And Then There Were None
- Episode aired Mar 4, 2011
- TV-14
- 1h
IMDb RATING
8.2/10
4.2K
YOUR RATING
When Sam, Dean and Bobby run into Rufus, and the Campbells all hunting the cause of an upsurge in supernatural activity, tensions erupt into violence.When Sam, Dean and Bobby run into Rufus, and the Campbells all hunting the cause of an upsurge in supernatural activity, tensions erupt into violence.When Sam, Dean and Bobby run into Rufus, and the Campbells all hunting the cause of an upsurge in supernatural activity, tensions erupt into violence.
Featured reviews
"And Then There Were None," the sixteenth episode of Supernatural's sixth season, directed by Mike Rohl and written by Brett Matthews, is a tense and emotionally charged installment that blends elements of horror, mystery, and tragedy. Drawing inspiration from classic whodunit tropes and films like John Carpenter's The Thing, the episode places Sam (Jared Padalecki), Dean (Jensen Ackles), Bobby Singer (Jim Beaver), and other hunters in a claustrophobic setting where trust becomes a scarce commodity. With its high stakes and significant character deaths, this episode serves as a turning point in the season's narrative while exploring themes of loyalty, betrayal, and moral ambiguity.
The story begins with Sam, Dean, and Bobby investigating a gruesome murder committed by a truck driver who claims to have blacked out during the act. Their investigation leads them to discover the presence of Eve, the "Mother of All," who has unleashed a parasitic creature capable of possessing humans. The trio teams up with fellow hunters Rufus Turner (Steven Williams), Samuel Campbell (Mitch Pileggi), Gwen Campbell (Jessica Heafey), and others at an abandoned cannery to track down the creature. However, paranoia sets in as the worm-like parasite begins jumping between hosts, turning allies against one another in deadly confrontations.
Mike Rohl's direction effectively heightens the tension through tight framing and dimly lit interiors that create a sense of claustrophobia. The cinematography emphasizes the isolation of the characters within the factory, mirroring their growing distrust of one another. The editing is sharp, particularly during scenes where suspicions escalate into violence, keeping viewers on edge as they try to determine who is possessed. While some critics have noted that the pacing slows slightly in the middle, the episode's deliberate buildup pays off in its emotionally charged climax.
The performances are uniformly strong. Jensen Ackles portrays Dean's growing frustration and despair with intensity, particularly in his interactions with Samuel and Gwen. Jared Padalecki balances Sam's pragmatism with moments of vulnerability as he grapples with the moral weight of their actions. Jim Beaver delivers one of his most heartfelt performances as Bobby, whose loyalty to Rufus is tested in devastating ways. Steven Williams shines as Rufus, bringing humor and gravitas to his role while deepening his character's bond with Bobby. Mitch Pileggi adds complexity to Samuel Campbell's morally ambiguous motivations, though his arc concludes abruptly.
Thematically, "And Then There Were None" explores betrayal within familial and professional relationships. The episode delves into how desperation can erode trust among even the closest allies, as seen through Dean's strained interactions with Samuel and Gwen. It also examines the cost of loyalty through Bobby and Rufus' friendship, culminating in one of the series' most heartbreaking moments when Bobby is forced to kill Rufus to stop the parasite. These themes resonate deeply within Supernatural's broader narrative about sacrifice and moral compromise.
One of the episode's most striking moments occurs when Dean shoots Gwen after realizing she has been possessed by the parasite-a shocking act that underscores how high the stakes have become. Another standout scene is Sam killing Samuel without hesitation after learning that he has been compromised by Eve's influence. These moments not only advance the plot but also reveal how far both brothers are willing to go to protect each other and their mission.
"And Then There Were None" is a gripping episode that combines suspenseful storytelling with profound emotional stakes. Its exploration of trust and betrayal adds depth to Supernatural's overarching narrative while delivering some of the season's most memorable character moments. While its reliance on familiar tropes may feel derivative to some viewers, strong performances and effective direction make it a standout entry in Season 6.
The story begins with Sam, Dean, and Bobby investigating a gruesome murder committed by a truck driver who claims to have blacked out during the act. Their investigation leads them to discover the presence of Eve, the "Mother of All," who has unleashed a parasitic creature capable of possessing humans. The trio teams up with fellow hunters Rufus Turner (Steven Williams), Samuel Campbell (Mitch Pileggi), Gwen Campbell (Jessica Heafey), and others at an abandoned cannery to track down the creature. However, paranoia sets in as the worm-like parasite begins jumping between hosts, turning allies against one another in deadly confrontations.
Mike Rohl's direction effectively heightens the tension through tight framing and dimly lit interiors that create a sense of claustrophobia. The cinematography emphasizes the isolation of the characters within the factory, mirroring their growing distrust of one another. The editing is sharp, particularly during scenes where suspicions escalate into violence, keeping viewers on edge as they try to determine who is possessed. While some critics have noted that the pacing slows slightly in the middle, the episode's deliberate buildup pays off in its emotionally charged climax.
The performances are uniformly strong. Jensen Ackles portrays Dean's growing frustration and despair with intensity, particularly in his interactions with Samuel and Gwen. Jared Padalecki balances Sam's pragmatism with moments of vulnerability as he grapples with the moral weight of their actions. Jim Beaver delivers one of his most heartfelt performances as Bobby, whose loyalty to Rufus is tested in devastating ways. Steven Williams shines as Rufus, bringing humor and gravitas to his role while deepening his character's bond with Bobby. Mitch Pileggi adds complexity to Samuel Campbell's morally ambiguous motivations, though his arc concludes abruptly.
Thematically, "And Then There Were None" explores betrayal within familial and professional relationships. The episode delves into how desperation can erode trust among even the closest allies, as seen through Dean's strained interactions with Samuel and Gwen. It also examines the cost of loyalty through Bobby and Rufus' friendship, culminating in one of the series' most heartbreaking moments when Bobby is forced to kill Rufus to stop the parasite. These themes resonate deeply within Supernatural's broader narrative about sacrifice and moral compromise.
One of the episode's most striking moments occurs when Dean shoots Gwen after realizing she has been possessed by the parasite-a shocking act that underscores how high the stakes have become. Another standout scene is Sam killing Samuel without hesitation after learning that he has been compromised by Eve's influence. These moments not only advance the plot but also reveal how far both brothers are willing to go to protect each other and their mission.
"And Then There Were None" is a gripping episode that combines suspenseful storytelling with profound emotional stakes. Its exploration of trust and betrayal adds depth to Supernatural's overarching narrative while delivering some of the season's most memorable character moments. While its reliance on familiar tropes may feel derivative to some viewers, strong performances and effective direction make it a standout entry in Season 6.
The Samuel Campbell story never really gelled as an engaging storyline. It's the most strain aspect of the season. Nonetheless this episode wraps up his story in a compelling way while not committing any major blunders in terms of the boys' characterizations. Apart from that the three card Monty game of guessing who is the monster was fun; I also enjoyed the hing of depth that Rufus finally got in this episode.
Overall this one of the better episodes in this season.
Overall this one of the better episodes in this season.
Something is missing. I am just reminiscing S1-2 maybe. With this new format they can easily give us solid motw standalone eps but what i'm getting is some ok stuff. I like the whole premise but it's overdone, on the show itself. Atleast the thing takes control here instead of shoving it down that it just makes people crazy killers like the crotoan virus did. Ok for what it is, spn's soul is missing tho.
(Very) Minor Spoilers Below: This episode continues the story started in Like A Virgin, where the Mother of All (now known as Eve) is free from purgatory and roaming the Earth. We find out more about her and her plot. Meanwhile, Sam, Dean, and Bobby are investigating a man who says he blacked out while he bludgeoned his family to death with a sledgehammer. While there, they run into Rufus, Samuel, and Gwen who are investigating as well. Obviously, Dean, Sam, and Bobby don't like Samuel because of his actions in Caged Heat, leading to some of the mistrust generated in this episode. During the investigation, the episode turns into a combination of Starship Troopers 2: Hero of the Federation (2004) and John Carpenter's The Thing (1982). If you've seen those, it's the creature from ST2 and the blood test from JCTT. If not, I'm not going to ruin the surprise. I did enjoy the episode and I'm glad they ended Samuel's storyline as well as finally continuing Eve's storyline. Maybe now they can have more episodes where they have to kill creatures while tracking down Eve and trying to figure out how to kill her (or maybe just do a repeat of season 5 and send her back to purgatory).
Did you know
- TriviaThe title refers to an Agatha Christie novel with the same name. The novel was first published in the US under the titles "Ten Little Indians". Its original title, as it was published in the UK, utilized a word now considered highly offensive.
- GoofsBobby's grip on his knife rapidly go from overhand to underhand in different camera angles in the two against one fight.
- Quotes
Dean Winchester: You know what I think Mom would say? She'd say just cuz you're blood doesn't make you family. You gotta *earn* that.
- ConnectionsReferences Dix petits indiens (1945)
- SoundtracksEnd Credits Theme
Composed by Jay Gruska
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