Sexe entre amis

I was able to see a sneak screening of this movie almost 1 month prior to it's official release. I honestly walked in simply thinking I was seeing another typical romantic comedy with my girlfriend. To my surprise it was much more.

Timberlake plays an LA Blog Art Director who has just been recruited to work for GQ in New York by Kunis who is a headhunter. The two had great chemistry through out the movie.

What's funny is that even though it does contain the usual Cliché scenes that most romantic adult comedies contain, it does tend to poke fun at them and have some sort of realism to the plot.

Both Timberlake and Kunis are likable and really funny. Woody Harrelson was the best addition to support this younger cast. Harrelson plays a flamboyantly gay sports editor who goes from making sexual advances to JT, to offering him some pearls of wisdom with his love life.

I would have to say this movie was very enjoyable and if your skeptical about seeing it in the theaters, definitely put it on your "must rent" list.

I was expecting to have to compare this movie with No Strings Attached (or whatever that movie with Ashton Kutcher was) all the way through however I was pleasantly surprised that the story was a bit more complex despite the obvious parallels.

Yes it's the typical "boy and girl decide to be friends only but end up loving each other" movie .... but I must admit that it was a lot smarter in the delivery. Timberlake and Kunis have a lot of chemistry on camera ... It's shot primarily in new york so expect the clichéd new york locations ...

The complexity of Timberlake's character is slowly revealed through the show as opposed to being revealed in the first 3 minutes like most other movies.

A good watch ... not slap your knee funny but certainly entertaining to the end ... clichés and all

2011 will probably go down as the year Hollywood tells us having F* buddies is OK and encouraged, with no less than three films this year set around the premise of pure sex without strings or emotions attached, with Love and Other Drugs and No Strings Attached setting the precedence earlier with an incredibly good looking cast in all sorts of undress - Anne Hathaway, Jake Gyllenhaal, Natalie Portman and Ashton Kutcher - and added to the list will be current IT guy and girl Justin Timberlake and Mila Kunis rolling beneath the sheets in a typical love story between the emotionally unavailable and the emotionally damaged.

Mila Kunis stars as Jamie, a headhunter in New York who persuades her target Dylan played by Justin Timberlake to ditch his young, upstart blogging team to join GQ (how's that for a little bit of subtle advertising) in revamping its website and to infuse new content ideas. A night out prior to the offer seals the LA based Dylan to relocate and take up the offer, with plenty of activities thrown in that if it's not Jamie being his only friend in a new, big city, they would serve as activities that would fit in for an awesome date night out. Before long they become firm friends, and made a pact to keep things physical since they each have their wants, and with the other party game to get down and dirty, so begins their game of tennis (though personally I prefer analogy with, and the term "bedminton" - it involves cocks after all). After all, why complicate what would be a beautiful friendship, if sex can be treated just as sex without the emotions thrown in to mess things up?

You know the clichéd drill by now, with things moving along fine and dandy, the hint of emotions coming into play to really turn things upside down, the narrative montage to show how frequent they mate like jackrabbits, before some large, needy episode or statements uttered that will probably reveal the true state of affairs, and the list goes on. Deny all you want, but one cannot help but to agree that the fairer sex will have things rough if pacts of this nature turn sour, and expectedly in a movie they always do, otherwise everyone will be happy without adversary, frustration and challenges to overcome and provide that change in strength of character.

And it is this power of the cliché that absolutely calls the shots in films like these. You know what will happen, but want to see them happen anyway even though you're multiple steps ahead of every character. And it is precisely these expectations that anyone would want to see covered, and try as the filmmakers want it is the clichés that they find hard to break away from, even if characters here proclaim very early on that romance in their world shouldn't be like an unbelievable Hollywood film, but in what would be art imitating art, look who's talking to begin with. And what's with the fixation about consistently taking the shine off the captain of US Airways Flight 1549 in its emergency landing onto the Hudson River?

Justin Timberlake is fast becoming the busy bona fide movie star since The Social Network, and continues his run with this film and In Time which will hit the screens here soon. He has that boyish charm that the camera just loves, and being a real life singer meant covering a number of songs here, from Stereophonics to Kris Kross made it look all too easy. Mila Kunis plays her role as the emotionally damaged girl with aplomb, and shares an effective chemistry with Timberlake that makes this film a delight to sit through, even if as mentioned the story's cliché and we know just about how these two nice looking people will likely get together.

The supporting characters while one dimensional almost always threaten to steal the show, from Patricia Clarkson as Jamie's sex crazed mom extending the lifespan of a running joke involving the nationality of Jamie's unseen dad, Woody Harrelson as the gay colleague of Dylan who always have innuendos offhand to share, Jenna Elfman who plays Dylan's sister and Richard Jenkins starring as Dylan's dad who's suffering from advancing Alzheimer's disease, which is especially poignant as it deals with the subplot of how a family copes with a loved one who's behaviour develops erratically, and holding the key to a pivotal personal experience to share and turn things around.

With Andy Samberg and Emma Stone making cameos (the latter being extremely crazy as a fanatical John Meyer fan), Friends With Benefits has its main leads to thank for in milking quite the cliché story for the masses, who are likely to make a beeline just to see those two in some down and dirty action, not that you get to see a lot to begin with anyway. Recommended, and stay tuned until after the end credits roll for more commentary when the two are sitting at a couch watching the outtakes of a DVD movie.

What I can say for Friends with Benefits is that it's a cute movie that doesn't reach it's full potential. The main problem to me is that when it starts, the film is being played as satire and when it ends, it's being played straight. As a result, Friends with Benefits does not quite rise above the romantic material it mocks, but on occasion it's funny and adorable.

Actually for a while, the movie is on fire. The opening is cleverly handled, and is a good way to grab the audiences attention. Then for the next several scenes, Mila Kunis and Justin Timberlake demonstrate charm, comfort and overall competence and end up delivering a couple of the funniest sexual encounters I've seen in years. What I like about them both is that they bring enthusiasm to whatever they do, and this film is no exception.

Around the halfway point, the film starts to feel a little boring. with a running time of just over a hundred minutes, Friends with Benefits is not a long movie, and while it's not exactly short either, it feels shorter than it should be. There are a few hints to suggest that a longer movie was intended but the Studio may have forced a cut down. In addition to an ending that feels rushed, all the supporting characters in the story seem futile, and underwritten. Woody Harrelsson, for example, can be a really funny guy, but he's not given the material or the screen time, to make his appearance worthwhile.

The film has it's ups, it has it's downs. It doesn't end up being a bad Rom-com, but I've seen better.

"Friends with Benefits" has a predictable and unoriginal rom-com storyline and a lame ending. Yet while Timberlake and Kunis are on screen sharing sharp and witty dialogue and projecting a charismatic presence which is found with great stars like Marilyn Monroe and Nastassja Kinski, there is hardly ever a dull moment. And the reason for this seems to be simple enough. In most rom-coms, the actors play pretty dim-witted, boring and superficial people and therefore there is no reason to take interest in anything they may say or do. In this rom-com, "Friends with Benefits," Timberlake and Kunis play fresh, independent and smart people and for this reason we are interested in the lives they lead and what they say to each other. So "Friends with Benefits" does not have much of a plot, but that does seem to matter because on this rare occasion we are happily distracted by the magnetism of two capable on screen actors who are playing two well-craft parts.