The Last Sentence

Jesper Christensen with his Danish accent isn't very credible in his role as the Swedish newspaperman Torgny Segerstedt, famous for his uncompromising anti-Nazi stance. And could Jan Troell be any more boring director? Instead of making a movie about a man who stould up for liberty and against nazism to a great cost for himself, the director Troell just zeros in on his personal life and mistresses.

Jan Troell is the nestor of Swedish films. He's been directing for 50 years and bringing on Torgny Segerstedt is of course an interesting choice of subject. Segerstedt was one of few journalists who completely stood up against Hitler during WW2. A story of courage in a special way, since Sweden never took part in the war.

So this could have been a discussion about common political morals, but instead it's a discussion about Segerstedt's private life and most of all his mistresses. Of course you can make a movie that way, if it has a substance referring to the man's work, but this isn't the case here. It's more about anybody's love life.

And there isn't any magic about it. The work should be bigger than the man than it comes to somebody like Segerstedt.

Saw it at Busan International Film Festival(BIFF), and it was the most disappointing film of the weekend.

In fact Torgny Segerstedt's story, in which an anti-Nazi journalist became a political martyr, is quite fascinating. His relationships with women are also intriguing drama material. In addition to those good ingredients, the director Jan Troell had one more ambition: making this film as a journey to the mind of Mr. Segerstedt, rather than a bland and harmless biography. What could go wrong?

First of all, making a black and white period piece with digital cameras(Arri Alexa) was not a good idea; especially when you start your film with real archive films filled with gritty film grains. The images here lack any depth of field, resulting in images which are crisp and dull at the same time. The whole feature felt like a cheap TV reenactment of the actual events, rather than an artistic reinterpretation.

The script is not good as well. Without some fantasy elements based on a Bergman tradition, the whole feature consists of a series of important events in the protagonist's life. The timing is always off; things just come and go without proper investments. Most of all, even though it is based on the real events during World War 2, there is no sense of dread or grief.

Even though Jesper Christensen's performance was stellar, I cannot recommend this film. It is a film made with good intentions, but fails to live up to them.

4/10

Personal courage becomes a scarce commodity when the times get tough. And there weren't times much tougher than 1930's and the rise of Nazism. Europe stood paralyzed in an unlikely marriage of fear and denial. Veteran director Jan Troell tells a story of a public figure that bravely attacked Nazis in his newspaper column. Torgny Segerstedt was revered and much suspected. His principals made the others look corrupt and petty. And they were, but that is beside the point, because nobody has more concern about appearances than the immoral and tainted. The interesting quirk of this brilliant movie is that Torgny himself was a deeply flawed human being, in turns neglectful and cruel to his wife and kids. Somehow this man with such strong sense of morals, cared about the humanity in general, but alas, not for individuals. Well, that might be understandable. The messiness of humanity would try the patience off all saints combined. Our times prove that beyond any doubt.

I quite loved the movie in terms of cinematography - although rather slow at times. However I couldn't say I liked the character of Segerstedt, who appeared to me as a most spoilt, selfish and inconsiderate man. I don't even find him 'heroic' in the slightest: how much courage does it take to oppose and attack a foreign regime from another country? The list of Anglo Americans who went to fight (and lost their lives) in Spain in an attempt to oppose the establishment of Franco's regime is long. Those are heroes, not the verbally incontinent Segerstedt.