Violet & Daisy

I had the chance to check out Geoffrey Fletcher's directorial debut on its premiere at the Toronto Film Festival and I was blown away. Geoffrey Fletcher is known as the Academy winning screenwriter of the film Precious, and his debut as a director took me by surprise because it did not at all offset any element from his writing work on Precious. He goes from social consciousness, inner-city story, black American social issues, etc.. and does a complete 180 degrees to create a world where two (white) teenage girls go on killing sprees for a living. but then again, Precious was adapted from a book, so he can kind of get away with this. Nevertheless, this really took me by surprise!

Alexis Bledel and Saoirse Ronan play the title characters, who seem like they spun out of a Tarantino movie. Violet and Daisy are hit girls in New York, casually amoral about assignments with their only real concern being what dresses to buy with the pay. The movie unfolds in 10 chapters with the first being the most Tarantino-esque, which actually establishes the wrong tone for what is to come. Saoirse Ronan will definitely be mentioned come award time! I must admit that the film was entertaining and filled with great comedic timing and actions scenes that came straight out of a Tarantino flick. In fact, If I didn't know who had directed this film, my first guess would be Quentin Tarantino. Violet and Daisy are given a new assignment — an easy one for an increase in pay,they are assured — takes the film into much trickier terrain. The target, played as a wry and rumpled sad sack by James Gandolfini (Tony Soprano) actually welcomes the girls' visit to his dumpy apartment. This bothers them: Shooting a willing victim seems unprofessional. The movie now devolves into a three-hander, with any number of incidents and other "guests" causing interruptions but the movie essentially becomes a play and delves into a poetic set of scenes filled with symbolic imagery to reveal each character's motives in life. The key confrontation in this life-or-death situation between killers and a eager victim forces self-examination on the parts of all three.

I applaud Fletcher's first effort, but can't really define him until I see more from him, which should be interesting to see what's next.

This film tell the story of two young assassins who encounter a difficult situation when they do a job to finance the newest designer dress.

"Violet & Daisy" starts off exciting and very promising, as it successfully plays on the contrast between the angelic and innocent faces of the two leading girls, and they violent nature of what they do. However, the greatness was not sustained, and there is much slack after the intense beginning. The plot just dragged on with a lot of unneeded conversation. Though such scenes are to show their developing ambivalence towards their target, it becomes tiring and irritating. Why can't they just do it already! I think "Violet & Daisy" is an adequate film, and I really enjoy the two leading girls' performances. However, if there is more action thrown in that delays their kill, instead of just talking all the time, it would have been much better.

Too Cute by Two, this is Another in the Girls with Guns Subgenre that can be Entertaining like Hana (2011) and Kick-Ass (2010). It also Borrows Heavily from that Tarantino Sensibility of Colorful Excess and Slightly Removed Ambiance. But there is Little Wit here that makes these Things Joyful Jaunts into Comic-Book Land.

The Movie Looks Good and the Actors All seem to be On but the Story is so Weak and the Dialog so Trite and the Side Characters and Stories are so Uninteresting that the Film comes off as an Idea not Realised and a Script from the Reject Pile that was Dusted Off but Never Polished.

In the End it is Attractive Visually but is not At All as much Fun as it Thinks it is and that is definitive Pretentiousness. The Lollipop Licking and the Bubble-Gum Blowing are more Cringe than Creative and more Obvious than Clever.

It is a Misfire that Overall, it really doesn't Matter because the Film is Shooting Blanks.

What a poetic massacre drama! I love the absurd pitch - it is crazy. Love the girls motivated by getting a dress and the assassin crying behind the trash after an intimidating encounter. It's like a Japanese manga. This is so much fresher than a Tarantino, I like better this genre ! Tarantino takes himself way too seriously ! I regret though that the girls seem to not be enough professional, and that there was not more action. I really missed the action ! But the poetic sweet mood is very innovating, I'd like more of this please. Loved this line "What's with the cookies?! Wait, what if it's only the tip of the iceberg? What if he also makes brownies ???" Excellent !

The movie is great at its best moments. And almost boring to death (no pun intended) in its worst. It's almost a shame that it does not find a way to stay even throughout. The two main actresses (Kudos for going that way, which also provides the movie with some of its best moments) are very different from each other. I'm not saying it's borderline cliché, but some people may expect a lot of the "twist" turns in the plot that the filmmaker thought of.

So while I would have loved to like it even more (I still think it's a decent movie overall), there are too many moments in it, that just don't work. On other news, it seems like someone was watching the Sopranos! You're not only getting Mr. Soprano himself (Mr. Gandolfini) in a completely different role, but you also get one of the regulars from that show to appear here.