Inside Job
- 2010
- Tous publics
- 1h 49m
- Won 1 Oscar
- 8 wins & 27 nominations total
Matt Damon
- Self - Narrator
- (voice)
Lee Hsien Loong
- Self - Prime Minister, Singapore
- (as Hsien Loong Lee)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It was the last thing I wanted to see as the holiday Season sets off: A documentary explaining the World wide economic depression. But it was probably something I should have put before, say, "Burlesque." This is a serious film that has no particular political axe to grind in terms of "Republican" vs. "Democrat" since each successive administration beginning with Ronald Reagan is thrashed for bowing down to Wall Street rather than protecting American citizens from the most immoral graft and greed, that I can remember in my 60 years as a U.S. Citizen. While it's true that "deregulation" is the hue and cry of one particular political party, what occurs with investment and banking firms is so entwined with our national representatives, that it does no good whatsoever to point fingers at one party.
The film opens with the simplest explanation of the impact of investment banking firms in the tiny country of Iceland. When investors move in and create a financial "bubble" for the sole purpose of letting it burst while taking off with enormous profits for themselves, the opening credits then start and introduce us to the players who would come to power with Reagan (Volker and Greenspan) and remove restrictions that had been put in place—we should all remember for good reason; regulations were set up because people had abused an open market—we see the rise and fall of the U.S. economy which became based on nothing but investment since all our "production" had been poorly managed and sent abroad, i.e. steel, automobiles, etc. What was left was goods and services and a tiny, though prosperous, "information technology." When Reagan gutted regulation and regulatory agencies, a system of credit developed where finance agencies sold risky loans to entities, and at the same time "bet" on those loans to fail, setting up a situation that the more risky the loan, the bigger the profit for lender. Various "talking heads" and bar graphs come across the screen, and they're all helpful in explaining what happened. But it's the deeply amoral points of view that get stated by people who were or are still in control of the financial banks and markets of this country that really appall.
And we're left with a sense of outrage and not more than a little sense of futility because there's nowhere to go for either compensation or redress. At the end of the film "Fair Game" about another kind of government takeover, we're given a civic's speech about how the country belongs to the people and it's up to us to make it work. Here, in "Inside Job" there's nothing anyone can do. We elected a president who was sent to prevent the problem from happening again, but instead he appoints many of the same people who set up the situation and profited from the first round.
I didn't find the small section of the film describing the "type A" personality of the players involved who use prostitutes and drugs to be either relevant or convincing. We see a former call girl allude to many in the financial world, but so what? There's a small dig at Elliot Spitzer, but he offers it himself. As well, we're given a psychiatrist who "can't reveal names" but can say for certain many in the financial industry are addicted to drugs and prostitutes, but so are many outside that world. It came across as a cheap shot in a film that brings forward many significant players (and names many who refused to appear in the film) and exposes them for what they are. They need no further tarnishing.
I did see one area that could be addressed as a beginning of reform. Various economic professors who are brought from institutions of higher learning to "advise" the government and then return to their teaching jobs aren't—for baffling reasons—prohibited from making profit off the policies they recommend. That needs to be stopped. In most disciplines, university professors can't use their research and publications for personal gain. Those in the field of economics need the same kinds of restrictions. And students should demand it.
We should all demand a lot more than we're getting from our government, but I guess we hope we're going to be one of the few to reap those enormous profits (which is a real sucker's bet). It's baffling and infuriating to watch this film and walk out into the light of day where the practices on display are still going on.
The film opens with the simplest explanation of the impact of investment banking firms in the tiny country of Iceland. When investors move in and create a financial "bubble" for the sole purpose of letting it burst while taking off with enormous profits for themselves, the opening credits then start and introduce us to the players who would come to power with Reagan (Volker and Greenspan) and remove restrictions that had been put in place—we should all remember for good reason; regulations were set up because people had abused an open market—we see the rise and fall of the U.S. economy which became based on nothing but investment since all our "production" had been poorly managed and sent abroad, i.e. steel, automobiles, etc. What was left was goods and services and a tiny, though prosperous, "information technology." When Reagan gutted regulation and regulatory agencies, a system of credit developed where finance agencies sold risky loans to entities, and at the same time "bet" on those loans to fail, setting up a situation that the more risky the loan, the bigger the profit for lender. Various "talking heads" and bar graphs come across the screen, and they're all helpful in explaining what happened. But it's the deeply amoral points of view that get stated by people who were or are still in control of the financial banks and markets of this country that really appall.
And we're left with a sense of outrage and not more than a little sense of futility because there's nowhere to go for either compensation or redress. At the end of the film "Fair Game" about another kind of government takeover, we're given a civic's speech about how the country belongs to the people and it's up to us to make it work. Here, in "Inside Job" there's nothing anyone can do. We elected a president who was sent to prevent the problem from happening again, but instead he appoints many of the same people who set up the situation and profited from the first round.
I didn't find the small section of the film describing the "type A" personality of the players involved who use prostitutes and drugs to be either relevant or convincing. We see a former call girl allude to many in the financial world, but so what? There's a small dig at Elliot Spitzer, but he offers it himself. As well, we're given a psychiatrist who "can't reveal names" but can say for certain many in the financial industry are addicted to drugs and prostitutes, but so are many outside that world. It came across as a cheap shot in a film that brings forward many significant players (and names many who refused to appear in the film) and exposes them for what they are. They need no further tarnishing.
I did see one area that could be addressed as a beginning of reform. Various economic professors who are brought from institutions of higher learning to "advise" the government and then return to their teaching jobs aren't—for baffling reasons—prohibited from making profit off the policies they recommend. That needs to be stopped. In most disciplines, university professors can't use their research and publications for personal gain. Those in the field of economics need the same kinds of restrictions. And students should demand it.
We should all demand a lot more than we're getting from our government, but I guess we hope we're going to be one of the few to reap those enormous profits (which is a real sucker's bet). It's baffling and infuriating to watch this film and walk out into the light of day where the practices on display are still going on.
There is no possible way that all of the contributors to the financial meltdown can get adequate attention in a two-hour documentary. There were many factors involved, and some get short shrift in the film to focus on what would be easily comprehensible by most viewers, and, one can safely assume, to fit the biases of the producers, director, writers, etc. It's their movie, after all, and no documentary can avoid the bias trap. None that I have seen anyway.
Think of the film as a departure point. If one is really interested, they will dig deeper into the question through other documentaries and books on the subject. There will be plenty in the years ahead. More evidence will come to light, and more questions will be answered.
Let it be said that this film will make you angry. It will also make you a more informed individual and a better citizen.
It is not easy to get through two hours of discussion on why the financial meltdown occurred, but this film is probably the most painless way to do it. and it did it very well.
Think of the film as a departure point. If one is really interested, they will dig deeper into the question through other documentaries and books on the subject. There will be plenty in the years ahead. More evidence will come to light, and more questions will be answered.
Let it be said that this film will make you angry. It will also make you a more informed individual and a better citizen.
It is not easy to get through two hours of discussion on why the financial meltdown occurred, but this film is probably the most painless way to do it. and it did it very well.
This film portrayed a horrific set of circumstances in a measured and brilliantly illustrated manner. The economic issues were explained by clear, understandable graphs. Many major players appeared on camera to their detriment. The few that didn't appear were shown through press clips.
The most awful scene to me was the footage of the tent city with unemployed, lost and bewildered American workers, their jobs lost directly because of the antics of the Wall Street monsters. It could easily happen here in Godzone.
Highly recommended.
The most awful scene to me was the footage of the tent city with unemployed, lost and bewildered American workers, their jobs lost directly because of the antics of the Wall Street monsters. It could easily happen here in Godzone.
Highly recommended.
About 30 people at the 7PM show in the Music Box theater in Chicago last nite, and I was one of them.
I am always looking for two things on this economic disaster: 1) A better understanding, and 2) a means of explaining it better to others. This film delivers in both counts.
For me the key sequence came when the graphics, under solid narration, illustrated how 3rd tier investors were placing bets on bets. I.e., that's what derivatives are. I always knew this was happening, but the film made it very clear. That was the break point (in my analysis of the problem).
The film was nearly void of political leanings, which made it an important contribution. The only part that bothered me is that Congressman Barney Frank was framed as an expert looking back with wisdom on the ill-conceived passage of the "Commodity Futures Modernization Act of 2000", and, behold! Barney Frank *voted* for it. It would be better to interview all 4 Congressmen who voted against it: Ron Paul, Nick Smith, Gene Taylor and Peter DeFazio. [2 from each Party! How's that for Bipartism opposition? It took me 10 minutes to confirm these names, and I'm not even making a movie.]
It is significant that a continuum of hoodlums are seen on the podium with a continuum of Prsidents: Regan through Obama. The infestation of their ilk into the Political World is there for all to see.
Please see this film any way you can, and lock it in!
I am always looking for two things on this economic disaster: 1) A better understanding, and 2) a means of explaining it better to others. This film delivers in both counts.
For me the key sequence came when the graphics, under solid narration, illustrated how 3rd tier investors were placing bets on bets. I.e., that's what derivatives are. I always knew this was happening, but the film made it very clear. That was the break point (in my analysis of the problem).
The film was nearly void of political leanings, which made it an important contribution. The only part that bothered me is that Congressman Barney Frank was framed as an expert looking back with wisdom on the ill-conceived passage of the "Commodity Futures Modernization Act of 2000", and, behold! Barney Frank *voted* for it. It would be better to interview all 4 Congressmen who voted against it: Ron Paul, Nick Smith, Gene Taylor and Peter DeFazio. [2 from each Party! How's that for Bipartism opposition? It took me 10 minutes to confirm these names, and I'm not even making a movie.]
It is significant that a continuum of hoodlums are seen on the podium with a continuum of Prsidents: Regan through Obama. The infestation of their ilk into the Political World is there for all to see.
Please see this film any way you can, and lock it in!
Charles Ferguson also directed the very good "No End In Sight" about the failures of the Bush administration with regard to Iraq and on how poorly thought-through their ideas were on that topic. His focus in this movie is also on the failure of power to prepare for what many could see was a nightmare in the making. Ferguson in this film traces the failure, and in many cases, the unwillingness of government, academic, and financial elites to make policy which ensures financial health for all. Ferguson made a lot of money as an Internet entrepreneur and can now make the film the way he wants, and it's caught on by word of mouth, by virtue of a little man named Oscar, and probably by the zeitgeist.
Ferguson tracks some of the key decisions which greased the rails for the meltdown-from the Gramm-Leach-Bliley Act which destroyed the division between investment and savings banks, to the destruction of the reputation of Brooksley Born who had desired to put derivatives under the regulation of the CFTC of which she was the head, to the laissez-faire attitude of Alan Greenspan during his tenure as Fed chief. He interviews academics whose imprimatur and intellectual reputation were made available at a price. Ferguson also notes the popularity of cocaine and prostitutes on Wall Street at the time of this boom.
Ferguson interviews some of the key movers and shakers. If they're unwilling to be interviewed for the film, a message saying that that person declined to be interviewed appears on the screen. This is nearly more damning than if they do participate as it suggests they have something to hide. Ferguson doesn't suffer fools lightly and if he feels that an interviewee is not being straight with him, he is not shy about noting this. This is to our benefit as viewers and ensures that we see who is responsible for what. The movie is paced well, Ferguson is an intelligent, detail-oriented director and Matt Damon narrates the film quite ably.
If you don't know what derivatives are, this is a good film to fill you in, in a substantive and adequate way, on all the key points you need to know in order to understand the crisis. If you have followed the economics news closely, this is an excellent summary of the crisis. This really should be required viewing for all in the US.
Ferguson tracks some of the key decisions which greased the rails for the meltdown-from the Gramm-Leach-Bliley Act which destroyed the division between investment and savings banks, to the destruction of the reputation of Brooksley Born who had desired to put derivatives under the regulation of the CFTC of which she was the head, to the laissez-faire attitude of Alan Greenspan during his tenure as Fed chief. He interviews academics whose imprimatur and intellectual reputation were made available at a price. Ferguson also notes the popularity of cocaine and prostitutes on Wall Street at the time of this boom.
Ferguson interviews some of the key movers and shakers. If they're unwilling to be interviewed for the film, a message saying that that person declined to be interviewed appears on the screen. This is nearly more damning than if they do participate as it suggests they have something to hide. Ferguson doesn't suffer fools lightly and if he feels that an interviewee is not being straight with him, he is not shy about noting this. This is to our benefit as viewers and ensures that we see who is responsible for what. The movie is paced well, Ferguson is an intelligent, detail-oriented director and Matt Damon narrates the film quite ably.
If you don't know what derivatives are, this is a good film to fill you in, in a substantive and adequate way, on all the key points you need to know in order to understand the crisis. If you have followed the economics news closely, this is an excellent summary of the crisis. This really should be required viewing for all in the US.
Did you know
- TriviaOn being interviewed about this film, Henry Rollins likened Charles Ferguson's interviewing technique to "tightening the screws little by little until the interviewee starts to say "Ow.....ow.....ow and then, Stop the camera!"
- GoofsThe first time Paul Volcker's last name is shown it is written "Vocker".
- Quotes
Andrew Sheng: Why should a financial engineer be paid four times to 100 times more than a real engineer? A real engineer build bridges. A financial engineer build dreams. And, you know, when those dreams turn out to be nightmares, other people pay for it
- Alternate versionsWhen broadcast in the UK on BBC TV (as part of its Storyville documentary strand) in December 2011, on-screen dates of the speakers' positions were updated, notably Dominique Strauss-Kahn who resigned from the IMF in May 2011.
- ConnectionsFeatured in At the Movies: Cannes Film Festival 2010 (2010)
- How long is Inside Job?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Trabajo confidencial
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $4,312,735
- Opening weekend US & Canada
- $39,649
- Oct 10, 2010
- Gross worldwide
- $7,871,522
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content