IMDb RATING
6.1/10
984
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After failing to get the coveted role of the Sugar Plum Fairy in this year's production of The Nutcracker, Vivíana Serrano joins forces with Natalia, to create a surprise reprise of the Danc... Read allAfter failing to get the coveted role of the Sugar Plum Fairy in this year's production of The Nutcracker, Vivíana Serrano joins forces with Natalia, to create a surprise reprise of the Dance of the Sugar Plum Fairy...with a Latin twist.After failing to get the coveted role of the Sugar Plum Fairy in this year's production of The Nutcracker, Vivíana Serrano joins forces with Natalia, to create a surprise reprise of the Dance of the Sugar Plum Fairy...with a Latin twist.
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Rachel DeBenedet
- Ms Kat
- (as Rachel de Benedet)
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The romance was as lame as can be but I loved the message and the character arcs. From the beginning Miss Kat the head of the ballet company was a very unsympathetic character. Cold, Rigid, harsh and snooty. Maybe a little bit bigoted. I loved the way she turned around. The actress did a superb job. We hear a little back story of why she blew up at our heroine Natalia. And when she sees that Natalia was not being disloyal with all of the hard work and professionalism
, she apologizes sincerely and promotes her. And then she makes the finale perfect with her own initiative reflecting Natalia's vision and dreams. The good ending, interesting plot, beautiful dance, seldom seen Latino culture well presented rescued this one which did get a little draggy at times.
"Is Miss Kat actually smiling? It's a Christmas Miracle!"
"Is Miss Kat actually smiling? It's a Christmas Miracle!"
Hallmark has done it again with another clean, feel-good movie. Some of you may recognize one of the female leads as Salt from Call of Duty: Infinite Warfare. In real life, the actress is half-Lebanese and half-Caucasian.
Sugar Plum Twist touches on the subject of opening up the world of ballet (and the arts in general) to performers of all racial backgrounds, and experimenting in mixture classic European music and dance with Latin salsa and modern genres. But the movie doesn't shove racial politics down your throat. It's enjoyable for viewers of all racial backgrounds.
The only big complaint I have is that, deep in the movie, I don't really get why the protagonist gets angry at her love interest for speaking up in her defense. Her reaction was uncalled for. Instead of thanking him for supporting her, she takes her frustrations out on him. That's not a good way to treat your friends, let alone your future spouse. If he had said nothing, another screenwriter would have made her berate him for not having her back.
Sugar Plum Twist touches on the subject of opening up the world of ballet (and the arts in general) to performers of all racial backgrounds, and experimenting in mixture classic European music and dance with Latin salsa and modern genres. But the movie doesn't shove racial politics down your throat. It's enjoyable for viewers of all racial backgrounds.
The only big complaint I have is that, deep in the movie, I don't really get why the protagonist gets angry at her love interest for speaking up in her defense. Her reaction was uncalled for. Instead of thanking him for supporting her, she takes her frustrations out on him. That's not a good way to treat your friends, let alone your future spouse. If he had said nothing, another screenwriter would have made her berate him for not having her back.
Expectations were mixed to relatively positive prior to watching. Absolutely love watching dancing, despite being no good at it myself, and love even more so 'The Nutcracker' (have done ever since the age of six). Hallmark did do a fair share of good Christmas films in 2021 and 'Sugar Plum Twist' had one of the best premises of that year, one of Hallmark's most ambitious and is different. Am however not a fan of Jamie Gray Hyder and never warmed at all to her or her character on 'Law and Order: Special Victims Unit'.
'Sugar Plum Twist' really impressed me. As far as 2021 Hallmark Christmas films go (which was a very up and down batch), it is one of the best (as well as one of the most ambitious and refreshing) and makes the most of its premise, the execution not being too conventional. It is not perfect, with the flaws being a couple of the usual suspects, but there is a huge amount to like here, absolutely loved the clever twist on a favourite and Hyder surprised me in a good way.
Will agree absolutely that the protagonist's sudden negative reaction to being defended was far too extreme and completely undeserved.
Maybe Rachel DeBenedect overdoes it as a character that has few redeeming qualities for most of the film and for reasons not clear. She does become a good deal better when the character softens and in a change of heart that is much more realistic than most changes of heart in Hallmark films, as it doesn't feel as rushed and it is movingly done.
As said, Hyder really surprised me in an engaging performance as an identifiable and inspiring character that is the complete opposite of her over-zealous, opinionated and cold character on 'Special Victims Unit'. Laura Rosquer charms too and they have great chemistry together. The acting on the whole is fine and the interaction always connected and never distant or uncomfortable looking. The characters are written realistically and in on the whole a not too perfect or overly flawed way (other than Miss Kat in regard to the latter), was very inspired by the two leads.
It is a good looking film, particularly the scenery. Regardless of the lack of authenticity, it is still beautiful as is the decor. The music has verve and variety and the dancing is full of energy and grace in very clever choreography that does so well embracing Latin dance and culture. The climax is enough to inspire anybody in the performing arts. The script is not too cheesy or schmaltzy and flows well. The story is very heart-warming and charming, with the social issues being really relatable and handled tactfully. The diversity is also done tastefully and to me its increase in recent Hallmark films been more than welcome, quite surprising that including it has become a criticism when those complaining about it now were complaining about there not being enough of it before.
Overall, very nicely done. 8/10.
'Sugar Plum Twist' really impressed me. As far as 2021 Hallmark Christmas films go (which was a very up and down batch), it is one of the best (as well as one of the most ambitious and refreshing) and makes the most of its premise, the execution not being too conventional. It is not perfect, with the flaws being a couple of the usual suspects, but there is a huge amount to like here, absolutely loved the clever twist on a favourite and Hyder surprised me in a good way.
Will agree absolutely that the protagonist's sudden negative reaction to being defended was far too extreme and completely undeserved.
Maybe Rachel DeBenedect overdoes it as a character that has few redeeming qualities for most of the film and for reasons not clear. She does become a good deal better when the character softens and in a change of heart that is much more realistic than most changes of heart in Hallmark films, as it doesn't feel as rushed and it is movingly done.
As said, Hyder really surprised me in an engaging performance as an identifiable and inspiring character that is the complete opposite of her over-zealous, opinionated and cold character on 'Special Victims Unit'. Laura Rosquer charms too and they have great chemistry together. The acting on the whole is fine and the interaction always connected and never distant or uncomfortable looking. The characters are written realistically and in on the whole a not too perfect or overly flawed way (other than Miss Kat in regard to the latter), was very inspired by the two leads.
It is a good looking film, particularly the scenery. Regardless of the lack of authenticity, it is still beautiful as is the decor. The music has verve and variety and the dancing is full of energy and grace in very clever choreography that does so well embracing Latin dance and culture. The climax is enough to inspire anybody in the performing arts. The script is not too cheesy or schmaltzy and flows well. The story is very heart-warming and charming, with the social issues being really relatable and handled tactfully. The diversity is also done tastefully and to me its increase in recent Hallmark films been more than welcome, quite surprising that including it has become a criticism when those complaining about it now were complaining about there not being enough of it before.
Overall, very nicely done. 8/10.
Good film with a cultural twist that doesn't seem forced or have just a token diverse character thrown in. The story was interesting and included actors not seen in many other Hallmark movies, More movies like this please!
I watched this movie and when I heard Richmond, I was hoping they were talking about Richmond VA. Nothing I saw in the movie or heard in the movie told me it was Richmond, VA. The only thing that came close was when they said the dance studio was on Grace St. There is a Grace St. In Richmond and they do have store fronts that could house a dance studio like this one. Also, there is a ballet company in Richmond that presents the Nutcracker each year. But neither of these look anything like what is in the movie.
This was just another love story. And Hallmark is advertising they have a radio station now. Whoppee, opportunity to hear more or their cheesy music. The karaoke scene showed that a good singer can even make a bad song sound better.
Now that I have panned this movie, the good part was the diversity of this film. I loved the latin music and dancing. That is the reason I gave it 8 stars.
This was just another love story. And Hallmark is advertising they have a radio station now. Whoppee, opportunity to hear more or their cheesy music. The karaoke scene showed that a good singer can even make a bad song sound better.
Now that I have panned this movie, the good part was the diversity of this film. I loved the latin music and dancing. That is the reason I gave it 8 stars.
Did you know
- TriviaPhone number on the door of the dance studio is actually the number for Fred Astaire Dance Studio in Old Saybrook, CT - one location where the move was shot.
- GoofsAs can be seen on Ms Kat's organizing board, the dancers who were assigned the parts of the Mouse King and of the Nutcracker are named "Corley" (Ronnie S. Bowman Jr.) and "Alex" (Francis Lawrence). But when Natalia later addresses them during a rehearsal, she calls them respectively "Christopher" and "Steven".
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- Sugar Plum Christmas
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- Norwich, Connecticut, USA(Town Hall and Tree Lighting)
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