Time Out

In the world of "In Time", time is money. Literally. Set in a future where everybody ages until 25, then they have one year left to live, except that one year is currency. The rich can live at age 25 eternally and the poor don't always have a chance to live. Time zones are classes of wealth and you can't cross over without upsetting the order of the world. It's quite possible that they have taken this time is money equation too far.

But I enjoyed this twist on the same old action movie. It even starts with some thoughts on philosophy. A rich boy finds himself in a poor man's bar where everybody wants a piece of him, so much so that his considerable wealth and time line are in danger. While the poor are in constant need of money, it turns out that the rich don't have the same drives for life. This rich guy is impressed by Will's (Justin Timberlake) honesty and earnest desire to find out how the other side lives. Will is then faced with the possibility of an infinite life time of money.

From there, we get a Robin Hood action movie. Will pairs up with a daddy's girl vixen, Sylvia (Amanda Seyfried) and they are on the run from the time keepers (Cillian Murphy). I have enjoyed Timberlake's recent foray into the world of movie stars, but I like him more as a comedic straight man than as an action hero. Seyfried, on the other hand, proves that she can play pretty much anything. A mysteriously innocent, sharp-shooting, sexy action girl suits her well.

The logic that this new world presents is pretty easy to figure out, but as you are doing that at least you are distracted from the usual action movie set-up. Hollywood has ventured again into the science fiction romance genre, and has again come out with an intelligent, action-packed film with something for everyone.

This is a really cool idea for a film. A day in the future when the commodity of value is not cash or gold, it is time. Everyone gets to live to age 25. After that you have one year to live, or less. It all depends upon whether you use all your time credits or you earn more. Regardless, if you live to age 100, or longer, your body physically remains looking twenty five.

On the plus side is Justin Timberlake coming back and showing that his misstep in Bad Teacher (2011) was just one of those embarrassing Hollywood screw ups. Timberlake has real drama and acting talent and is definitely here for the long haul. (Too bad Elvis was never given such chances.) Timberlake gave us a glimpse of his depth last year in The Social Newtwork (2010) , but his talents were not fully developed for Friends with Benefits (2011).

The script starts with the eerie, sobering reminder, and all too familiar words, "We don't have time...we don't have time..." Think if today you had to buy everything with time, instead of bank credit or cash. Coffee costs four minutes. A bus ride costs an hour. A car costs two years. People can give or take time from each other. Just don't run out of time or you will die on the spot. If this were real, would you treasure and spend time more wisely? The real interesting question may be that time really is the currency we live by now, we just fail to see it that way. The simple fact is that you can earn countless piles of cash and gold in this world, but you really cannot buy time. Despite the wealthy in today's world sometimes being able to cheat a few years with better health care, we all are going to die in the same average years.

While the script is the superficial tale of Will Salas (Timberlake) and his Mom (Wilde) trying to pass time in a futuristic world, the messages of the film go far deeper. It is really a tale of class warfare. People who have time, like the mega "eonaire" Phillipe Weis (Katheiser) and his rich daughter Sylvia (Seyfried) and those who constantly struggle to keep time (or run out of it) like the Salas family. Will gets the chance to move up into a better time zone thanks to a man who has just decided that after a hundred years or so, he prefers to "time out." He leaves Will the prophetic warning "Don't waste my time." How Will chooses to spend his time, for himself or for the benefit of all, is now the story.

I really did not mind that the future depicted in this film was not futuristic looking and all the cars were vintage 1970's models with updated lighting and electric sounding motors. It saved a huge budget rather than try to make the world look like it probably will in 2013 or so. And I think the point was that the future is really now.

As an entertaining film, my 7.5 rating is spot on. As a thought provoking experience, I might have given it a 10.0. After seeing this film, you should go out and visit with friends. Your own clock is ticking down. Are you really using it wisely? Unlike the time down clock on the arm of the people in this film, you never know when your time is about up.

This film...it's worth your time.

Everyone is on a clock. What keeps the general population from devolving into id-driven mobs is the fact that no one knows how much time they have left on theirs. If you had a constant reminder on your forearm, however, you might simply go about your life in a desperate attempt to prolong it. Or not.

Will Salas (played by Justin Timberlake) is a 28-year-old factory worker whose one year clock started and aging stopped, like everyone else in the film, when he turned 25. He and his 50 year-old mother Rachel (played by Olivia Wilde) live in the ghettos of Dayton hoping to earn and save enough to at least see the next day. All while wages in the ghetto are constantly going down and the cost of living is constantly going up. Then, while out drinking with his friend Borel (played by Johnny Galecki), he learns of a man with more than a century left on his clock who has unadvisedly advertised his good fortune while in the same bar as Will and Borel. A local time-thief enters the picture and, rather than retreat like his friend did and advised him to do, Will comes to the aid of the fortunate stranger. While saving his life was all for naught, the stranger gives Will all the time left on his clock before allowing the time on his own clock to run out while he's sitting on a bridge overlooking a dry river basin.

"Time is money" was a phrase first coined by Benjamin Franklin. While the idea of reversing that concept to "money is time" is interesting, I don't believe the cast was up to the challenge of exploring it. Whatever success Justin Timberlake might've had in supporting roles, he doesn't have what it takes to be the leading man. Amanda Seyfried, whose role has her playing off Timberlake for a lot of the film, is another professional whose appeal tends to overshadow her abilities for some reason. Perhaps an independent production could provide actors with genuine talent, who are young enough to look the part, but this is closer some sort of CW melodrama.

I had the privilege of watching this movie earlier than most people in the world because its released early in Malaysia, to profit from Deepavali public holiday crowd on 26 Oct.

The story is simple. Time is the commodity in the future. But the best part is how the filmmaker show the audience how to use this commodity in normal everyday life. How much time you pay for certain things, where to get extra time, etc. Simply brilliant.

I never cared too much about Timberlake before, but his performance in Social Network caught my attention, and In Time further proves that he can act. The pace can be quite a drag here and there, but its full of suspense all the way, many chase scenes and all.

For those of you who are tired of prequels, sequels, three-quels, superheros, robots, aliens, etc, give In Time a shot, its definitely worth your time. The most original movie this year. 109 minutes is a commodity well-spent.

A very unusual film screen-play, well written and shot, don't expect any CGI effects here, this is a very down to Earth sci-fi that bears more than a passing resemblance to our current problem with world banks. Surprisingly Justin Timberlake puts in a very professional performance, and not a song in sight, Timberlake carries the part with a very grounded performance being so laid back that he is almost horizontal. Amanda Seyfried submits a polished performance although her make-up makes her look like one of those Japanese animations of what a European looks like, complete with over-sized eyes. The film holds the attention from the first to the last frame and provokes some emotion from the viewer on several levels. Certainly worth a watch, not quite a Rolex, but much better than a Timex.