come out of it, even though it can seem hopeless.
The movie shows us the different coping strategies the soldiers uses. The sense of brotherhood, the porn, the adrenalin, the dark sarcastic humor. It shows us how the soldiers doesn't always have time to ask before shooting. And it shows us how different the soldiers are.
It's a sober movie. Filmed at the front line, with images never before seen from the actual war in Afgahnistan. Beautiful camera work, sublime editing makes this a very good documentary.
EDIT: What I miss - and why I don't give it a 10: I am actually a bit surprised by what the soldiers do not say. In these circumstances I would expect a much more racist tone/humor. But there is hardly any of that. The few soldiers I have met in real life, have all had very complicated/nuanced/many faceted feelings towards the local culture: Admiration and disgust at the same time. I get the feeling that this movie have actually edited the worst lingo out of the movie. I think it would serve everyone good to know, that if a returned soldiers refer to someone as a camel-f***er - this is not always because that same soldier cant feel a deep respect for said camel-******* culture, customs, language and persona.
Also: A soldier 'snitches', and talks to his relatives back home, about a certain incident. Since everybody is talking about brotherhood in this movie, I would suspect that having a "snitch" in the brotherhood, has led to some interesting frustrations, misgivings and suspicions. This is not shown, which is disappointing.
But still: fantastic camera-work, and very sober war movie. 8/10
Some people seam to think this movie is an argument against the war. I beg to differ. This movie simply shows us what war sometimes is: Young men, without a clue about why, leaving their tearladen family to fight in a country far away. AT great personal cost. Sometimes the greatest. Maybe - something good will come out of it, even though it can seem hopeless.
The movie shows us the different coping strategies the soldiers uses. The sense of brotherhood, the porn, the adrenalin, the dark sarcastic humor. It shows us how the soldiers doesn't always have time to ask before shooting. And it shows us how different the soldiers are.
It's a sober movie. Filmed at the front line, with images never before seen from the actual war in Afgahnistan. Beautiful camera work, sublime editing makes this a very good documentary.
EDIT: What I miss - and why I don't give it a 10: I am actually a bit surprised by what the soldiers do not say. In these circumstances I would expect a much more racist tone/humor. But there is hardly any of that. The few soldiers I have met in real life, have all had very complicated/nuanced/many faceted feelings towards the local culture: Admiration and disgust at the same time. I get the feeling that this movie have actually edited the worst lingo out of the movie. I think it would serve everyone good to know, that if a returned soldiers refer to someone as a camel-f***er - this is not always because that same soldier cant feel a deep respect for said camel-******* culture, customs, language and persona.
Also: A soldier 'snitches', and talks to his relatives back home, about a certain incident. Since everybody is talking about brotherhood in this movie, I would suspect that having a "snitch" in the brotherhood, has led to some interesting frustrations, misgivings and suspicions. This is not shown, which is disappointing.
But still: fantastic camera-work, and very sober war movie. 8/10
What would make a young man who has just completed a harrowing and brutal six month tour of duty in Afghanistan decide to return for another stint? The answer to that question is puzzling, but it is made a bit clearer by Janus Metz' powerful documentary Armadillo, Gran Prix winner at the Critics Week competition at the Cannes Film Festival. Armadillo, like Restrepo, is named for the military base where the subjects are stationed. The film depicts the bravery and camaraderie and also the addictive high of several Danish soldiers, seemingly just out of their teens, that comes from their participation in the war in Afghanistan.
Edited by Per K. Kirkegaard, Metz follows the soldiers from their farewell party at home filled with naked strippers to their arrival at base camp, moments of relaxation, briefings by their superiors, times of boredom, and the combat that includes some stomach turning sequences. The camera seems to be ever present and it hardly seems like an understatement to say that the director and cinematographer Lars Skee's lives were as much at risk as the soldiers. The film also demonstrates the plight of the villagers who are afraid of Taliban retribution if they cooperate with coalition forces. Caught in the middle, the Afghan civilians suffer greatly, standing to lose their crops, their animals, and their lives either from NATO forces or from the Taliban.
What makes it even more distressing, as the film points out, the soldiers cannot distinguish between friend and foe. When one of the soldiers accidentally kills a young girl, all that can be offered is compensation while the Platoon commander tells the soldier that did the killing to shrug it off because these things happen every day. The camera-work is up close and personal and the horrors of war perhaps have never had such an immediate impact. We can see the look on a young soldier's face after he has just been shot and we see decapitated Taliban bodies being pulled from a ditch.
While the film takes no position either pro-war or anti-war, the inhumanity of war has never been shown more clearly and the soldiers boasting and laughter after obliterating a wounded enemy while high on adrenaline, caused considerable debate about appropriate military behavior back home in Denmark. Depending on your point of view the soldiers are either making a difference or perpetuating atrocities in an unwinnable war. What does become clear, however, is the bond formed by the men and their lack of questioning of their mission. Like adolescents on a drunken rampage, they are excited by the thrill of the moment. We owe Metz a debt of gratitude for showing us the mindless, sadistic, and dehumanizing behavior that war can induce. Armadillo stands as one of the most visceral and frightening documentaries about combat ever made.
Edited by Per K. Kirkegaard, Metz follows the soldiers from their farewell party at home filled with naked strippers to their arrival at base camp, moments of relaxation, briefings by their superiors, times of boredom, and the combat that includes some stomach turning sequences. The camera seems to be ever present and it hardly seems like an understatement to say that the director and cinematographer Lars Skee's lives were as much at risk as the soldiers. The film also demonstrates the plight of the villagers who are afraid of Taliban retribution if they cooperate with coalition forces. Caught in the middle, the Afghan civilians suffer greatly, standing to lose their crops, their animals, and their lives either from NATO forces or from the Taliban.
What makes it even more distressing, as the film points out, the soldiers cannot distinguish between friend and foe. When one of the soldiers accidentally kills a young girl, all that can be offered is compensation while the Platoon commander tells the soldier that did the killing to shrug it off because these things happen every day. The camera-work is up close and personal and the horrors of war perhaps have never had such an immediate impact. We can see the look on a young soldier's face after he has just been shot and we see decapitated Taliban bodies being pulled from a ditch.
While the film takes no position either pro-war or anti-war, the inhumanity of war has never been shown more clearly and the soldiers boasting and laughter after obliterating a wounded enemy while high on adrenaline, caused considerable debate about appropriate military behavior back home in Denmark. Depending on your point of view the soldiers are either making a difference or perpetuating atrocities in an unwinnable war. What does become clear, however, is the bond formed by the men and their lack of questioning of their mission. Like adolescents on a drunken rampage, they are excited by the thrill of the moment. We owe Metz a debt of gratitude for showing us the mindless, sadistic, and dehumanizing behavior that war can induce. Armadillo stands as one of the most visceral and frightening documentaries about combat ever made.
I went to see this movie with my mother. We come from Slagelse, the city where Gardehusarregimentet is situated, ie. the place of the danish camp from which these soldiers came from.
Previously I have been stationed abroad with the military so I know a bit about the situation. I also know that my mother was worried all the time I was away, so I figured she would appreciate the movie. And she did.
The movie is at times fun, but most of the time it's simply depicting the life I got to know. Lots of boring days, waiting for something to happen. It shows the exact same kind of stereotypes I saw myself, the quiet one, the gung-ho type, the smart-ass etc. I quickly tuned into the whole scenario.
Armadillo might not be a masterpiece technically, but if you can stomach seeing it and NOT getting a lump in your throat, you're either without feelings or not alive. I remember the day I was going to ship off, the last conversation with my mom. And I was in my late 20s. Some of these boys are in their early 20s and far from mature.
We get to see how the "hot" situations are down there and that is fine. But I would have liked more about their everyday boring life. Sure, it might not make for the most interesting movie material, but you don't get the exact picture of just how boring it can be too.
Apart from that, a very well made movie.
Oh and the controversy of the soldiers killing (lethally) wounded Talebans? I would have done the same thing. And I am almost a pacifist. I might not agree with the fact that we're shipping off people there still, but I agree with how the people down there reacts.
Previously I have been stationed abroad with the military so I know a bit about the situation. I also know that my mother was worried all the time I was away, so I figured she would appreciate the movie. And she did.
The movie is at times fun, but most of the time it's simply depicting the life I got to know. Lots of boring days, waiting for something to happen. It shows the exact same kind of stereotypes I saw myself, the quiet one, the gung-ho type, the smart-ass etc. I quickly tuned into the whole scenario.
Armadillo might not be a masterpiece technically, but if you can stomach seeing it and NOT getting a lump in your throat, you're either without feelings or not alive. I remember the day I was going to ship off, the last conversation with my mom. And I was in my late 20s. Some of these boys are in their early 20s and far from mature.
We get to see how the "hot" situations are down there and that is fine. But I would have liked more about their everyday boring life. Sure, it might not make for the most interesting movie material, but you don't get the exact picture of just how boring it can be too.
Apart from that, a very well made movie.
Oh and the controversy of the soldiers killing (lethally) wounded Talebans? I would have done the same thing. And I am almost a pacifist. I might not agree with the fact that we're shipping off people there still, but I agree with how the people down there reacts.
Armadillo is a tour de force, reclaiming the pictures of war from the aseptic news rooms back to real fear, confusion and adrenaline that soldiers have to endure in a combat situation. The movie is captivating and demanding and certainly no easy experience for its audience. Still, it is worth it. Modern warfare and its embedded journalism has led to a distorted view of the public of what happens in war. Honestly, I thought such a frank documentation could only come from Europe. But now I heard from the American project "Restrepo". Really looking forward to this movie that sounds like a brother-in-arms to "Armadillo." There cannot be enough movies showing the cruelty and futility of war.
This is hands down the best war documentary I have ever seen. Most of it is beautifully filmed and put together, and it is showing how things are. I am a civilian, with a big interest in these things, and had my attention drawn to this movie because it seemed to get a thumbs up from people in the military. It sure shows controversial things, but balances them all the way, and show us both the civilian side with their troubles, and the danish soldiers side. Even at its controversial high point after a shootout it stays very neutral, and as such is a masterpiece of showing people the daily life of a soldier. My only gripe is that I had wished it a little longer, with more scenes that show the boredom that such a place must surely be, when nothing is happening.
Did you know
- TriviaOriginally part of a six episode TV series called "Vores krig" by Kasper Torsting.
- ConnectionsEdited into P.O.V.: Armadillo (2011)
- How long is Armadillo?Powered by Alexa
Details
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $14,566
- Opening weekend US & Canada
- $3,958
- Apr 17, 2011
- Gross worldwide
- $2,018,685
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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