The Chicago Code

There have only been two episodes so far, but I love the overall direction of the story line, as well as the writing.

I spent the first 6 years of my life in Chicago, and returned many times after that until I was around 30 or so. It's now been a couple decades plus since I've been back. Nonetheless, the city is instantly recognizable here--even though it seems to be shot so far mostly on the south side, and I've spent all my time there as a kid and young adult on the north side.

Chicago has a very distinctive visual personality made from a mix of fairly unique residential architecture, back alleys and of course, the omnipresent El, threading it's way through, and connecting together, various areas of the city. That so much of every episode is shot on location really helps give this story about the mix of corrupt politics with cops + robbers an anchor in reality--even if some reviewers here consider the plot line itself a bit light on reality, or even disrespectful to the real memory of the officers with whom they themselves served.

While I can't comment on that aspect, so far I love it for what it is--a thoughtful, fun and well acted action police drama with an exciting visual style. This one should be a winner for Fox.

Ron H

My wife and I are very picky about the types of shows we watch, especially when it comes to crime dramas. They are a dime a dozen.

So, I went in to last night's episode with great skepticism and my finger ready to hit a different channel at a moment's notice.

But from the very beginning, this show grabbed us. Who cares if it is not "realistic" based on some anonymous Chicago cop review? It's a fictional drama. The show is well-casted, great dialogue, and a good storyline.

I love the narration by the different characters and the unexpected ending of the initial pilot that makes you connect with the characters and anticipate the next episode.

So far, so good.

Then FOX cancel it! Why? Because it did not appeal to the younger generation? What on earth does that mean? The rest of us didn't matter?

Pretty soon, nobody will watch series, as we all know, TV companies will do what they want. None of us matter.

Delroy Lindo makes it for me - he definitely demonstrates that a character can be both slithery and seductive (dare I say EVIL?), just like T-Bag in Prison Break.

I appreciate the potential for cutting character development between the prime detective and his (potentially) ever-changing partner, but I still reserve judgment on the female lead. She definitely deserves the chance to prove herself (JB needs to dissolve type-casting), but her physical presence so far does not match what her Chicago Code job description demands.

The plots are engaging, and the corruption believable. Thus far I am engaged, and I am sincerely rooting that the show continues to be WOWable.

I didn't watch this show much when it started but after I caught a few episodes here and there throughout the season, I wish I had watched the entire season. I found each of the episodes I watched to be very entertaining and exciting. I watched the last 4 or 5 episodes regularly, which was very easy since I was watching House in the time slot immediately before Chicago Code. While watching the final episodes, particularly the episodes during the last 2 weeks of the season, I couldn't help feeling extremely frustrated that the show had been cancelled by Fox. I think it had a lot of promise and that promise was thrown aside. I wish that Fox would have taken a chance on a show like this and ditched some of the stupid reality shows that seem to permeate every network's schedule now-a-days. Hopefully Fox will replace it with an equally entertaining or more exciting show next season and not more of that BS reality garbage. R.I.P. The Chicago Code