As Kendall, Shiv, and Roman hone their pitch for investors in LA, Logan learns of a rival bid on a long-coveted acquisition.As Kendall, Shiv, and Roman hone their pitch for investors in LA, Logan learns of a rival bid on a long-coveted acquisition.As Kendall, Shiv, and Roman hone their pitch for investors in LA, Logan learns of a rival bid on a long-coveted acquisition.
- Karolina Novotney
- (credit only)
- Hugo Baker
- (credit only)
- Kerry
- (as Zoë Winters)
Featured reviews
The relationship between the siblings has always been the highlight of the show, and seeing them all working together for once is very satisfying. The fallout of the last season finale is taking shape wonderfully, and it's clear that there are things waiting for the siblings as they try to set up something for themselves and prepare to take on Logan. There's certainly a toxicity in the relationship, but seeing them get along is something that'll hopefully carry the season into a beautiful trajectory. There's a beautiful contrast in the storyline here, as it's clear that Logan still has a lot of regrets; regrets that he'll never publicly disclose. His storyline this episode (which beautifully mirrors the beginning of the series with his birthday) really goes to show the loneliness inside Logan, something that has definitely been hinted at earlier, but is coming very wonderfully to the surface after his fallout with the children. It all leads into a very intense deal that they're both involved in and which sets up the real fight between the two parties very well. Jesse Armstrong's writing is as crisp and gorgeous as it has always been, and it gives the actors a lot of great stuff to work with. Especially Matthew Macfadyen and Sarah Snook who totally stand out throughout the entire episode, but especially in a very moving finale that asks a lot of questions about where their relationship is going. It promises a lot of exciting weeks ahead and one heck of an intense finale.
"The Munsters" capture the best elements of this show in a great hour of television that promises some great weeks to come in the future. The writing is great and the character work is off to a thrilling start with a lot of interesting questions about each character's future being put on the table quickly.
Logan's cold detachment from his children continues to be a central theme. Brian Cox's performance emphasizes Logan's dominance and his growing impatience with those around him. His 80th birthday party serves as a backdrop for much of the episode, but it's a joyless affair, highlighting his growing isolation. The Roy siblings, notably absent from the party, are plotting their next move, cementing their rivalry with their father. The tension between the siblings and Logan is palpable, with the family's fractured relationships foregrounded in nearly every scene.
From a technical perspective, the episode excels in maintaining Succession's visual and tonal consistency. The sleek cinematography captures both the luxurious settings of the Roy world and the emotional emptiness that pervades their lives. One of the most striking sequences occurs during the birthday party itself, where Logan, surveying the room, seems almost disgusted by the sycophantic behavior of his guests. The episode uses lighting and camera angles to emphasize his isolation, contrasting his towering presence with the smaller, scheming figures around him. The rhythm of the episode is deliberately slow, allowing tension to simmer beneath the surface, building anticipation for the inevitable confrontations to come.
The performances in "The Munsters" are uniformly excellent. Kieran Culkin shines as Roman, torn between loyalty to his father and his desire to assert himself independently. Jeremy Strong continues to portray Kendall with a mix of bravado and vulnerability, while Sarah Snook's Shiv is more calculating than ever, determined to make her own mark. The chemistry between the three siblings is electric, with their banter and shared scheming providing both levity and drama. The episode's script is sharp, filled with the biting humor and cutting dialogue that has come to define Succession.
In conclusion, "The Munsters" sets the stage for another season of familial power struggles, corporate machinations, and emotional manipulation. The episode effectively reintroduces the major players, reestablishes the stakes, and hints at the explosive confrontations to come. While it lacks the explosive drama of some previous episodes, its careful pacing and attention to character dynamics lay a strong foundation for the season ahead.
This episode was great, because it got me right back into the action and put the hype even higher for the finale! This is how television should be!
Did you know
- TriviaTom's lengthy aside to Greg about of Bridget's "ludicrously capacious handbag" became a viral internet meme after the episode aired. One popular version involved pasting the speech over an image of Matthew Macfadyen in the role of Mr. Darcy in Orgueil et préjugés (2005).
- GoofsDuring Connor's conversation with Willa about the wedding, the extra sitting behind Willa changes when the camera cuts to Connor and then back to Willa.
- Quotes
Tom Wambsgans: So I hear you've made an enormous faux pas and everyone's laughing up their sleeves about your date.
Greg Hirsch: What? Why?
Tom Wambsgans: Why? Because she brought a ludicrously capacious bag.
Greg Hirsch: What's...
Tom Wambsgans: What's even in there, huh? Flat shoes for the subway? Her lunch pail? I mean, Greg, it's monstrous. it's gargantuan. You could take it camping. You could slide it across the floor after a bank job.
Greg Hirsch: Well, whatever.
Tom Wambsgans: She's used all the display towels in the bathroom and now they're sopping wet. She's gabbling about herself and posting on social media, she's asking people personal questions, and she's wolfing all the canapés like a famished warthog.
Greg Hirsch: People are overreacting, okay? She brought a normal sort of handbag.
Tom Wambsgans: You are a laughingstock in polite society. You'll never go to the opera again.
- ConnectionsReferences Les monstres (1964)
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- 822 Sarbonne Rd, Los Angeles, California, USA(San Onofre Estate, opening scenes with Roman, Kendall and Shiv)
- See more company credits at IMDbPro
- Runtime
- 1h 5m(65 min)
- Color
- Aspect ratio
- 1.78 : 1