Mortal Engines
- 2018
- Tous publics
- 2h 8m
In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.
- Awards
- 3 wins & 2 nominations total
Leifur Sigurðarson
- Nils Lindstrom
- (as Leifur Sigurdarson)
Featured reviews
Pros:
-Gorgeous Visuals
-Steam punk vibe
-Cinematography
-Third act battle sequence
Cons: -Villain/Antagonist motivation is weak and also its backstory -Supporting characters are flat -Unnecessary sub plots
Score: -2.5/5 Chili Peppers
Verdict:
Cons: -Villain/Antagonist motivation is weak and also its backstory -Supporting characters are flat -Unnecessary sub plots
Score: -2.5/5 Chili Peppers
Verdict:
- The story itself has some flaws, it has a weak world building. It's antagonist has weak qualities of a good villain where you could hate him in the entire film. The movie also suffers from the lack of good backstory for the supporting characters and some of its protagonist motivation. Some subplots are not needed in the film , it just make the film longer and dragging.
I loved the idea, cities eating each other, but it hardly happens, the idea is introduced and then forgotten. The concept was great but I think Peter Jackson has lost the ability to adapt books. Lord of the Rings worked because the kept to the story and adapted it for screen, the Hobbit didn't work because they extended it into a bloated monster for screen and Mortal Engines fails because they have changed the story so much to make a their movie version. I didn't mind it when I first saw it, it's an ok film with great ideas that it doesn't really capitalise on but then I read the book.....
The nuanced villain has become almost comic book, despite Hugo Weaving's best efforts and the changes to make the Star Wars like ending took the tragedy from the finale. Hester seems hollow and her affection for Tom seems forced. Tom doesn't get to be our unwitting hero, with all his bravery that breaks down Hester removed and the tragic end is turned into an explosive pyrotechnic fest. Even Shrike's story is broken for no good reason, just to make Valentine even more evil and Tom less heroic. What a shame.
So, if you've not read the book, give it a go - there are far worse films - if you have, beware.
The nuanced villain has become almost comic book, despite Hugo Weaving's best efforts and the changes to make the Star Wars like ending took the tragedy from the finale. Hester seems hollow and her affection for Tom seems forced. Tom doesn't get to be our unwitting hero, with all his bravery that breaks down Hester removed and the tragic end is turned into an explosive pyrotechnic fest. Even Shrike's story is broken for no good reason, just to make Valentine even more evil and Tom less heroic. What a shame.
So, if you've not read the book, give it a go - there are far worse films - if you have, beware.
I was quite satisfied with this movie. I do wish I had seen it with my 12 year old son because I'm fairly sure he'd have enjoyed it too. Why? Because the whole story, plotline, characterization, basic concepts, love interest, action, bad guy - the whole shebang - is so clearly directed at "young adults" that anyone of my ancient age trying to judge it on the basis of those elements is going to be asking too much of it. But kids, and anyone who likes dystopian science fantasy action films will do too. And there's a good amount of humor in it too.
This was a hugely enjoyable piece of nonsense. I mean, the whole city of London on treadmills, eating up little German villages? With a hunt for a massive weapon of mass destruction? And imitation Twinkie bars that have lasted a thousand years?
Non-stop action, check. Tolerable dialogue, check. No uncomfortable love scenes that will make teens and preteens embarrassed, check. Obviously bad, bad guy, check. Great CGI, check. Did I mention the pretty much non-stop action?
The characters are pretty two dimensional, but sympathetic enough. The concept is fun to watch - steampunk does Star Wars. As dystopian visions of the world it goes pretty well, and I don't mind seeing my home town as the collective bad guys. I mean, come on, when isn't the bad guy from Britain?
It's not Blade Runner, but it's not Valerian either. I'll watch it again, but next time with my son.
This was a hugely enjoyable piece of nonsense. I mean, the whole city of London on treadmills, eating up little German villages? With a hunt for a massive weapon of mass destruction? And imitation Twinkie bars that have lasted a thousand years?
Non-stop action, check. Tolerable dialogue, check. No uncomfortable love scenes that will make teens and preteens embarrassed, check. Obviously bad, bad guy, check. Great CGI, check. Did I mention the pretty much non-stop action?
The characters are pretty two dimensional, but sympathetic enough. The concept is fun to watch - steampunk does Star Wars. As dystopian visions of the world it goes pretty well, and I don't mind seeing my home town as the collective bad guys. I mean, come on, when isn't the bad guy from Britain?
It's not Blade Runner, but it's not Valerian either. I'll watch it again, but next time with my son.
Like many reviews said, you can easily spot other films' plots in this one. Predictable, basic and 0 empathy for characters. Save yourself some money and watch it at home when available.
I've seen a lot movies like this, so I think this movie is not for me - it's for the newcomers. Great visuals, CGI looks good also the cinematography but the story has some flaws and the characters are flat and annoying. Useless sub plots, I don't think it's necessary and lame.
Zero empathy for characters, wasted talent of Hugo Weaving - the only reason why I want to watch this movie. Although the first scene of the movie looks promising.
Another thing that I hate about this movie, there's some line in this movie like "I don't want to tell you." then they looking at each other, and then "5 years ago..." and I'm like.. w-what.. the hell...
Zero empathy for characters, wasted talent of Hugo Weaving - the only reason why I want to watch this movie. Although the first scene of the movie looks promising.
Another thing that I hate about this movie, there's some line in this movie like "I don't want to tell you." then they looking at each other, and then "5 years ago..." and I'm like.. w-what.. the hell...
Did you know
- TriviaThe original novel mentioned plastic idols of Walt Disney's Mickey and Pluto, "the animal-headed gods of lost America" in the London History Museum. This film, being made by Universal, instead has plastic idols of Moi, moche et méchant (2010)'s Minions.
- GoofsWhen Hester and Tom are rescued by the old couple in the centipede-like craft, they share a small room. Hester, while lying on her back, shares her sad life story. A tear rolls down her cheek, but, given the horizontal position she's in, this would be impossible. The tear should roll pass the side of her face.
- Quotes
Shrike: I can remake you, just as I was remade.
Hester Shaw: You're going to kill me?
Shrike: For a little while.
- Crazy creditsThe Universal logo shows the Sixty Minute War occurring across the Earth.
- ConnectionsFeatured in Midnight Screenings: Mortal Engines (2018)
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Máquinas mortales
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000,000 (estimated)
- Gross US & Canada
- $15,951,040
- Opening weekend US & Canada
- $7,559,850
- Dec 16, 2018
- Gross worldwide
- $83,869,818
- Runtime
- 2h 8m(128 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content