Toki o kakeru shôjo

I saw this film as part of the "Imagine" film festival 2011 in Amsterdam. It was announced as a (start quote) moving live-action comedy about time travel and impossible loves (end quote). All of those qualifications being true, the overwhelming number of paradoxes, inconsistencies and impossibilities come in the way of fully enjoying the story. Maybe I was prejudiced, having seen the much better film "The Door" (Anno Saul, 2009) that same afternoon, also having time travel as its main ingredient.

The human drama elements compensate a lot of these problems. Those will carry the story for the full two hours that this film takes of your time. It is precisely where the words "moving" and "loves" in the announcement stand for. It will entertain a broad audience.

The net result was that I never got bored. But I had mixed feelings nevertheless, while imagining how a script like this could be turned into something more acceptable in the technical sense. I have no solution handy, however, and maybe we should leave this as an exercise for the reader.

When leaving the theater, I gave a "satisfactory" score for the public prize competition. The SF lover in me was annoyed by the many impossibilities in the story, but the overall result was nevertheless entertaining with several hilarious as well as some moving moments. I'm sure it will attract the average viewer. You can take your complete family with you to enjoy this film, but you should leave your geek nephew at home since he will spoil the afternoon while pointing out at least 30 time travel paradoxes.

I thought the pacing of this movie was a bit slow, but it was still pretty entertaining. It was almost like 3 movies mashed into one, being that there are three main focuses. The young woman who stars as the main character desires to find a mysterious man from her mother's past, find her father, and pursue a romantic interest simultaneously. The thing is, it manages to focus on all of these plot lines succinctly and fully rounds out the characters. The only the thing I would note is the relatively low production quality and often cheesy special effects. I would say it's more of a great work of storytelling rather than a great work of cinematography.

This is the fourth version of Toki o kakeru shojo (Girl who leaped through time) that was made for the big screen, and is truest to being the continuous story to the movie by the same title made in 1983 starring Tomoyo Harada as Kazuko Yoshiyama.

Akari Yoshiyama (Riisa Naka) is the daughter of Kazuko Yoshiyama (Narumi Yasuda). Kazuko is the original girl who've leaped through time 38 years ago in 1972. Although Kazuko's memory was erased about the incident, she still subliminally remembers about Kazuo Fukamachi (Kanji Ishimatsu). One day Kazuko falls victim to an automobile accident, and becomes comatose. Akari decides to leap back to the 1970s to find Fukamachi to help her mother.

Although the story follows the original movie well, the production is rather coarse and details and the visuals of each scenes are crude, lowering the visual experience of the entire movie. Maybe it's because this is the debut feature length movie for director Masaaki Taniguchi. Compared to the original that was directed by the great Nobuhiko Oobayashi, the production falls short in almost all details. I wish the casting was better as well ( except for Riisa Naka). The actors just don't catch the mood of the movie - it's supposed to be a bitter sweet romantic movie, but I just couldn't get any romantic feelings from the actors.

I give this version 4.5/10, and hope that someone will remake this version with quality that matches the original 1983 version.

It is a pretty solid mash of romance and drama with sci-fi. I usually fall asleep in romance movie or find those movies a bit hard to watch with all the lovely-dovely stuff like the Twilight movies. But in this case, I was entertained because this movie actually moves on a brisk pace and kept me in suspense.

The story: Riisa Naka acts as a goofy but cute girl, Akari whose mother had an accident. She is being told to travel to the year 1972 to convey a message to someone her mother likes. Well, the travelling antidote helps her to travel through time. This movie is not supposed to be realistic so suspend your belief because later when the slight twist is revealed as the mystery person whom Akari's mother wants her to tell him a message finally appears, it will become a little far-fetched. Anyway, during the time finding the mystery guy, Akari slowly falls in love with a director, Ryota who helps her and lets her stay in his house. The story is predictable, but the movie moves in such a brisk pace with suspense that I would not mind but to go along with Akari's adventure. Riisa Naka does a pretty good job in acting like goofy but cute girl with some priceless moments. And she has a likable face too. I can't wait to see her in Zebra man 2.

Overall: It is a pretty entertaining Japanese movie. No idea where all the negative critic reviews in Singapore come from but this movie may entertain if you are willing to suspend belief and go along with the adventure. It may be bashed up by blockbusters in Christmas but it should be worth a watch on DVD.

This sequel to the terrible 1983 movie The Little Girl Who Conquered Time has many of the flaws of its predecessor. They both look like inexpensive TV movies (although TV movies look better than they did in 1983), and they both have saccharine scores. But while the 1983 movie moved at a crawl and was headache-inducing in its stupidity, this movie has a lively pace and more interesting characters,and is considerably less absurd.

Unlike the 1983 movie or the excellent 2006 animated film that was also a sequel to the original story, Time Traveller does not involve a teenager hopping around through time. Instead, it involves a teenager making one hop, to 1974. The movie has some familiar 70s fashions, but a lot of the 70s details went over my head, I suspect, because I have no idea what Japan looked like back then.

What makes the movie stand out in spite of its poor production values is how the characters' emotional lives were brought out so sharply and affectingly. The movie has likable characters and they have relatable problems.

By most of my criteria for film making, Time Traveller is at best mediocre. But it's one of those B movies that somehow work, creating a better experience than should have been possible. I'm not saying it's a must see, but it is a very likable little film.