Sleeping Beauty

An interesting choice. Prostitution amidst university students. Rich old men who spend their money on flesh. Modern 'dettachment'... separating the body from the heart, the soul, the mind. Most of the critics of this film seem to dwell on complaining that "our world is not like that! All the people here are horrible...!!!" Of course they are missing the point. We are watching crude realities, but also dreams, symbols, Freudian/Jungian fetishes... A woman is directing. Jane Campion is producing. This is also a 'clue' that MAYBE there is more to this film than meets the eye... Behind the veneer are MANY hidden truths.( Behind the Twin Towers, behind the choice of a black president after a guy like Bush jr.) Separation from the truth. We are all 'anaesthetised'... so Lisa is NOT so strange, after all. Money rules. Maybe we are victims of our society, of our times. We are 'dead', as T.S. Eliot wrote some years ago. Of course the world is full of wonderful, hearty, passionate and generous people. But this film aims elsewhere, and I myself feel grateful to its director, scriptwriter (and , why not, actress) for taking the plunge, and re-floating Pasolini's 'Salò' in a more digestible (maybe more intelligent?) guise. Kubrick? His last movie may still reveal something in the future (ALL his films age very well), but he was an elderly man, and this young director seems to have the upper-hand in as much as hitting the nail on the head with the 'ésprit-du-temps', the 'Zeitgeist' or, more plainly,(and painfully), the new age our youth are forced to grow up in. Somewhat puzzled at first, I gave this film a chance...let it 'breathe', in my conscience and intellect. I'm glad I did. It contains more than one morsel of food for thought.

In over half a century of cinema-going, I've seen a (deliberately) wide range of movies, including some really strange and cryptic work, and I have to say that the Australian "Sleeping Beauty" falls firmly in the odd and opaque category. Coincidentally another film in the very unusual bracket is the similarly named "Sleeping Furiously" set in Wales. "Sleeping Beauty" is not quite as slow - although it is very measured indeed - but the obscure meaning of many scenes sets it apart. There is as much nudity as "Eyes Wide Shut" with which it bears (sorry for the pun) some comparison, but a much weaker storyline.

This is an adventurous selection for a first film from Julia Leigh who both directed and wrote this strange tale of a Sdyney student who is prepared to sell her body in a variety of circumstances in order to pay her bills. And it is a bold choice for Emily Browning who moves on from "Sucker Punch" to take the eponymous role, meaning that she is rarely off screen and has to appear totally nude. There is virtually no music and very little dialogue (especially from Browning) so there is an astonishing focus on her face - doll-like with high cheek bones and cupid lips - and her body - diminutive, pale and slight.

But this is far from being an erotic work; in fact, it is a depressing one. None of the characters elicits our sympathy or warmth and Browning's character Lucy seems to be sleep-walking and drugged when she is not actually sleeping and drugged.

A haunting story that serves its character to its audience on a clean plate. Full of strange characters, all seeking love and connection in different ways.

The good:

A stunning performance from Emily Browning.

Stripped down, any attempt at explaining the characters in this film on screen runs the risk of preaching to the audience.

Provoked a lot of discussion.

This is not Disney's Sleeping Beauty.

The bad:

A very unnerving sexual scene that creeped everyone in the movie theater out (though that might be a good thing).

This type of film certainly isn't for everyone.

This is not Disney's Sleeping Beauty.

The dinner scenes were a little boring.

Sleeping Beauty is a fanciful 'indie' movie about a girl, Sara, who has numerous mundane jobs as she attends an Australian university, but decides to take on some *ahem* nightwork as an inanimate object who sleeps alongside paying customers.

It's one of those films that leaves me wishing that I was smarter. I figure that way I'd like movies like this more.

Let's face it - it's different. It's different in the way it's shot, the way it tells it's story, the way the actors speak and are asked to perform and it's definitely not your average Hollywood output. It's an independent film which, if it's lucky, will achieve a cult following.

The dialogue is slow (if there is any at all), there is even less background music, it is filmed largely with one static camera shot per scene (scenes which tend to go on for longer than you might expect) and the actors all behave very aloof.

I have nothing against films that go against the 'classic Hollywood narrative.' The film industry needs them. And I'm no prude when it comes to tackling sensitive adult issues on film. However, sadly, I have to come down on the side of those who thought this film was just simply boring. I know it tries to be shocking and different. I just thought it was dull.

It's basically one of those love/hate films. I've read plenty of other reviews on it and about half side with me, while the others praise its artistic merits and depth of film-making. That's fine. Just expect to either turn it off after twenty minutes or sit riveted to the end in admiration.

Now, if you'll excuse me, I'm now off to watch Bruce Willis slapping bad guys and giant monsters trashing New York.

This movie's trailer got people talking because of its very Kubrick vibe. And, in fact, the movie explores territory very similar to 'Eyes Wide Shut'. How sex has become more liberal and extreme, yet also sterile and disconnected.

The lead character, Lucy, (Emily Browning - a long way from Lemony Snicket) exhibits this. She'll sleep with people at the drop of a hat, yet with little evidence of desire. In fact, there's hardly any evidence that she processes strong emotions at all. She just goes about her business. Things happen to her, and she's too reticent to shrug them off.

To solve financial worries, Lucy gets a job at a posh, exclusive establishment where she is willingly placed naked and unconscious in a bedroom for a client, to do with her as he wishes (except penetration).

Through Lucy and the various clients, we see how we need vulnerability in others to relax the masks that we wear. Otherwise, we are so preoccupied with maintaining an image that we don't even try and connect with others. Emily Browning does well at rounding out the expressionless Lucy, and the voyeuristic nature of the material makes the movie entertaining. Unfortunately, the ending, though a pretty logical conclusion, also feel anti-climatic, a tad obvious and leaves us feeling short-changed.

The film is an interesting, respectful, non-gratuitous effort, yet many will ultimately find it like the leading lady - pretty impenetrable.