Wake Before I Die

Modern and yet reminiscent of a Val Lewton thriller, this depiction of the age old battle between light and shadow, good and evil, hits the bull's eye through crisp narrative and cinematic style. Every performances is "spot on" perfect from the true to life depiction of family life in a church parsonage to the brooding underbelly of a cult gone mad. It takes its time, introducing the characters, endearing them to the audience before they are thrown into the midst of potential harm. The effect is spellbinding, drawing the viewers into a dreamlike world where almost anything can happen and sometimes does. Dig deep into the popcorn, take an extra long drag from the soda cup, and get ready for an entertaining experience amongst dancing cinematic shadows with this one! IT SHOULD BE NOTED that I originally wrote this review following the Cast & Crew showing last year. I must admit, since I've seen the completed film, I find it to be even more pleasing. Of course I am the Father of the filmmakers. But, I'm a Dad who has a rich history in all things cinema, and after 65 years I certainly know a good movie when I see it. No matter who made it.

When I saw this film at the premiere (Bagdad theater Portland OR) I didn't know much about what I was going to see however I must admit I had certain expectations. This is because "Wake Before I Die" was the fourth independent feature premiere I attended at the same theater within the last six months so naturally, being an enthusiast of local, low budget film I was comparing them. I do not know anyone affiliated with the production of the film however I was aware of the budget and that it was over twenty times that of the previous three films I had seen there. I can honestly say without exaggerating that it was one of the biggest let downs I have ever encountered in a movie theater. If they had charged me money, I would have asked for it back, it would have been the first time. The most positive thing I can truthfully say about the film is among the muck there were a few stand out performances by some of the leads especially the children. It's too bad that these performances do not even come close to out weighing the boredom, the incoherency, the lack of editing, the first semester film school lighting, the grating music, the uninspired photography.. to name just a few problems I had with the film. I've seen better films produced on a budget of unemployment and food stamps. Seriously. My girlfriend and I did our best to pay attention throughout the excruciating run time and discussed what we thought it was about and neither of us could articulate a plot line we agreed on. We decided that we both agreed that no matter what it was, we didn't care. Portland currently has a vibrant, close knit, budding film community that just needs a few good staples to really catch the eye of the rest of the world. This film is not one of them, and I think honesty in the reviews is very important so there can be an accurate spectrum to judge other creative works within the city's film scene. (note that the ten star review above this one was made months before it's release).

I thought one of the best parts of this film was the young actor who played the pastor's son. Finding a watchable, and BELIEVABLE, child actor who can carry so much screen time is a challenge in itself, let alone in a smaller city like Portland where the infrastructure is not yet in place to churn out the hordes of well-trained young stars-aspirant that directors have access to in LA, for instance. So kudos to Elijah Nelson for his performance, and to the filmmakers for casting him.

Not a filmmaker myself, I refuse to really speak to the film's more technical aspects...besides saying that MAKING A GOOD MOVIE IS HARD, why don't YOU try it and then come back and spout opinions! I am proud of our local boys for using the Opif to create something fitting for mainstream cinema, with professional production values all around. I think many of the deficiencies mentioned by our aspiring film critics (like spotty writing, over-scoring, etc.) are typical pitfalls of a film that is written, directed, edited, and produced all by the same team of people. To quote a favorite acting teacher of mine, they "fall in love with their own material," and have a hard time taking the axe to their product to really whittle it into something marketable, concise, and of quality. As the local industry grows, however, I am sure filmmakers will be able to avoid this trap more and more often. Oregon has such a talented and qualified pool of film workers that second and third opinions can't help but start to mean something.

With "Wake Before I Die,"The Brothers Freeman have crafted a great faith-based suspense drama, not straight out of Hollywood, but straight from the heart of Oregon. The film, based on their father's book, is the sometimes rambling story of a small town preacher and his family - filled with great expectations - as they move into a new parish. Early on, Pastor Dan (Robert McKeehen) is warned that the town is strange and he may not make it out alive. The question is - Why? With all the expectations that preface sets up, we begin a journey with Pastor Dan, his wife (Aubrey Walker) and their two children as they get acquainted with the town, where everything appears as normal and All-American as apple pie (at least on the surface). But when one of Dan's parishioners asks the Pastor to take in his teen age daughter (Nouel Riel), things take a definite turn toward the weird (after all, Portland is famous for its streak of weird). But as one who has admired the work of the Brothers Kendrick ("Fireproof" and "Face the Giants") I can say without any hesitation, this Freeman Brothers film stands tall in the faith based arena. Their direction is organic. Performances from the large cast of Oregon actors are polished and believable. And the cinematography (also by the Brothers Freeman) serves the story faithfully. What does the film have to do with Rosemary's Baby? You'll have to see it to find out. But rest assured, this is one suspense drama you'll be able to take the whole family to see. Rated G for God Darn Good Fun.

I guess the bottom line always is "would you pay money to see this", and that's why I'm scoring this movie so incredibly low, because I sure wouldn't. I saw it at a private screening at the Bagdad Theater in Portland, and if I didn't know some of the people there, I would've left way before it was over. It's just way too long guys and maybe you should hire a professional editor and cut at least 45 minutes out of it or include an intermission. It just goes on and on without any real point to it and I'm sorry to say the acting isn't all that great either that people would want to watch them that long on the screen. There have to be better film directors than this in Portland or we're all doomed. Sorry, but that's my two cents.