Die Hard : Belle journée pour mourir

I am heartbroken.

It's a sad day to say this, but it has to be said: "A Good Day to Die Hard" is a dud. The fifth instalment in the beloved "Die Hard" saga ends up as the worst of the series so far; it falters thanks to a weak characterization, even weaker screen writing, lack of worthy villains, absurd action sequences and incoherent direction. You can bet this movie will be mentioned in the same sentence with "Rocky V", "Superman IV: The Quest for Peace", "Speed 2: Cruise Control", "Die Another Day" and "Batman & Robin". Not even the R-rating and the return of the famous "Yippie ki yay" line in full can save this one.

As much as I love action movies, I like mine with a side of plot and character, of which this film fails at. John McClane, one of my favorite film characters of all time, is given a horrendous treatment no beloved character should ever be given: relegated to a sidekick. This is HIS movie, not his son's! From the start he is inexplicably thrust into Russia with no back story of how the previous films over the years have shaped his character now - a key trait that was visible in the previous four films. He is reduced to a wise-cracking action supercop, and even his wisecracks are weak. However, Bruce Willis, bless him, is still McClane without a doubt, as he dishes out the bad guys with weathered-out cynicism in his eyes. He still has it in him, and in no way it is his fault that this movie turned out to be near-crap.

Rather, writer Skip Woods and director John Moore are to blame. Woods clearly missed the whole point of McClane's essence and likability - he is a vulnerable human - an everyday Joe who only stops the bad guys when "there's no one else that can do it". He is a reluctant hero in the first four films, he can get seriously wounded, as he is up against worthy adversaries that are cool, calculative and almost one step ahead of him. Here, McClane, in the opening car chase, and immediately causes mass vehicular damage just to stop thugs from attacking his son, shows no signs of vulnerability (after TWO major car crashes), and has no qualms about killing the bad guys wherever they pop up here. His son Jack (Jai Courtney), filling in for McClane's sidekick, has certain charisma and shows a few glimpses of character development in McClane but it is cut short by the merciless and absurd action sequences.

A good action movie has to have a good villain. "Die Hard 5" has none. It has three primary villains, all of them forgettable. Nothing with the likes of even Thomas Gabriel or Colonel Stuart (the Gruber Brothers must be smirking right now in hell). They're not intelligent, not menacing, not memorable. They're just dumb, die, and that's it. What was their evil plot? What dastardly deeds do they have? Weapons dealing. Oh the humanity!

The film runs at 97 minutes - the shortest in the series. Why the film was released at this length I don't want to know. Nobody complained about the 2 hour running time for each of the previous four movies. Imagine what a better movie this could've been with those cut scenes added back in.

John Moore directs with the subtlety of a car crash. He smash cuts every scene, puts heavy use of slow motion in the excruciatingly absurd climax, and relies heavily on CGI for most of the action sequences. But like all Die Hard movies, there has to be at least one sensational action sequence, and that is at the film's beginning. The only thing I really enjoyed (in a guilty pleasure sort of way) about the whole movie was a massive, destructive stunt-filled car chase throughout the streets of Moscow. It was an intense and exciting scene. Pity the rest of the movie can't hold up to this sensational chase scene alone, especially the end which essentially turns McClane into The Terminator. If you think the F-35 scene in "Die Hard 4" was absurd, hoo boy, wait until you get a load of this one.

At the very least, there's some competent cinematography from Jonathan Sela and a good, riveting music score from Marco Beltrami, who really knows his stuff when it comes to action, as well as incorporating Michael Kamen's themes into this one. If anything, the music is better than the movie.

There is a 6th (and according to Bruce, final) movie in the works. Here's a no brainer - bring back John McTiernan or Renny Harlin (hell, even Len Wiseman for all I care), and hire a good screenwriter who really delivers the old school action goods. I strongly believe Bruce and McClane can deliver the goods still and ride off into the sunset, instead of falling off his horse here. They just need a better story, better direction, and a more than worthy villain with a respected British actor in the role. The franchise doesn't deserve to die with this. It's too good for that.

Shame on you, John Moore and Skip Woods.

Q: So what did everyone do as soon as they heard John Moore was directing the next Die Hard film?

A: Look up his filmography and see titles like the remake of Omen and Max Payne.

And now, sadly, A Good Day to Die Hard will join his list of notoriously bad films. As much as I wanted to like this movie, I just couldn't; not even as a die hard fan of the franchise.

First, let's look at the selling point. We're promised ONE thing: a larger scale as far as action sequels go. The first Die Hard took place in a building, the second one in an airport and, the third in NYC, and the fourth in the entire nation of the United States. So logically, Die Hard 5 was going to go international.

Well, ironically, A Good Day to Die Hard feels like the smallest film of the five because the stakes feel so low. The action is endless chaos from start to finish; you quickly become numb to it. And unlike previous Die Hard films, the terrorist threats never get carried out. I never felt like John McClane was going to lose.

The one-liners aren't clever. The jokes aren't funny. The bad family relationship story is getting really old, especially when Die Hard 4 primarily focused on the estranged father-daughter relationship. And unlike Lucy who just came off as a spoiled brat, Jack McClane is introduced by pulling a gun on his own father who we have grown to love over four movies.

I can't speak too much about the "villain" (played by Radivoje Bukvić) without spoilers, but all I have to say is that he has little to no part in the movie. The evil Russian comes off as a cliché, and again, he carries out no threat. I'm dying to talk about the story here, but let's just say it has a really brain dead ending.

In an attempt to end the review on a more positive note, I'd like to say that the movie does have some "oh sh*t" moments here and there. However, I'd still stay clear of this one.

First off, I am a huge fan of the three first films, the fourth film was alright, but it didn't feel like a Die Hard movie, sadly, this one doesn't either.

A Good Day To Die Hard is a huge mess. No good plot, bad cgi, rushed scenes etc. Only thing I found good was the action. An R rating didn't help this one at all. It almost seems like they tried to make this PG-13 at first, but then changed it to R later because fans were complaining about Live Free or Die Hard's (Aka Die Hard 4.0)'s rating. The movie has PG-13 / 12A violence, and this is disappointing. John Moore could of done so much more with this film, but instead, he messes it up just like he did with Max Payne. Good action, but no good story or character development.

Jai Courtney (who starred in Jack Reacher earlier this year) did well on his part, and I do hope he returns if they are making a 6th one, but I am begging, please get a good director for the 6th one, since Bruce says it will possibly be the last one. Bring McTiernan back, and let him end the series with a huge bang! I am sorry to say this, but the film was not good at all. Being an hard-core Die Hard fan, I suggest that other fans should just let this one pass.

I love Die Hard, but shaky camera ruined it for me this time. I can't see because 35% film use shaky camera, 25% out of focus, blurry and 10% rapid zoom ins. Please STOP using Shaky Camera in Films, PLEASE :I am some of those remaining species, who go to watch feature films in cinemas. I never download a movie for free, I pay to netflix. Just doing my part to save the cinema I love. But, some directors and movie making houses, make stupid moves. One of them is use of unwanted, un-needed, shaky camera. So, I want to get my voice heard. If you are a fan, go see the movie, but if you don't like Shaky Camera, then think twice.

While many people slated DIE HARD 4.0, I enjoyed watching it the few times I've seen it since release; I felt like it was a moderately successful way to bring the Bruce Willis-starring franchise slap bang into the 21st century, although of course it wasn't as good as the original trilogy. Inevitably, A GOOD DAY TO DIE HARD followed, but the bad news is that it makes the last instalment look like a masterpiece by comparison.

This movie really is that bad, and it's all down to the people who made it. Much of the blame can be laid at the door of director John Moore, who makes even more of a mess with this than he did with MAX PAYNE; he can't even do basics like where to place his actors in their shots, and he manages to screw up every action scene in the movie (and believe me, there are a lot of them).

Still, it's no surprise that the appalling script was written by one Skip Woods, who also handled the equally rubbishy A-TEAM movie. Woods is without a doubt the worst writer currently working in Hollywood and why people still employ him is anybody's guess.

Willis realises he's making a turkey so he makes no effort whatsoever; he sleepwalks through this with a monotonous voice guaranteed to send most moviegoers to sleep. This isn't John McClane, not even the McClane of DIE HARD 4.0; instead it's just some tired old guy who clearly doesn't want to be there. As his son, Jai Courtney is given a one-dimensional character and displays none of the charm he brought to his role as Varro in SPARTACUS: BLOOD AND SAND.

The film meanders from one pointless action scene to the next, and we never get a clear idea of who the bad guys are or what they want; Willis just kind of stumbles into their plans (whatever they are) and goes along with it. The violence is mind-numblingly routine, and despite the explosive special effects the film offers little in the way of entertainment, with an early car chase being the only half-decent part purely for its destructive visuals. The great Sebastian Koch is wasted en route, and the film ends with a CGI-fuelled whimper.

I hope to God I never have to see it again.