Le Monde fantastique d'Oz

if You didn't Know that this Movie was Directed by Sam Raimi, You wouldn't Know that it was Directed by Sam Raimi. All of the Style is in the CGI. It has a Certain Eye Candy Appeal that also Lacks Warmth, Depth, and Anything Resembling a Soul.

But here it is. A Mega-Million Dollar Spewing of the Plasticized, Industrial Art that has become the Standard for This Type of Thing. The Other Worldliness of the Superhero and other Fantasies. It can Work Very Well in Limited Quantities but when that's All there is, that's All there is.

James Franco is a Movie Star (and some may question why) and Not an Actor, so He can by No Stretch of the Imagination Pull off the Charm Needed for the Wizard. He Grins and Smirks and All the Women On Screen, and in the Audience, are Supposed to be Charmed Out of Their Pants. Right.

The Prequel has its Moments of Appeal, but Hardly Awe Inspiring. The Witches are Interchangeable Bores. The Flying Monkey is OK and the China Doll is the Most Memorable. There are a lot of Explosions and Fireballs to Pump the Sub-Woofers and Danny Elfman's Recognizable Style is Noticeable from the First Few Notes (did someone say repetition).

Overall, the Movie can be Recommended in a Gaudy kind of Display with Enough Color to Capture the Eye, but the Movie is Not that Captivating. It is such a Mediocre Movie that Slightly Betrays the Source Material and is Another Expensive Extravaganza that is by Most Accounts Disappointing and Adequate at Best. That's not much for Disney and the Pile of Gold it put out for this Thing.

A Fresh Take on the World of Oz - 8/10

I've often wondered why Oz the Great and Powerful receives such mixed reviews. Going into it, I understood it wasn't meant to rival the timeless charm of the 1939 classic The Wizard of Oz or the beloved Broadway phenomenon Wicked. Instead, I approached it with an open mind, and I was pleasantly surprised by how much I enjoyed this visually stunning and emotionally engaging prequel.

This film offers a fascinating origin story of how the Wizard arrived in Oz and laid the foundation for the events we know so well from the classic movie. While it may not be considered "true canon," it feels far closer to the spirit of the 1939 film than Wicked, especially with its creative use of book-inspired characters like the China Girl.

Speaking of the China Girl, she absolutely stole the show for me. Her character was not only visually remarkable but also emotionally impactful, bringing out a softer, more vulnerable side of the Wizard. Her story added depth and warmth, turning what could have been a simple CGI companion into one of the movie's standout elements.

What I loved most was the film's respectful nods to its source material. From subtle homages to the original film to clever integration of book references, there are countless details that fans of the Oz universe will appreciate. It also provides a unique take on the relationships and rivalries between the witches, offering another layer of intrigue to Oz's complex history.

If you're looking for a vibrant, imaginative return to the land of Oz, this movie is definitely worth your time. It's not a musical, aside from one brief moment that feels like a loving tribute to the 1939 classic, but it doesn't need to be. The dazzling visuals, engaging story, and well-placed Easter eggs make it a delightful experience for both new and longtime fans of Oz.

Currently streaming on Disney+, Oz the Great and Powerful is a magical adventure that deserves a second look. Give it a watch-you won't be disappointed!

Beautiful yet vapid prequel to "The Wizard Of Oz" that is plague by not only by the numbers script but the questionable judgment of the people behind the scenes of the making of the film. The CGI effects are good and the characters created by those effects are cute but they are not strong enough to hide the films real problems. The script is so by the numbers that you can envision the twist and the ending five minutes into the film. Prequels are generally predicable because it set before the events of a prior movie but this film just did not have any originality to it and was just lazy in its set up. The script is not the only problem here; some of the casting is also off by a large margin as well. James Franco was not the first actor to be considered to play the character of Oscar Diggs but you can see a hundred better actors who could have done the role justice before you can ever think of Franco in the role and he does not disappoint in proving how miscast he is. Franco is terrible, so terrible that he is distracting to the film. He definitely does not care about his performance and it shows. Franco just swaggers in as if he is above the material and the actors around him while in reality, his performance is worse that the script of this film. Making his character so unlikable that you really do not want to watch or care about him. While Franco is in his own little world, Mila Kunis just looks lost in her performance. She is not believable as the wicked witch of the west and just comes across as lightweight compare to her sisters played by Rachel Weisz and Michelle Williams who are both much better actors than this film deserved. Weisz in particular gives the film's best performance because she at least makes an effort with the lazy script she has to work with and just has fun with it. Her character is the typical Disney villain but in Weisz's capable hands, she becomes more and that does translate on screen. You as an audience member are swept off your feet by Weisz's enthusiasm for her role and the movie becomes better off because of it. Williams does the same, making her sweet tooth character a joy to watch as well and brings a real sincerity to the role which is a god sent because of how insincere Franco is in his.

It is a beautiful movie and the CGI does not give you a headache but other those things and the efforts of Weisz and Williams, The movie has too many strikes against it thanks to the script and the miscasting of Franco and Kunis.

A magician finds himself transported to the magical land of Oz, where witches, flying monkeys and yellow brick roads exist. He is mistaken for the saviour of Oz and must decide whether or not to stay and be king, or leave and find his way home.

I love Sam Raimi, the man and his invented work with a camera are what made me want to get into filmmaking in the first place. So to see him handling big projects like this (and Spiderman) was a joy for me to see. Oz the Great & Powerful is a CGI heavy film that demands a creative eye behind the lens. After his work on big budget films like Spiderman, it seemed like an easy choice for Raimi to be the one behind Oz and for the most part, it works. The films shortcomings keep it from being really magical and memorable, like the original from 39, but Oz has enough whimsy to keep the kids entertained and the adults smiling.

The land of Oz is indeed magical, with vibrant colours around every corner, memorable spots like the poppy fields and the dark forest for us older viewers, but even in saying all that I can't help but feel how fake it all is. This film suffers from the same troubles that plagued Burton's Alice in Wonderland, the visuals, although great for the story, add no sense of realism to the image. I hate overly used CGI in films to the point of noticing the awkward placement of actors in front of the green screen. The first major offender of this is Star Wars: Attack of the Clones, none of the actors made me believe they were in the settings they were. Both Wonderland and Oz have this same feeling.

While I'm getting the negatives out of the way, I must say that what everyone is saying about Mila Kunis is true, she was miscast in this role. I think she was chosen more for her beauty and star power than her acting abilities, which is sad cause it looks like she really is trying here. The story for her character here is a sad one and the second half I think suffers a bit because the threat from her is not really present. I don't really know why I'm tip-toeing around the issue because those who know The Wizard of Oz, know that Dorothy kills one witch with her house and the other with water, leaving Glinda the good witch in a bubble as the saviour. Seeing the Kunis character go in the direction she does didn't really effect me as much as I wanted it to. Consider that the failure of the script more so than the actors. Not enough time is really given to her for her transformation to affect the viewer.

The film opens in black & white and and the transformation to colour had a smile on my face. Despite the "fakeness" of some of the scenes (not all) Raimi does a decent job of not letting the effects overpower the film. Raimi steers the film in the right direction, but it is James Franco's shoulders it has to rest on. He is the type of actor that comes off as not really caring. It works in some films like Pineapple Express and he does manage to turn in some great performances, look at 127 days or Freaks & Geeks for that. Unfortunately I don't know if he has enough charisma and power to command a film like this. At times it looked like he was in the role, other times it felt like he couldn't care. Maybe it's his acting style, I can't really put my finger on it, but clearly Raimi sees something in him because he has worked with him previously on the Spiderman films.

Where the acting does work, marvellously and in every scene is Rachel Weisz and Michelle Williams. Two polar opposites that look like they actually enjoy the characters and the movie they are in. They elevate the material a bit to make the drama more tangible. Whereas without them I think the film would have fallen more flat. The drama and character choices didn't really bring me into the story. The film didn't feel like it took chances, or tried to have complex situations for the characters. It had mapped out beats, hit them and marched on.

It was nice seeing some nice Raimi touches in the final product. More than 25 years later and I still smile when I see Bruce Campbell getting hit in the face, knowing full well that it is Sam Raimi on the other end of the camera hitting him. Surprisingly, moments did indeed feel Evil Deadish to me, with the flying witches holding out their hands in a deadite possession form. But I digress. Oz is a good film, with weaknesses that bring it down. Raimi and two witches try their best to elevate some bland material and in the end we are left with a film that is neither great, nor memorable....just satisfactory enough.

In 1905, in Kansas, the small-time circus magician Oscar "Oz" Diggs (James Franco) is a weak, greedy, selfish and womanizer conman without character. He gives music box to the women that he seduces, and when a strong artist finds that his wife has a box in her belongings, he chases Oz through the circus. Oz flees in a balloon, but a tornado strikes his balloon and he lands on the Land of Oz.

Oscar meets the gorgeous Theodora (Mila Kunis) and she believes that he is the powerful magician from an ancient prophecy that will release her land from the Wicked Witch. Theodora tells that her sister and she are good witches, but the Wicked Witch had killed the king. Now the people are waiting for the magician to be their new king after defeating the witch. Theodora is seduced by Oz and brings him to the City of Emerald. When he sees the king's treasure, he decides to seek out the Wicked Witch and destroy her magic wand to get rid off her and become the king. Oz meets Glinda (Michelle Williams), who is supposed to be the Wicked witch, and soon he learns that Theodora's sister Evanora (Rachel Weisz) is the evil one indeed.

Meanwhile Evanora lures he sister that is jealous and uses a spell to turn her into a wicked witch. Oscar learns that he is the only hope for the inhabitants of Oz that believe that he is a powerful magician and his only chance to defeat Evanora and Theodora is using illusion since he has no magic power.

"Oz the Great and Powerful" is an entertaining fantasy movie, with beautiful special effects and great cast. The beginning in black and white turns to bright colors when Oz reaches the magic kingdom and the images are wonderful. It takes too long for the unethical lead character to redeem and become a good man. For viewers that enjoy fantasy movies, "Oz the Great and Powerful" is a highly recommended movie. My vote is seven.

Title (Brazil): "Oz: Mágico e Poderoso" ("Oz: Magic and Powerful")