Menace d'État

This move pleasantly surprised me. I was expecting a rather mindless 'lets get the terrorists' themed action film but was instead treated to a film that, to a limited extent, tried to explore the motivations of the main characters whilst still maintaining the feel and pace of an action movie.

On the action side, it was quite good. The fight scenes felt quite real and were not over the top but still managed to have quite an impact. Where the film fell short however, was the other side, in the explaining motivations. It almost seemed to me that a 30-45min chunk of the film was left out in the middle. The part of the movie that drew me in the most was the bomber and how outside influences as well as his own personal feelings pushed him in the direction he ended up going in but, it needed more of that. As, to me at least, I couldn't attach myself to the leaps he made along the way which overall, ruined what would have otherwise been a very very interesting exploration of the subject.

Perhaps I'm asking too much of an action orientated film, but, I think the film makers in this instance, were doing the same.

I recently caught this film, billed as an action/drama/suspense flick, quite by accident, and immediately wondered why I saw no promo for it...

First off, it was nice to see Sean Bean, who has played some bad ass bad guys (eg. Patriot Games, Goldeneye), get to play the bad ass good guy, Ewan. No other actors were known to me, except for Charlotte Rampling, who was in the short Ghost Recon: Alpha. This was not a disadvantage as all the major and minor characters played their parts well. Rampling in particular did well as the pseudo "M" character.

The movie begins with more drama than action, and enough keeps going wrong, that you begin to wonder if Ewan still should be in this "game." But his ruthlessness (again, pseudo Bond) proves that he should. The plot is heavy with the middle east and terrorism situation and there is a considerable amount of socio-political undercurrent; there is plenty of ruthlessness to go around.

A fair amount of time is used to build suspense and establish motivations, all going to show once again how violence for revenge sake, or any sake for that matter, perpetuates. Pay attention to where there are flashbacks or you might get lost in the details.

The fight scenes seem graphic, not because of blood and gore, so much as for the sound effects. And when the action finally begins to build, it is punctuated with plot twists that underscore the complexities involved.

While ultimately enjoyable to view, the movie is ultimately less action and more drama, and the more realistic for that reason.

If you're expecting James Bond, or even Jason Bourne, you've come to the wrong place. This is a brutally realistic film about how both sides in the so-called 'War on Terror' bend every rule of civilized conduct in order to further their own questionable ends. It's a story about people who have absolutely no doubt that their ends justify the means... even though those 'ends' long ago ceased being particularly noble, if indeed they ever were.

The story concerns the journey of one Middle Eastern man from political agnostic to suicide commando. His compelling, if fairly obvious, tale is counterpointed against the gradual awakening of the British assassin sent to track him down, operating well outside the rules of police work or even espionage.

There are no laughs in this movie, no car chases. There is extreme violence, and a lot of incentive to question the purpose of that violence. The characters are strong, as is the message. Unfortunately, those who most need to hear that message are likely to either avoid this film entirely, or conveniently misunderstand it.

A rough, tough and extremely violent movie that sees Game of Thrones star Sean Bean swap doublet and sword for civvies and gun to play a British secret service agent who's ordered to going under cover to track down some missing Semtex explosive and the home-grown Islamist suicide cell possessing it. The title is spy-speak for terrorists with no criminal record, so unknown to the secret services that they're almost impossible to trace. Sean Bean is his usual tough minimalist self, but keeping into account he's the star of the show, he's not on screen a lot - a case of too much terrorist, not enough secret agent. The story certainly has ambition and there are some memorable fight scenes, but it also lacks the extra boost that could have pushed much more Bean's action-movie career.

A great performance from not only Sean but also the girl (Tuppence?), and it was nice to see Peter Polycarpou back on our screen!

cleanskin will appeal to a wide audience, not just those who are still recovering from 7/7 (which i couldn't stop thinking about whilst watching) and it's helpful seeing the side from the "good guy" and the side from the "bad guy".

having lived in London when i was younger, it was nice to see some of the landmarks i visited as a kid, so it seems they really went out of their way to keep the realism in the film. it could have easily been filmed in a film studio but it wasn't, which makes it home more for me.

Still the scenes linger in the memory after i watched them.