I Love You Forever

The "dark comedy" aspect did not work and was, frankly, inappropriate considering the subject matter. Low production value. Would have been better as an after-school special - shooter and without the graphic sex references. Feel bad for the actors, who I'm sure did their best with an awful script and overall vision. Just terrible.

Cazzie David and Elisa Kalani direct and write this dramatic comedy about psychological abuse in relationships. They do so in a dark and ironic way-daring, yes, but perhaps not entirely successful.

Starring Sofia Black-D'Ellia, Ray Nicholson, Jon Rudnitsky, and Cazzie David herself, it follows a disillusioned law student who plunges into what appears to be the true romantic relationship she hoped for. Things slowly change when they begin to discover the true personality behind her ideal man.

The film is daring and poignant, perhaps its greatest strength. However, when it shifts to a deeper drama, it takes on greater force within what seemed to be just another romantic comedy. The decisions are risky and succeed in delivering something we weren't entirely expecting, but in trying to contain its own scale, its final decisions about what we'd been presented with end up leaving us somewhat uncomfortable. The point is understood, but perhaps as viewers, we're not entirely prepared for that sudden shift. In any case, this is a very well-directed and well-written film, which makes it easy to follow. Although we can't overlook the fact that it has flaws that weaken its power, the final result is ultimately quite pleasing.

It's a film that relies heavily on its two leads, especially Sofia Black-D'Ellia, who fully embodies the nuances of her character and the anguish she occasionally experiences within. Ray Nicholson, meanwhile, proves he's the son of the great Jack, and talent runs in his veins, especially when it comes to a role like the one he delivers.

An interesting offering that has some heartfelt moments and others that are somewhat forced, but all in all, it offers a decent film worth giving a chance. It's sharp and ironic, an interesting combination, in times when everything is perhaps more sensitive, but the film's journey to reveal the toxicity of relationships is appreciated.

And, unfortunately, it is because I have firsthand experience in this. I had to walk away a few times to gather myself. Also, I know he's a nepo baby but I really like Ray Nicholson's acting overall. He has that sinister look that mirrors his dad's and it works well for him.

Hope to see him in more movies.

...please end it ASAP. Whether it's your current relationship or that of a friend or family member, it is unhealthy. At the very least, both parties need therapy. If it's not your own relationship, please warn them and/or recommend this movie.

THE MOVIE (tw: abuse/dv): This felt a little too familiar for me, as someone that has experienced emotional abuse, but imo that's a testament to the great writing/directing. I was very impressed by how well they portrayed this problematic personality. It's so important to spotlight stories like these, so that people can recognize problematic personalities and emotional abuse before it escalates. I love the directors' take on this issue and their insistence to get this story out there despite the adversity. We need more movies like this. Thank you.

To the people calling it a bad movie due to the high intensity, unrealistic story, or lack of plot: please just be thankful that you have not experienced a person like this. You can be aware of the warning signs and help others from experiencing this trauma.

Greetings again from the darkness. So, may we interest you in a Valentine's Day movie about an abusive relationship doomed to failure? What if I told you that it's meant to be funny, but it's actually quite depressing and dark? Cazzie David (Larry David's daughter) and Elisa Kalani are co-writers and co-directors on this film rumored to be 'inspired' by Ms. David's relationship with a certain former SNL comedian (the one known for dating a steady stream of beautiful women).

MacKenzie (Sofia Black-D'Elia, "Your Honor", "The Night Of") is a law student, and when the film opens, she's in bed with Jake (Raymond Cham Jr, THE IDEA OF YOU, 2024). We quickly realize this is a booty call ... although it doesn't appear that MacKenzie recognizes it as such. Or perhaps, more accurately, she hopes for more from Jake. This is merely the first painful example - and there are many more to come - of MacKenzie displaying very little self-confidence or self-worth, despite being lovely, intelligent, and quite capable of participating in flirty and witty banter.

Rounding out the trio of good friends are Ally (the film's writer/director Cazzie David) and Lucas (Jon Rudnitsky, HOME AGAIN, 2017). When together, these buds have a strong bond and whip-smart dialogue. The movie is at its best during these times. Things shift quickly when MacKenzie meets Finn (Ray Nicholson, Jack's son) at Ally's birthday bash. Finn seems like the perfect guy for her. He's a news reporter who can match her flirtatious ways, and delivers the most romantic first date one could imagine. The early stages go smoothly, and the weeks click by as they grow closer.

Of course, things (and men) are never as perfect as they seem. Finn begins to throw these manipulative tantrums that, frankly, are quite frightening. MacKenzie recognizes the behavior as unacceptable, yet is so intent on keeping 'Mr. Right', that she continues to work through his wicked (and bipolar) ways. Ally and Lucas try to be supportive for her, but Finn demands so much attention, that friendships and law school become after thoughts. It's infuriating to watch, and it's likely that I'm simply too old to understand why anyone would put up with Finn. Sure, partners are never as perfect as they initially seem, but hopefully few turn out to be as psychotic as Finn. The filmmakers have delivered a masterclass on what not to subject yourself to in a relationship ... it's just questionable whether this is the right message to deliver on Valentine's Day. On second thought, maybe that's the perfect time.

Opening in theaters on February 14, 2025.