A woman staying at an Airbnb discovers that the house she has rented is not what it seems.A woman staying at an Airbnb discovers that the house she has rented is not what it seems.A woman staying at an Airbnb discovers that the house she has rented is not what it seems.
- Awards
- 5 wins & 38 nominations total
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I went in totally blind, with no expectations whatsoever as I only heard of this movie the day I decided to watch it. I think that's the best way to enjoy it.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This is campy horror film that has all the classic tropes from horror movies of a home invasion, with some fun twists and turns in it. This is definitely more of campy film though. Not quite as a campy as movies like Child's Play or Leprechan, but definitely not a true horror movie that will give you nightmares like the Ring or the Excorcist.
Bill Skarsgård really does a great job setting things up, and Georgina Campbell serves well as the classic "damsel in the distress." Justin Long is truly hilarious. This pokes fun at a lot of hororr movie tropes while still being scary enough to have audiences jumping out of their seats. It's a movie that's best seen with a lot of friends in a packed theater. But I don't think it will be a horror classic.
This movie is textbook, to a T, the very definition of a cult film. This is the most "culty" film I've seen since rocky horror.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
I don't really want to say much (or compare this to other films) because anything written will give expectations and this film is absolutely best if you go in blind and with zero expectations. I would really, really recommend avoiding all reviews and any discussion of this film prior to seeing it. If you're a horror fan this movie should be at the top of your list.
I will say that the person who made the trailer deserves a major award because the trailer gives away *nothing* at all, which is exactly how a trailer should be and trailers like this are so rare.
7/10.
The good thing about the film: the setting. It's just wonderfully creepy when there's a huge vault under a "normal" house, which is then discovered by the protagonists.
But what doesn't work at all is the plot, because almost none of the protagonists' behaviour makes sense. They consistently make decisions that no normal person in their right mind would make. And so the plot is not driven by authentic behaviour of the characters, but only because the script wants it to be. And you can see this in the movie almost all the time.
If you always tell yourself while watching: I would never do that, what he or she has done now, then that is evidence of bad writing and ultimately of a bad film.
But what doesn't work at all is the plot, because almost none of the protagonists' behaviour makes sense. They consistently make decisions that no normal person in their right mind would make. And so the plot is not driven by authentic behaviour of the characters, but only because the script wants it to be. And you can see this in the movie almost all the time.
If you always tell yourself while watching: I would never do that, what he or she has done now, then that is evidence of bad writing and ultimately of a bad film.
For most I think this is one of those either you love it or you hate it movies. After viewing a couple of days ago I still am having issues deciding on which side of that divide I fall. For me, the opening act was exceptional. Skarsgård was fantastic in his role and Campbell also played her part excellently ( for the entire film really), but the two together had a perfect horror chemistry for me. I really was craving more screen time with both of them.
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
I had really low expectations when it started because because it begins exactly the same as "Weekenders" did which really wasn't a great movie, different genres though. Over half an hour in I still wasn't sure where exactly the movie was heading, but when things turn dark the thrill starts, old school horror-esque.
My only complaint, which unfortunately seemed like it was done deliberately, is that once the horror starts, the movie introduces a completely new character arc and you have to wait for it to build up all again, it purposely teases the eerie stuff which is frustrating because you know the good stuff's coming but not yet. And it does this several times, keeps resetting which makes the second act seem off paced but it all comes together in the end.
It was a conventional horror like you'd remember in the 2010's, not really prismatic or director trying to reinvent the wheel; it's just people stuck trying to escape from something in a 'haunted' house. And I like how there was still logical explanation, albeit a disturbing one. A few details that weren't explained, didn't seem to have the time to as it tries to introduce all the characters properly.
The last act of the movie is all eerie, it however doesn't climax as hard as I anticipated, thought they'd have more fight but it still did a pretty decent job and the finale scene was sensible end. Almost everything about the movie was better than I expected, I suggest going in blind.
My only complaint, which unfortunately seemed like it was done deliberately, is that once the horror starts, the movie introduces a completely new character arc and you have to wait for it to build up all again, it purposely teases the eerie stuff which is frustrating because you know the good stuff's coming but not yet. And it does this several times, keeps resetting which makes the second act seem off paced but it all comes together in the end.
It was a conventional horror like you'd remember in the 2010's, not really prismatic or director trying to reinvent the wheel; it's just people stuck trying to escape from something in a 'haunted' house. And I like how there was still logical explanation, albeit a disturbing one. A few details that weren't explained, didn't seem to have the time to as it tries to introduce all the characters properly.
The last act of the movie is all eerie, it however doesn't climax as hard as I anticipated, thought they'd have more fight but it still did a pretty decent job and the finale scene was sensible end. Almost everything about the movie was better than I expected, I suggest going in blind.
Did you know
- TriviaThe script started out after Zach Cregger read Gavin de Becker's book, "The Gift of Fear," which encourages women to trust their intuition when confronted by obviously dangerous men. He used it as a writing exercise and began crafting a thirty-minute short that consisted entirely of a conversation in which a woman continues to ignore a mounting series of red flags. He liked it well enough that he knew that he had the makings of a longer film and began conceptualizing a broader story for the characters.
- GoofsOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Crazy creditsSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
Details
Box office
- Budget
- $4,500,000 (estimated)
- Gross US & Canada
- $40,842,944
- Opening weekend US & Canada
- $10,543,948
- Sep 11, 2022
- Gross worldwide
- $45,352,337
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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