Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.
Chris Colombo
- Hardware Store Perp
- (as Chris Columbo)
Francesca Chaney
- Doll Hospital Girl
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
6uwa
The movie starts with a great promise and packed with action. The idea of using innocence with cruelty is a great one. the cinematography is great too but once the story stays in one place for a long time than it gets a little bit boring. As soon as we learn why Gandolfini wants to die the movie is about good as over however it goes on for another 45 minutes or so.
I think Geoffrey Fletcher missed the point on this one. This could've been an action packed piece with a heart without being boring. It seems that he just didn't know how to achieve that sort of a formula.
However, this movie is not a total waste of time. It still has some interesting moments and good montage. Worth a watch.
I think Geoffrey Fletcher missed the point on this one. This could've been an action packed piece with a heart without being boring. It seems that he just didn't know how to achieve that sort of a formula.
However, this movie is not a total waste of time. It still has some interesting moments and good montage. Worth a watch.
What a poetic massacre drama! I love the absurd pitch - it is crazy. Love the girls motivated by getting a dress and the assassin crying behind the trash after an intimidating encounter. It's like a Japanese manga. This is so much fresher than a Tarantino, I like better this genre ! Tarantino takes himself way too seriously ! I regret though that the girls seem to not be enough professional, and that there was not more action. I really missed the action ! But the poetic sweet mood is very innovating, I'd like more of this please. Loved this line "What's with the cookies?! Wait, what if it's only the tip of the iceberg? What if he also makes brownies ???" Excellent !
I had the chance to check out Geoffrey Fletcher's directorial debut on its premiere at the Toronto Film Festival and I was blown away. Geoffrey Fletcher is known as the Academy winning screenwriter of the film Precious, and his debut as a director took me by surprise because it did not at all offset any element from his writing work on Precious. He goes from social consciousness, inner-city story, black American social issues, etc.. and does a complete 180 degrees to create a world where two (white) teenage girls go on killing sprees for a living. but then again, Precious was adapted from a book, so he can kind of get away with this. Nevertheless, this really took me by surprise!
Alexis Bledel and Saoirse Ronan play the title characters, who seem like they spun out of a Tarantino movie. Violet and Daisy are hit girls in New York, casually amoral about assignments with their only real concern being what dresses to buy with the pay. The movie unfolds in 10 chapters with the first being the most Tarantino-esque, which actually establishes the wrong tone for what is to come. Saoirse Ronan will definitely be mentioned come award time! I must admit that the film was entertaining and filled with great comedic timing and actions scenes that came straight out of a Tarantino flick. In fact, If I didn't know who had directed this film, my first guess would be Quentin Tarantino. Violet and Daisy are given a new assignment — an easy one for an increase in pay,they are assured — takes the film into much trickier terrain. The target, played as a wry and rumpled sad sack by James Gandolfini (Tony Soprano) actually welcomes the girls' visit to his dumpy apartment. This bothers them: Shooting a willing victim seems unprofessional. The movie now devolves into a three-hander, with any number of incidents and other "guests" causing interruptions but the movie essentially becomes a play and delves into a poetic set of scenes filled with symbolic imagery to reveal each character's motives in life. The key confrontation in this life-or-death situation between killers and a eager victim forces self-examination on the parts of all three.
I applaud Fletcher's first effort, but can't really define him until I see more from him, which should be interesting to see what's next.
Alexis Bledel and Saoirse Ronan play the title characters, who seem like they spun out of a Tarantino movie. Violet and Daisy are hit girls in New York, casually amoral about assignments with their only real concern being what dresses to buy with the pay. The movie unfolds in 10 chapters with the first being the most Tarantino-esque, which actually establishes the wrong tone for what is to come. Saoirse Ronan will definitely be mentioned come award time! I must admit that the film was entertaining and filled with great comedic timing and actions scenes that came straight out of a Tarantino flick. In fact, If I didn't know who had directed this film, my first guess would be Quentin Tarantino. Violet and Daisy are given a new assignment — an easy one for an increase in pay,they are assured — takes the film into much trickier terrain. The target, played as a wry and rumpled sad sack by James Gandolfini (Tony Soprano) actually welcomes the girls' visit to his dumpy apartment. This bothers them: Shooting a willing victim seems unprofessional. The movie now devolves into a three-hander, with any number of incidents and other "guests" causing interruptions but the movie essentially becomes a play and delves into a poetic set of scenes filled with symbolic imagery to reveal each character's motives in life. The key confrontation in this life-or-death situation between killers and a eager victim forces self-examination on the parts of all three.
I applaud Fletcher's first effort, but can't really define him until I see more from him, which should be interesting to see what's next.
This film tell the story of two young assassins who encounter a difficult situation when they do a job to finance the newest designer dress.
"Violet & Daisy" starts off exciting and very promising, as it successfully plays on the contrast between the angelic and innocent faces of the two leading girls, and they violent nature of what they do. However, the greatness was not sustained, and there is much slack after the intense beginning. The plot just dragged on with a lot of unneeded conversation. Though such scenes are to show their developing ambivalence towards their target, it becomes tiring and irritating. Why can't they just do it already! I think "Violet & Daisy" is an adequate film, and I really enjoy the two leading girls' performances. However, if there is more action thrown in that delays their kill, instead of just talking all the time, it would have been much better.
"Violet & Daisy" starts off exciting and very promising, as it successfully plays on the contrast between the angelic and innocent faces of the two leading girls, and they violent nature of what they do. However, the greatness was not sustained, and there is much slack after the intense beginning. The plot just dragged on with a lot of unneeded conversation. Though such scenes are to show their developing ambivalence towards their target, it becomes tiring and irritating. Why can't they just do it already! I think "Violet & Daisy" is an adequate film, and I really enjoy the two leading girls' performances. However, if there is more action thrown in that delays their kill, instead of just talking all the time, it would have been much better.
this movie has almost it all. it includes friendship, money problem AND killing.. it's not a lame romantic movie, it makes you think and it is beautiful done! you should give it a try. I mean it's about two teenage girls who are not sure what to do with life and they are just trying to get enough money so they can buy some dresses, but when they think that all they have to do is kill someone they're wrong because it's so much more than that... they're about to learn such a big part in life and accepting how things are, try to make the most of the situation. this might not be a movie you'll re-watch but it's really enjoyable and very beautiful done. it's a movie which will leave you not empty, but not full it will leave you thinking.
Did you know
- TriviaCarey Mulligan was originally cast as Violet but opted to do Drive (2011) instead. She was replaced by Alexis Bledel.
- GoofsWhen the girls shoot their guns with their eyes closed, Violet's gun also empties with the slide back, but in the next shot she fires once more, and then again the gun has the slide in the empty position.
- Crazy creditsUnder the main title "Violet & Daisy", it says in small letters: "In Hi-Fi, Color & Spectacular 2-D"
- ConnectionsReferences Les Petites Marguerites (1966)
- SoundtracksAngel of the Morning
Written by Chip Taylor
Performed by Merrilee Rush & The Turnabouts
Courtesy of Arista Records, Inc.
By arrangement with Sony Music Licensing
Saoirse Ronan Through the Years
Saoirse Ronan Through the Years
Take a look back at Saoirse Ronan's movie career in photos.
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $17,186
- Opening weekend US & Canada
- $9,982
- Jun 9, 2013
- Gross worldwide
- $108,139
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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