Baby

"Baby" is a captivating Telugu film that breathes new life into the romantic drama genre. With its unconventional storytelling and raw portrayal of complex relationships, the film offers a refreshing and thought-provoking cinematic experience.

The film delves into the intricacies of love, exploring its various facets with honesty and sensitivity. The narrative challenges traditional notions of romance, presenting a nuanced and realistic portrayal of relationships in the modern world.

The performances are exceptional, with the lead actors delivering nuanced and emotionally resonant portrayals. Their chemistry is palpable, adding depth and authenticity to the characters' relationships.

The film's technical aspects are equally impressive, with the cinematography and music complementing the narrative beautifully. The soundtrack, in particular, is a standout, with its soulful melodies and evocative lyrics.

Overall, "Baby" is a must-watch for those seeking a film that challenges conventions and explores the complexities of love and relationships with sensitivity and nuance. It's a testament to the power of storytelling and the enduring relevance of human connection.

Director Sai Rajesh presents "Baby," a poignant yet relatable tale that mirrors real-life experiences, making it a worthwhile watch. However, the movie falters in its second half, hampering its overall impact. Nonetheless, it still holds potential for a one-time viewing.

Sai Rajesh weaves a heartrending narrative that tugs at the heartstrings while remaining relevant to contemporary audiences. The first half captivates with its relatable and entertaining content, building up to a captivating interval. Unfortunately, the second half suffers from erratic pacing, unnecessarily dragging certain scenes. Viraj Ashwin's character arc feels underdeveloped and abruptly abandoned, lacking proper closure. The climax, although emotionally powerful, may not resonate universally, contrasting with the film's initial entertainment value. Moreover, the director's handling of the second half appears disjointed and needlessly prolonged.

Vijai Bulganin's exceptional background score enhances the storytelling, adding depth and enjoyment to specific sequences. The cinematography impresses, and the production values are high, although the editing could have improved, particularly in terms of pacing during the second half.

Anand Deverakonda exhibits significant growth as an actor, skillfully portraying the nuanced emotions of his character. He excels in emotional scenes, evoking genuine empathy. Vaishnavi Chaitanya delivers a spectacular performance, fully immersing herself in her character and flawlessly depicting her various emotions and transformations. Her portrayal exhibits commendable depth. In a central role, she shines brightly, leaving no room for disappointment. Viraj Ashwin delivers a solid performance, although he could have delved deeper into emotional scenes. While the supporting cast performs well, Naga Babu and Viva Harsha's potential feels underutilized.

The movie shows women in bad light and is a bad influence on youngsters. It shows as if there is no life without love which isn't true. It shows romance at school going age when society is already struggling with rise of romance is school going kids, and related suicides etc. This is what happens when irresponsible and immature directors make movies. The characterization of characters in the movie is bad, except for Anand Devarakonda's. Vaishnavi Chaitanya's role is really bad. Overall, very disappointed by the movie. A must avoid. And something you can't watch with family. Bad influence. Avoid.

This movie speaks plain truth of reality, lives and lies of a girl in a relationship and her loyalty. Whatever a guy does, a girl's mind will be wavering. They keep going for next best thing in life. For argument sake you can say they're selfish but they're very calculative. Until stress management or damage control situation comes. That's what this movie talks about.

A middle class girl falls in love with a 10th fail auto driver. Little did she know that she's going to meet better attractive and handsome rich guys which would change her life decisions.

The screenplay is very slow and is targeted for youngsters. They may like it but still it's tiring.

This movie is close to reality because it happened to me. It happened to many of my friends so i can relate. The intermission scene was excellent. Vaishnavi understood the character and acted well throughout the movie.

I think the movie should have went like she made an alternate decision and lived strong with it. I don't know why the guilty drama, suicide blah blah.

Among the movies which portray they're innocent, they're exploited, they've been cheated this movie talks the harsh reality. How much ever they cheat, they lie, even in their disastrous phase of life, girls' life always keep moving forward and better. A dialog from jiivi movie - ponungaloda vazhkai adutha adutha thalatha nokki poite irukum. Nee nambunalum nambala nalum athan unmai.

Worth the watch if you can manage the slow pace.

Such a beautiful love story. I have ever seen this movie is a love story that has affected my mind a lot and made my mind go wild.sometimes we are the puppets of time without realizing it even if we have it,Director Sai Rajesh bows to you A. No matter how many times i have listened to music Director Vijay Bulganin's "O Rendu Prema Meghalila" and "Devaraja sevya ".i am a big fan of Anand Devarakonda and Vaishnavi Chaitanya wow i am a dumbfounded by the performance of both of them.maybe i can't get out of this hump as long as i have breath. This movie haunted me,the story line of the second part this movie is in my mind.