Udaan

Udaan First time director Vikramaditya Motwane has done a brilliant job with Udaan. This film was truly worthy of a screening at Cannes. The simplicity of this movie is probably what makes this movie wonderful. Its a story which is not too uncommon in India, but the way its been shown, is what brings the freshness in the film.

Rohan(Rajat Barmecha) has just been rusticated from his boarding school along with his 3 friends for they were caught watching an adult film of sorts(Kanti Shah ke Angoor) by their dean. As it turns out, Rohan has to go back to his home in the small industrial town of Jamshedpur, To add to his woes we find out that he hasn't met his father(Ronit Roy as Bhairav) in 8 years and he doesn't even know of the existence of a step-brother(Aayan Boradia as Arjun) at his home. Reaching there he learns that he has to work with his father at his factory and enroll in engineering college. And the disciplinarian his father is, he can't even question him. As he is stuck there with his dream of becoming a writer seemingly getting shattered, he learns to cope with life. He learns to love his kid step-brother, manages to write between work and college, sneaks out for a drink or two at night, but inspite of all this, he is getting suffocated. He wants to escape. He wants to fly.

Udaan is a simple, emotional story about a boy in a small town, learning to live with his disciplinarian of a father. It is actually as simple as that. It might not sound interesting like this but the fact is that the way this normal coming of age story has been showed is just brilliant. There is nothing 'bollywood' about this film, its as if this movie was shot with a handy-cam, capturing the lives of a real family. But that doesn't make this one bit boring, because obviously there are some exaggerations, some gags, some drama but all in all its very real and believable. I'm sure everyone one of us would be able to relate to this film in some way or the other.

The high point of the movie is the performances by the leading men(there are hardly any women in this film). Ronit Roy as a single father has done his job with perfection. He drinks, smokes, but still goes for a jog every morning, which also turns out to be a very important aspect in the story. He sometimes loses his cool, uses force in teaching his kids a lesson, but at times we also see that he is caring and probably a little vulnerable. He's acted so well, that you can feel it when he is drunk, you even get scared when he is angry, that good is his screen presence. I was wrong to write off this TV actor. Rajat Barmecha too has done an impeccable job in portraying a kid, who has lived his life in one of the best boarding schools of India and now is stuck in a small town. He does the usual, sneaks out at night for drinks and smoke, steals his fathers cars for doing so, but still makes it on time in the morning for his daily run with his dad. His writings are beautiful too, so credit must go to the original writer as well. But the award must go to Aayan Boradia who is one of the best child actors I have ever come across in Indian cinema. He is so real, so cute and you will just fall in love with him. He is somewhat aware of what is going on but obviously at his age he just can;t do anything about it as his understanding does not go that deep. And then lastly Ram Kapoor as Jimmy, Bhairav's younger brother brings a very good contrast between his authoritarian brother and his practical chilled out of sorts character. He understands Rohan's dreams and aspirations but he can only do so much to convince his big brother to change his mind. A very intriguing relationship between the two brothers I must say.

Running time of over 2 hours, this might at times seem a little slow, but you gradually understand the importance of those long silent shots as the film progresses to its climax. There are scenes that will send chills down your spine. There scenes that will inspire you to 'fly out of a cage' if you are in one, metaphorically speaking of course. Its just filled with those moments that will be with you for sometime to come. It won't be easy to forget this movie soon. And let me assure you, you will come out highly satisfied after watching this movie. A big thumbs up for Motwane! Looking forward for more! Cheers to all the actors as well!

For some reason I have been postponing watching 'Udaan' until finally I watched it last night. I figured, why shouldn't it be the first film I watch this year? I had only heard many good things about it but even then it surpassed my expectations. 'Udaan' is one of those rare Indian films that scores high on every component of filmmaking, be it, direction, writing, cinematography, casting, score... It looks authentic and it feels honest.

What particularly stands out about 'Udaan' is how true to life it is and at the same time it's not a documentary style film but one with a great big heart that tells an inspiring story of a teenager fighting for his dream to become the man he aspires to. Vikramaditya Motwane and Anurag Kashyap have done an outstanding job in the writing department. It's very detailed without being showy, poetic without being operatic, subtle without being too restrained and poignant without being preachy.

In addition, Motwane does a phenomenal job translating the words from paper to screen. The narrative style is superb and remains consistent throughout. The characters are very human and easily recognizable mostly because of how the relationships are depicted, with sincerity.

Shetty's cinematography works in a subtle way. Every frame is photogenic but not to the point of looking like a postcard or being distracting. Trivedi's score is used very efficiently, never intrusive but rather contributing by echoing the mood of the sequences. Kalra's editing is solid as never does the pace feel uneven nor does the film lose its focus at any point.

Now coming to the performances, each and every actor's portrayal is genuine. Starting with newcomer Rajat Barmecha who is spot on as he looks the part and acts sublime. Ronit Roy finally gets a role that showcases his previously unknown talent. This is definitely a breakthrough performance for the actor who's been in movies for almost two years. While his portrayal of the authoritarian father is haunting one can also sympathize for him as he himself is a victim of abuse and he really does believe that he's doing the best for his sons and yet shows signs of regret at some of the wrong decisions. Ram Kapoor is equally convincing as the supportive light-hearted uncle who is the polar opposite of the quick tempered father. And of course, last but not least, there is young Aayan Boradia who delivers one of the most accurate performances of a child. It's amazing how, mostly through non-verbal gestures, he displays Arjun's innocence, loneliness, quiet suffering and longing with such precision

While most of the first act and second act of the film depicts Rohan and Arjun's quiet suffering, the final act is excellently cathartic. I don't mean cathartic in the sense that events take an explosive turn that involves loud confrontations. Here it's rather matter-of-factly but at the same time energetic, invigorating and symbolic. Even though I was expecting what Rohan would eventually do for himself to escape his father's imprisonment, there are some precious little surprises that happen along the way, making 'Udaan' a one-of-a-kind gem.

'Udaan' is a celebration of the human spirit. I'm very glad I picked this movie to start the year.

Udaan (2010)

On the main level this is a gripping, realistic, deeply moving story of a sensitive boy with an abusive father growing up in a culturally complex India. This is the main point here, and the reason to see it. The leading part played by this boy, Rohan, is a magnificent acting debut for Rajat Barmecha. He was twenty playing a seventeen year old schoolboy, but he's convincing, and nuanced, with both great emotional vulnerability and flashes of rebellion and fire.

The other level to consider from this movie is as a cultural lens. I write from the U.S. and know only what I see from here, but it seems like a coming of age movie with the tinges of generation gap and young rebellion seen blossoming (in the movies and in life) here in the 1960s and 70s. Rohan's father is "old school" in that he's tough on his son, thinking the son needs discipline and hard work to grow up and be functional. The boy though is a writer at heart (there are several scenes where he recites poems or tells stories and they are spellbinding, if brief), and the father won't hear of that. Raising Rohan without a mother seems to give him so leniency for his stubbornness, but not for his violence, and Rohan, somehow, must react.

The third character of note is not a girl--a nice change from many young men growing up stories--but a little half-brother who Rohan ends up befriend and ultimately kind of mentoring. The little one is super cute and delicate, and the three males with all their problems and conflicts make for a rich, intense interplay.

The other cultural aspect (besides how young people might be seeing their morality shift from their parents and grandparents) for an outsider is to see contemporary India in a rather true, ordinary way. I mean, "Slumdog Millionaire" was amazing and sensational in its own way, but it pushed buttons and pushed boundaries. This movies stays within boundaries to that being edgy isn't interfering with the reality of the story and all its successive stages.

It's really great stuff overall. The one thing that will seem odd, maybe, to some is the inspirational feel-good music with lyrics written for the film. It's almost saccharine it's so idealistic, but then, it's probably when every struggling 16 year old in Mumbai or New Delhi or wherever needs to hear. That part of the movie is not for an outsider at all, which is okay. I think people see the American classic "The Graduate" and have similar problems with the coming of age problems being mid-1960s in flavor, and the music having a pretty tenor not always up a contemporary alley.

So see Udaan for what it is. Rooted in expert and conventional filmmaking and storytelling, but powerful stuff.

You might find the poster of the movie a bit misleading – because the poster and the trailer of the movie seem to suggest that it is college- teen story. And Udaan is anything but that. It is, however, a intensely heartfelt movie with a strong emotional connect – and with so much realism, that I cant shake the feeling it is, to a large extent, autobiographical. Even though it is populated with largely unknown faces, set in a bleak industrial city, yet this movie will linger in your minds for a long time after you exit the hall.

The plot of the movie is essentially a two liner. A 17 year old is kicked out of boarding school for playing truant and is forced back to an apathetic father – and to a 6 year old half brother he didn't know existed. Stuck in a small town with no friends, forced to study engineering and work in his father's iron and steel works, Udaan is a story of Rohan's struggle with his loneliness and desperation. It is not pure entertainment, but it has got a lot of soul

The overbearing character in the movie is Bhairav Singh, played by Ronit Roy. A despotic father (with some probable army background, though its never suggested) – who does not listen to any opinion that doesn't match his own and runs his life with army-like discipline. He even insists his sons call him Sir. He stands starkly in contrast with his younger brother, the affable Ram Kapoor. He is the only beacon of light in Rohan's new world.

And amongst them, sitting quietly in a corner is his younger brother Arjun – who doesn't speak much, yet wins your heart.

Everything from the background music to the photography is perfect for the movie – Amit Trivedi's music melodious yet not distracting from the movie and the bleak shots of Jamshedpur accentuating the void that Rohan feels around him.

Udaan is a coming-of-age movie that you will identify with because of its honesty and sincerity. Newcomer Rajat Barmecha delivers one of the most subtle, yet effective roles in sometime – putting up a stoic face against the circumstances, yet showing us the vulnerable teenager within. The movie takes a slow pace, which in my opinion is essential for the viewers to share Rohan's desperation – but some of my friends thought otherwise. That is probably the only slight flaw in this fabulous movie. Highly recommended

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Vikramaditya Motwane's 'Udaan' is a film, that lingers your memory, and gives you the hope to live your dreams. The film has everything going for it, it has a touching story, proficient performances, hummable music & striking direction. It's A Winner All The Way!

Rajat Barmecha stars as Rohan, who, after being abandoned for eight straight years in boarding school, returns to the industrial city of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn't even know existed.

'Udaan' is an inspiring story. Screenplay by Motwane & Anurag Kashyap is brilliant. Their protagonist, is not a passive one, he has a goal, that of becoming a writer, which has been stabbed by his authoritarian father. The Screenplay allows it's Hero to get courage in himself. It starts superbly, and continues it's momentum to the end.

Motwane's direction is great as well. The Cinematography is able. Amit Trivedi's Music is hummable. The Editing is killer.

Performance-Wise: Rajat Barmecha is wonderful. The youngster lives his character each moment. Ronit Roy as the authoritarian father, is electrifying. The actor performs like never before! Aayan Boradia is a wonder child. A dependable actor! Ram Kapoor as the polite & understanding uncle, is lovable. Manjot Singh appears fictitious.

On the whole, as my summary says, One Of The Finest Films Of 2010! Strongly Reccmended!