Berlin Nobody

Stars Ben(Eric Bana of Munich) , a writer who moves to Berlin to find himself surrounded by the dark and dangerous power of cults. The divorced American psychologist studies suicide cults in Germany and, in the process, confronts a personal trauma related to his past. Ben's daughter, Mazzy (Sadie Sink of Stranger Things), begins to fall in love with a boy Martin (Jonas Dassler) who introduces her to the dark underbelly of secret recruiting groups. As their two worlds head toward a risked intersection . Ben will need to race against the clock in order to save his daughter. Meanwhile, the father falls in love for a police forensic psychologist, Nina (Sylvia Hoeks). Purify and start again !.

Jordan Scott adapts and directs the Nicholas Hogg's novel Tokyo, carrying out a passable film , but neither notable, nor extraordinary, but acceptable . The main background in which the characters are presented turns out to be a labyrinth of insecurities and fear of loneliness that leads to vulnerability to cults, a problem of growing and disturbing importance in our society, as occurs in every moment of crisis of values.

There are several interesting themes throughout the film, but they aren't fully developed. Worth mentioning are manipulation, control, extremist ideologies, and vulnerability. These, among others, are the issues that run through this intriguing film about the price we are willing to pay for the mistakes of the past. The film is unevenly paced, first surrendering to empty, aestheticist visual symbolism and then to the final, hasty transformation of suspenseful tension into fast-paced parallel action in the last half hour of the film.

Interpretations are decent enough. Eric Bana as an American social psychologist Ben Monroe who investigates a local cult connected to a disturbing event, while his daughter is passably acted by Sadie Sink who becomes embroiled with a mysterious local boy performed by Jonas Dassler.

Directed by Jordan Scott, daughter of the legendary filmmaker of Alien, Blade Runner, Gladiator I and II, The Martian, she nevertheless fails to relate to her father in terms of film, due to the fact that she does not provide an effective result. Jordan Scott has previously made other films, such as: Cracks, All the Invisible Children and Shorts: The Muse, Portrait, The Initiate, among others. 'A Sacrifice' rating: 5/10. A mildly interesting film with some touches of intrigue, tension, suspense and plot twists.

Started out interesting, halfway through, it fizzles out altogether! I'm a bit disappointed. Eric Bana usually has better taste in the movies he decides to be in. I understand cults are stupid but couldn't they just pretend to be something believable? The premise of greed ruining our world and a common collective consciousness are doable and thought provoking but as soon as Eric's daughter gets taken the whole theory and their acting goes straight down the toilet. Do better guys you've got the ability, I just know it!

Ok, it says I need a few more words so maybe I should just keep talking about how stupid this is?

This movie is 96 % talking....not character development talking, not building a plotline talking, just talking. Randomly. There are many conversations that goes no where and does not enhances the story.

Motivation: The movie never establishes the motivations to make people do what they do. They make decisions to satisfy the story without letting us know why they are making that decision.

Direction/Acting...in the few scenes that do contain some level of drama, the actors overact the scene which means yelling, gesturing loudly and walking out of rooms.

Lastly...boring. The first 20 minutes did little to pique my interest and even make me want to finish the movie. I should have gone with that instinct and saves myself 90 minutes of my life.

6.4 stars.

This film is very well made, but the execution is clumsy. The music is outstanding and I have to comment on it, because it evokes a pretty scary feeling. The acting is tolerable and the direction is wonderful, the lighting and camera work is without fault. Okay, so what could be wrong with this movie if I've just praised every aspect of it? Well, I didn't give any accolades for the script and the story itself. The story is repetitive, and so this is just the same film done a million times, but the only difference for me is that it was done in Germany, which gives it just a smidge feeling of something "different". The script is atrocious and there is no way they could make this a very entertaining film. Some of the characters are not believable and just too weird, so there is no sense of authenticity. It's too robotic at times and wooden at times.

I assume since the setting is Germany that most of the actors are German. However, the two main characters are Americans.

It's a movie about a cult and it's obviously a Satanic one. There are some apparitions and after life visions and odd stuff like that and it's an eerie experience for sure. I think the whole film was done so well, I just wish they had a better script and a bit more originality.

Bana's character is supposedly an absentee father, but unfortunately he was a bit absentee with his acting. I said most of the acting was good, but strangely enough, the Americans left something to be desired. The Germans stole the show.

This film is not quite good enough for me to want to ever see it again, therefore it must fall below 7, but I can't say it's any less than 6.4, because it's a really accomplished presentation outside of the flat script.

Eric Bana and Sadie Sink sulk their way through Berlin Nobody, a drab cult thriller given the far less tantalizing title "A Sacrifice" for North American distribution. Bana is an American professor in Berlin working on a complicated thesis about cult mindset and dangerous groupthink, unaware that his teenage daughter (Sink) is slowly orbiting the very same deadly cult via a German boy (Jonas Dasser) she's started seeing. Bana is a brilliant actor who doesn't always choose the best scripts and this is unfortunately one of them, Stranger Things' talented Sink also falling into the same trap. They try to do honest character work but the writing lets them down hard, attempting some complex thematics regarding the cut angle that get left completely open ended like they just gave up in fully exploring their ideas and let the credits roll. Skip.