The Locksmith

I almost have to attribute many low scores on good little movies these days on the fact that the vast majority of people are just not properly educated about what makes a quality production. Before cell phones and internet, people watched a LOT more movies. Thusly, their attention spans were forced to actually stay and think about what they were watching, or had just watched after it was over. Because of the vast amount of constant entertainment choices at everyone's finger tips these days, people are constantly trying to find something better the minute something ends. I believe it's a very solid 6.5 movie. Everyone did an excellent job all-around here. It also has a very intelligently written script. Gutzy, tense, not overly mellow-dramatic, and never gets preachy. It definitely delivers.

Director Nicohalas Harvard tries very much to keep the movie as an action thriller but still fails to attempt as the story fells flat in the end. Movie starts with a basic plot character buildup is good but just feel average as there very much limited characters are involved in this storyline. Locksmith profession is well utilized in the film and that's one of the thing that keeps the movie engaging. Performance of lead cast is good but there's nothing much to do except for basic character play. There's a lot of good scenes that director can add in the film whether it's action sequences or story telling but all were missing. But still it's definitely a one time watch flick as movie is engaging screenplay is good but don't expect much as it is very limited....

The Locksmith is a modest and competent attempt at the neo-noir genre with a twist of sentimental redemption. Directed by Nicolas Harvard, the movie opens with a failed robbery that leads to the death of one of the robbers and the theft of the loot by a corrupt cop named Zwick, played by Jeffrey Nordling. The protagonist, Miller Graham, is a former locksmith who spends ten years in prison for keeping quiet about Zwick's corruption.

Upon his release, Ryan Phillippe portrays Miller as a beaten down man who tries to rebuild his life with the help of his old friend Frank and his former fiancé Beth, who is now a police detective. The story takes a twist when Miller is asked by his former friend's daughter, April, to rob a local gambling party run by her abusive boss in exchange for starting a new life.

Although the film offers a new perspective by presenting a femme fatale without seduction, the plotline is still familiar and the web of associations drawn is too obvious. The message of the film, about never sending a man to do a woman's job, is different, but the filmmakers could have put it across with more enthusiasm. The movie is well-acted, but it fails to bring anything new to the neo-noir genre.

Locksmith Miller Graham is released from prison after a ten year stretch. He is taken in hand by friend and Mentor Frank, who gives him a job and an opportunity, but Miller is persuaded to do one final job.

After the first fifteen or twenty minutes, I was calling the low score and poor reviews into question, as the movie gets to the hour mark, you'll understand why, after a strong start, it nosedives.

It's definitely polished, it's a very good looking film, a great location, nice camera work, it moves by at a satisfying pace.

The initial story is really good, I liked the idea of Graham coming out with a grudge, but sadly that isn't the way if plays out, the main body of the film, the actual plot is pretty lame, there are just too many holes, too many wtaf moments, the added touches of melodrama really don't work.

The acting is good, Ryan Phillipe does a good job, as do the supporting cast, but they are up against it with the script.

If you can switch your brain off it's watchable, try and take it seriously, or apply logic, and you'll want to throw your remote control.

5/10.

What is it these days? Aren't there enough good writers in Hollywood who can write a BELIEVABLE script? I guess not, because this movie fails to impress because of a huge lack in credibility of several plot turns.

The bad: this movie wasnt original to begin with, but that shouldnt have been a problem, IF ONLY they had written a story that one could believe in and would make some sense. But they didnt.

They must take us viewers for morons. Just to name 1 example: a locksmith (Ryan Phillipe) is going to rob a pokergame for half a million dollars. Without any preparation he just barges in and then expects to walk out unharmed. And he miracuslously succeeds! Then he goes to return the money with a ski mask on. Ha ha ha, completely laughable script!!!

It's such a pity of the ridiculous script, because this movie had the potential to be at least an okay gangster movie. Now it's cringeworthy to watch at.

It starts out okay though, THAT's the problem. I got suckered in watching this movie and only realising half way through what a ridiculous story it is...